The Unwomanly Face of War pdf epub mobi txt 電子書 下載2025
Svetlana Alexievich was born in Ivano-Frankivsk, Ukraine, in 1948 and has spent most of her life in the Soviet Union and present-day Belarus, with prolonged periods of exile in Western Europe. Starting out as a journalist, she developed her own nonfiction genre, which gathers a chorus of voices to describe a specific historical moment. Her works include The Unwomanly Face of War (1985), Last Witnesses (1985), Zinky Boys (1990), Voices from Chernobyl (1997), and Secondhand Time (2013). She has won many international awards, including the 2015 Nobel Prize in Literature “for her polyphonic writings, a monument to suffering and courage in our time.”
- 紀實文學
- 蘇聯衛國戰爭
- 女性
- 曆史
- 諾貝爾文學奬
- 白俄羅斯
- 外國文學
- 紀實
For more than three decades, Svetlana Alexievich has been the memory and conscience of the twentieth century. When the Swedish Academy awarded her the Nobel Prize, it cited her invention of “a new kind of literary genre,” describing her work as “a history of emotions . . . a history of the soul.”
In The Unwomanly Face of War, Alexievich chronicles the experiences of the Soviet women who fought on the front lines, on the home front, and in the occupied territories. These women—more than a million in total—were nurses and doctors, pilots, tank drivers, machine-gunners, and snipers. They battled alongside men, and yet, after the victory, their efforts and sacrifices were forgotten.
Alexievich traveled thousands of miles and visited more than a hundred towns to record these women’s stories. Together, this symphony of voices reveals a different aspect of the war—the everyday details of life in combat left out of the official histories.
Translated by the renowned Richard Pevear and Larissa Volokhonsky, The Unwomanly Face of War is a powerful and poignant account of the central conflict of the twentieth century, a kaleidoscopic portrait of the human side of war.
“But why? I asked myself more than once. Why, having stood up for and held their own place in a once absolutely male world, have women not stood up for their history? Their words and feelings? They did not believe themselves. A whole world is hidden from us. Their war remains unknown . . . I want to write the history of that war. A women’s history.”—Svetlana Alexievich
THE WINNER OF THE NOBEL PRIZE IN LITERATURE
“for her polyphonic writings, a monument to suffering and courage in our time.”
具體描述
讀後感
如果可以选择，这本书里的任何一个女人大概都不会选择战争吧！ 但战争从未给过她们选择的机会。 作者在后记里说，自己从未喜欢过战争书籍，她是卫国战争的孩子，小时候从不知道没有战争的世界是怎样的，那么她的这本书，就是为了告诉今人有战争的世界是怎样的。 所以，这本书写...
評分 評分记得小时看过一部露天电影叫《战争，让女人走开》，具体印象不深刻，电影内容很符合名字，意思就是战争这东西，属于男人游戏，女人只能做游戏创伤的抚慰者。但是在二战期间，尤其苏联时代，刚开始的大溃败以及在武装到牙齿第三帝国强大的攻击下，苏联兵力损失巨大外，加...
評分记得小时看过一部露天电影叫《战争，让女人走开》，具体印象不深刻，电影内容很符合名字，意思就是战争这东西，属于男人游戏，女人只能做游戏创伤的抚慰者。但是在二战期间，尤其苏联时代，刚开始的大溃败以及在武装到牙齿第三帝国强大的攻击下，苏联兵力损失巨大外，加...
評分年年如此，新科的诺贝尔文学奖得主一产生，他或她的著作能马上火上一阵子，这本《我是女兵，也是女人》也不例外。这次九州出版社算是遇上好运了，九月份刚推出阿列克谢耶维奇的这本完整的新译本，十月份就传来了她喜获诺奖的好消息，赶紧加印，赶紧加印，满足大众阅读的...
用戶評價
怎麼說呢，感覺還是有些流於感傷的人道主義的錶麵瞭，戰爭與女性能說的絕不僅僅隻是個人的創傷；
评分(1985) R4 戰爭中暫時得到瞭平等，戰後又是男人的附屬和歧視對象
评分感動. 在戰場上收集一個月的紗布做婚紗這種事情, 隻有女性纔做得齣來啊
评分(1985) R4 戰爭中暫時得到瞭平等，戰後又是男人的附屬和歧視對象
评分"For me one human being is so much." I LOVE Alexievich's impeccable curation, thanks to which the powerful voices of women soldiers', and thus human spirits, got to be preserved in this powerful book. War is brutal. But human feelings are bigger. Oh and the star couple translators in Volokhonsky and Pevear makes this English version even better.
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