Based on an original new story by J.K. Rowling, Jack Thorne and John Tiffany, a new play by Jack Thorne, Harry Potter and the Cursed Child is the eighth story in the Harry Potter series and the first official Harry Potter story to be presented on stage. The play will receive its world premiere in London’s West End on July 30, 2016.
It was always difficult being Harry Potter and it isn’t much easier now that he is an overworked employee of the Ministry of Magic, a husband and father of three school-age children.
While Harry grapples with a past that refuses to stay where it belongs, his youngest son Albus must struggle with the weight of a family legacy he never wanted. As past and present fuse ominously, both father and son learn the uncomfortable truth: sometimes, darkness comes from unexpected places.
J.K. Rowling is the author of the seven Harry Potter novels, which have sold over 450 million copies and have been translated into 79 languages, and three companion books originally published for charity. She is also the author of The Casual Vacancy, a novel for adults published in 2012, and, under the pseudonym of Robert Galbraith, is the author of the Cormoran Strike crime series. J.K. Rowling is making her screenwriting debut and is a producer on the film Fantastic Beasts and Where to Find Them, a further extension of the Wizarding World, due for release in November 2016.
Jack Thorne writes for theatre, film, television and radio. His theatre credits include Hope and Let The Right One In, both directed by John Tiffany, The Solid Life of Sugarwater for the Graeae Theatre Company, Bunny for the Edinburgh Fringe Festival, Stacy for the Trafalgar Studios, 2nd May 1997 and When You Cure Me for the Bush. His adaptations include The Physicists for the Donmar Warehouse and Stuart: A Life Backwards for Hightide. On film his credits include War Book, A Long Way Down and The Scouting Book for Boys. For television his credits include The Last Panthers, Don’t Take My Baby, This Is England, The Fades, Glue and Cast-Offs and the upcoming National Treasure. In 2012 he won BAFTAs for best series (The Fades) and best serial (This Is England 88).
John Tiffany directed Once for which he was the recipient of multiple awards both in the West End and on Broadway. As Associate Director of the Royal Court, his work includes The Twits, Hope and The Pass. He was the director of Let The Right One In for the National Theatre of Scotland, which transferred to the Royal Court, West End and St. Ann’s Warehouse. His other work for the National Theatre of Scotland includes Macbeth (also Broadway), Enquirer, The Missing, Peter Pan, The House of Bernarda Alba, Transform Caithness: Hunter, Be Near Me, Nobody Will Ever Forgive Us, The Bacchae, Black Watch, for which he won the Olivier and Critics’ Circle Best Director Awards, Elizabeth Gordon Quinn and Home: Glasgow. Other recent credits include The Glass Menagerie at A.R.T. and on Broadway and The Ambassador at BAM. Tiffany was Associate Director of the National Theatre of Scotland from 2005 to 2012, and was a Radcliffe Fellow at Harvard University in the 2010-2011 academic year.
像我这样泪点低的人果然就是一直哭。时空穿越的硬性bug挺多。嗯对于fans来说的意义就在于,看不成Draco和Harry搅基但居然等到了他们的儿子搅基!!
评分我觉得这本书的隐喻其实是两个同性恋小孩,他们的保守派家长Harry Potter不让他们搞同性恋……
评分1. Albus Potter was put in Slytherin. 2.Scorpius Malfoy had a crush on Rose Weasley. 3.Albus and Scorpius were best buddies.
评分罗大妈显然驾驭不了剧本这种文体,对话没有信息量,分幕杂乱,瞎写舞台指导,愣是把一个正版续集写出了《哈利波特与瓷娃娃》的感觉。全篇精彩只能靠卖腐。唉,可惜啊,新手毁了自己创造的魔法世界。
评分#如何用粮食向同人给子世代所有隐藏cp撒糖#孙世代一言不合就真情流露,小蝎子情话十级不知Draco这娃咋养得这么甜,子世代的互动也萌得我不得不德哈德赫罗赫一口吃,尤其是德哈这对不会当爹互助小组,真是字面意义上的一本满足,嗝。有一次美好的哈迷集体高潮,以及看了剧本更好奇舞台效果什么样了...
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