Credit, Fashion, Sex

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Clare Haru Crowston is Associate Professor of History at the University of Illinois, Urbana-Champaign. She is the author of Fabricating Women: The Seamstresses of Old Regime France, 1675–1791, also published by Duke University Press.

出版者:Duke University Press
作者:Clare Haru Crowston
出品人:
頁數:448
译者:
出版時間:2013-10
價格:USD 30.00
裝幀:平裝
isbn號碼:9780822355281
叢書系列:
圖書標籤:
  • 經濟史 
  • 消費文化 
  • 法國 
  • 時尚 
  • 早期近代 
  • 日常生活 
  • 政治史 
  • 曆史 
  •  
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In Old Regime France credit was both a central part of economic exchange and a crucial concept for explaining dynamics of influence and power in all spheres of life. Contemporaries used the term credit to describe reputation and the currency it provided in court politics, literary production, religion, and commerce. Moving beyond Pierre Bourdieu's theorization of capital, this book establishes credit as a key matrix through which French men and women perceived their world. As Clare Haru Crowston demonstrates, credit unveils the personal character of market transactions, the unequal yet reciprocal ties binding society, and the hidden mechanisms of political power.

Credit economies constituted "economies of regard" in which reputation depended on embodied performances of credibility. Crowston explores the role of fashionable appearances and sexual desire in leveraging credit and reconstructs women's vigorous participation in its gray markets. The scandalous relationship between Queen Marie Antoinette and fashion merchant Rose Bertin epitomizes the vertical loyalties and deep social divides of the credit regime and its increasingly urgent political stakes

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立足於早期近代法國(主要是巴黎)的語境,在法律關係和經濟關係以外,探討作為文化符號的Credit及其與性彆和時尚的關係,並指齣瞭其中的網絡現象。如果對早期近代經濟史、消費文化之類的議題感興趣,可以看看。

评分

立足於早期近代法國(主要是巴黎)的語境,在法律關係和經濟關係以外,探討作為文化符號的Credit及其與性彆和時尚的關係,並指齣瞭其中的網絡現象。如果對早期近代經濟史、消費文化之類的議題感興趣,可以看看。

评分

立足於早期近代法國(主要是巴黎)的語境,在法律關係和經濟關係以外,探討作為文化符號的Credit及其與性彆和時尚的關係,並指齣瞭其中的網絡現象。如果對早期近代經濟史、消費文化之類的議題感興趣,可以看看。

评分

立足於早期近代法國(主要是巴黎)的語境,在法律關係和經濟關係以外,探討作為文化符號的Credit及其與性彆和時尚的關係,並指齣瞭其中的網絡現象。如果對早期近代經濟史、消費文化之類的議題感興趣,可以看看。

评分

立足於早期近代法國(主要是巴黎)的語境,在法律關係和經濟關係以外,探討作為文化符號的Credit及其與性彆和時尚的關係,並指齣瞭其中的網絡現象。如果對早期近代經濟史、消費文化之類的議題感興趣,可以看看。

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