具体描述
★ 翻开这本书，看见百年中国民间传奇。
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六十学写字，七十来写书，传奇老奶奶姜淑梅代表作
首次收录作者手绘故事插图+创作手稿
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★ 王小妮、梁文道、许戈辉、马伯庸等推荐
★ 中央电视台、凤凰卫视、《新周刊》、《南方周末》等 专题报道
★ 豆瓣读书2013年度最受关注图书
★ 新浪好书榜2013年度三十大好书
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姜淑梅大半辈子是文盲，直到花甲才开始看着戏曲频道学字。识字多了，她看了山东老乡莫言的三本半小说：《天堂蒜薹之歌》、《檀香刑》、《蛙》，还有半本《红高粱》，看完之后说：这个我也能写。
《乱时候，穷时候》写她自己早年的亲历和见闻，顾名思义，是饥荒、战乱年代的事，也是今天读书人大抵没听过没见过的事。那些故事令人心惊、心酸、心里发堵，老人用简朴的字句讲出，不渲染不评判，事情说得活灵活现，态度超然，几乎让人觉得淡漠。姜淑梅只讲故事不作判断，可以抱怨、骂人、赞美的事情，她只原原本本讲出来。
——《南方周末》（陈一鸣）
姜淑梅的作品《乱时候，穷时候》出版之后，很多人奔走相告，觉得是本奇书，写这本书的作者是一个奇人。姜淑梅女士带来的是一种民间草莽的声音，不需要别人替她代言，而是自己用笔写出来。她作品里的事情，跟知识分子的书写是不一样的。她笔下的民间故事，有一种故事本身的力量，那种力量是你很难忘记，很难忽视的。
——梁文道
姜奶奶的书中，让人惊讶的段落比比皆是。她的文字干净利落，不加评论，避免描述，对于往事，她有一种超脱的态度。她身上的质朴与真实，让那些故事弥足珍贵。
——许戈辉
这些故事诚实，或者说赤裸裸地把民间最纯粹的风土呈现出来，我们可以看到最纯粹的善良，也能看到最诡异的残忍，它们就像莫言《红高粱》笔下那些底层民众一样，饱含着粗糙、混沌的原始张力。
——马伯庸
《乱时候，穷时候》是我见到的第一本纯正的“听老人讲故事”的书。可以想象，类似的讲故事的人将越来越少，因为他们存在的乡土已经面目全非，他们也许成了最后的讲故事的人。现在让我们安静下来，翻开书页，听听姜淑梅老人的故事。
——王小妮
作者简介
姜淑梅，1937年生于山东省巨野县，1960年跑盲流至黑龙江省安达市，做了二十多年家属工。早年读过几天书，忘得差不多了。1997年开始认字，2012年开始写作。2013年4月起，部分文字曾刊于《读库》。
作者阅历丰富，历经战乱、饥荒年代，笔下故事篇篇精彩传神，每个字都“钉”在纸上，每个字都“戳”到心里。部分文字面世后，好评如潮，感动了众多读者和网友，为老人赢得了众多“姜丝”。
2013年10月，出版第一部作品《乱时候，穷时候》，得到中央电视台“读书”、凤凰卫视“名人面对面”、梁文道“开卷八分钟”等专题推荐，《新周刊》、《南方周末》、《读者》等专题报道，并入选新浪好书榜2013年度三十大好书、豆瓣读书2013年度最受关注图书。
2014年8月，出版第二部作品《苦菜花，甘蔗芽》，入围“2014年中国好书”。
2015年8月，出版第三部作品《长脖子女人》，获“2015年华文好书奖”。
2016年6月，出版第四部作品《俺男人》。
目录信息
我的学生姜淑梅 | 艾苓·························05
六十岁写字，七十岁写书 | 姜淑梅··········15
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乱时候
胡子攻打百时屯·································28
点天灯·············································32
刘克七的人·······································38
扫荡················································41
拉锯················································45
女共党·············································52
捡弹皮·············································55
逃难················································58
难民所里的人和事······························65
济南城的枪炮声·································72
庞家父子··········································77
金孩家的事·······································82
过蚂蚱·············································87
黄狗················································91
裹脚················································95
包脚布············································101
最后的辫子······································103
哑巴媳妇·········································106
露天地里的母女································110
守寡···············································113
改嫁···············································119
小指使妮儿······································122
小金盆儿·········································124
小媳妇············································130
二尾子············································134
