Fiery Cinema pdf epub mobi txt 电子书下载 2024

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Weihong Bao

University of Minnesota Press

2015-3-15

464

USD 30.00

Paperback

9780816681341

图书标签: 包卫红电影海外中国研究媒介研究电影研究电影理论电影史海外华语电影研究

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发表于2024-07-13

Fiery Cinema epub 下载 mobi 下载 pdf 下载 txt 电子书下载 2024

Fiery Cinema pdf epub mobi txt 电子书下载 2024

图书描述

What was cinema in modern China? It was, this book tells us, a dynamic entity, not strictly tied to one media technology, one mode of operation, or one system of aesthetic code. It was, in Weihong Bao’s term, an affective medium, a distinct notion of the medium as mediating environment with the power to stir passions, frame perception, and mold experience. In Fiery Cinema, Bao traces the permutations of this affective medium from the early through the mid-twentieth century, exploring its role in aesthetics, politics, and social institutions.

Mapping the changing identity of cinema in China in relation to Republican-era print media, theatrical performance, radio broadcasting, television, and architecture, Bao has created an archaeology of Chinese media culture. Within this context, she grounds the question of spectatorial affect and media technology in China’s experience of mechanized warfare, colonial modernity, and the shaping of the public into consumers, national citizens, and a revolutionary collective subject. Carrying on a close conversation with transnational media theory and history, she teases out the tension and affinity between vernacular, political modernist, and propagandistic articulations of mass culture in China’s varied participation in modernity.

Fiery Cinema advances a radical rethinking of affect and medium as a key insight into the relationship of cinema to the public sphere and the making of the masses. By centering media politics in her inquiry of the forgotten future of cinema, Bao makes a major intervention into the theory and history of media.

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著者简介

Weihong Bao is assistant professor of film and media and Chinese studies at the University of California, Berkeley.

图书目录

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重写中国电影史的力作：（1）依靠媒介谱系学打开电影的“跨媒介性”，比如第二章讲灵视／无线传输技术在2、30年代形塑对电影媒介性的理解，第四章讲左翼电影和上海现代主义建筑在“透明性”美学上的共鸣，阐述电影作为一种技术在中国的（媒介／技术）现代性中的中心角色。（2）依靠情感/情动研究重新绘制电影的美学谱系，抓住“火／燃烧”这一关键元素，它代表一种美学意象、一种理解技术的诗学想象、一种媒介原型、一种政治能量的隐喻...组织了三部六个章节，大大复杂化了对于中国电影美学和政治的探讨。（3）在前面两根主轴建立的体系里，照顾到了许多之前少有触及的对象，比如“火烧片”的新英雄主义、战时重庆的国策片的美学试验，战时重庆、上海、香港影视生产的联系和互文等等，打破左翼/非左翼的传统视角。

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英语一般

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英文水平不足以让我看懂他的深邃思想。

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除了第五章略弱以外（也可能因为我自己对propaganda偏见太深难以被掰回来），整本书的史料收集理论想象力跨媒介跨文化研究文本分析都扎实得惊人，尤其中国电影研究很少见到有如此广阔视野的著述。（好想跟包老师学找资料啊！

读后感

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写得影史三城记，借得烈火一缕魂。 Fiery Cinema: The Emergence of an Affective Medium in China, 1915-1945 是包卫红的第一本英文学术专著。此书由她在芝加哥大学电影与媒体研究学系完成的博士论文发展而来，从论文结题至付之梨枣，已历十载。付梓之际，此书即以扎实的档案...

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看英语书好慢，不过如果能看完导论就大致能知道它关注的内容以及理论方法了。作者认为从重庆观众焚烧木兰从军，并不是简单的“光天化日之下的暴行”（brutality in broad daylight），或者大后方针对上海商业电影的群众暴力mob violence。而是一个煽动性的、自觉的跨媒介行动...

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Fiery Cinema pdf epub mobi txt 电子书下载 2024