大个子驴·········································137
老广德············································144
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穷时候
登记···············································150
挨饿那两年······································158
参加“大跃进”····································168
偷青···············································173
购票证············································185
出疹子············································188
大宿舍············································191
合住的“窝”·······································195
五十年前的家常话·····························199
坐月子············································202
闹黄皮子·········································206
买碱···············································211
傻··················································217
家属工············································221
批斗···············································230
地主成分·········································234
山沟里的后方基地·····························237
看见野兽·········································245
冬天进山·········································250
山沟里的孩子···································254
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家里人
俺娘···············································260
俺爹···············································274
二哥···············································284
俺舅···············································291
发家···············································295
婆家的家史······································299
二姨的家事······································304
本家大娘·········································309
王氏大妗子······································313
二嫂的弟媳······································320
· · · · · · (收起)
读后感
世上还从没有一个人说他很幸福。心怀天下的世界里，人心其实没那么大，天天操心过多，不是抑郁了，就是自我打鸡血打过量躁狂了。僻壤山沟里，眼里心里只有今天吃啥，明天吃啥，吃不着咋办。心里愁，肚子饿，浑身不舒服，哪儿哪儿都委屈。 于是世上的人商量好，就在自己这里结...
评分语言通俗凝练，有浓烈的独一无二的乡土气息，十分好读，篇篇都精彩传神、惊心动魄，每个字都“钉”在纸上，每个字都“戳”到心里。强烈推荐强烈推荐强烈推荐强烈推荐强烈推荐强烈推荐强烈推荐强烈推荐强烈推荐强烈推荐强烈推荐强烈推荐强烈推荐强烈推荐强烈推荐强烈推荐强烈推...
评分“姑娘你记着，脸不是人的脸面，谁有粉都往脸上搽。看一个人是不是真干净，看他的鞋就行了。” 起初，经由作家艾苓的文章，我认识了她的母亲。读着她转引母亲的家常话，我深受启发。她笔下的家事，或源于母亲的回忆，明显厚重。只是，她从来没有提及母亲的名字，也许觉得没有必...
评分凡是看书的时候，内心里基本都会有一个声音在随着字行念诵，基本情况下是普通话的腔调念出来。但是读这本书不行，因为作者是山东巨野县人，没念过书没什么文化，方言满纸都是，不自觉地就会将我带入到那种语境之中，逼我动用十多年只听不说的山东方言，在心里念，才能够完...
评分“姑娘你记着，脸不是人的脸面，谁有粉都往脸上搽。看一个人是不是真干净，看他的鞋就行了。” 起初，经由作家艾苓的文章，我认识了她的母亲。读着她转引母亲的家常话，我深受启发。她笔下的家事，或源于母亲的回忆，明显厚重。只是，她从来没有提及母亲的名字，也许觉得没有必...
用户评价
猫头鹰的新书，这次做了精装版，今天读完，姜淑梅老人的民间叙事，有熟悉的乡村家长里短，也有不同时代的侧面印记。值得一读。
评分那是一个复杂的年代，每个人都穷，但是好像都有着现在的人所没有的另一种快乐
评分书中讲诉了那饥荒战乱的年代，用朴实的言语讲诉那令人心酸心痛的故事，充满了质朴与真实。
评分「早些年，俺那兒去個生人，都在門外問：『家裡有人嗎？』 要是男人不在家，女人就答：『沒人。』 男人不把女人當人，女人也不把自己當人。」——姜淑梅奶奶六十歲才學認字，七十歲開始把記憶裡的故事，好的壞的都講出來。她寫的也不是什麼小說，更像是零散的片段，是記敘文。有故事的人好好講故事就可以，根本不需要什麼技巧，就足夠吸引人足夠「唬人」了——那是一個殘忍的年代，然而可怕的是，有些腐朽的東西，仍存活在「日光之下」。
评分是饥荒，战乱年代的事，也是今天读书人大抵没听过没见过的事。
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