The Lyrical in Epic Time

The Lyrical in Epic Time pdf epub mobi txt 电子书 下载 2025

出版者:Columbia University Press
作者:David Der-wei Wang
出品人:
页数:528
译者:
出版时间:2015-2-13
价格:GBP 54.95
装帧:Hardcover
isbn号码:9780231170468
丛书系列:
图书标签:
  • 王德威
  • 海外中国研究
  • 文学研究
  • 文学
  • 文化研究
  • 现代文学
  • 历史
  • 中国
  • 诗歌
  • 史诗
  • 文学理论
  • 时间
  • 抒情性
  • 叙事
  • 现代主义
  • 文化研究
  • 比较文学
  • 形式主义
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具体描述

This book positions the lyrical as key to rethinking the dynamics of Chinese modernity and emphasizes Chinese lyricism's deep roots in its own native traditions, along with Western influences. Although the lyrical may seem like an unusual form for representing China's social and political crises in the mid-twentieth century, David Der-wei Wang contends that national cataclysm and mass movements intensified Chinese lyricism in extraordinary ways. He calls attention to not only the vigor and variety of Chinese lyricism at an unlikely historical juncture but also the precarious consequences it brought about: betrayal, self-abjuration, suicide, and silence. Above all, his study ponders the relevance of such a lyrical calling of the past century to our time.

Despite their divergent backgrounds and commitments, the writers, artists, and intellectuals discussed in this book all took lyricism as a way to explore selfhood in relation to solidarity, the role of the artist in history, and the potential for poetry to illuminate crisis. They experimented with a variety of media, including poetry, fiction, intellectual treatise, political manifesto, film, theater, painting, calligraphy, and music. Wang's expansive research also traces the invocation of the lyrical in the work of contemporary Western critics. From their contested theoretical and ideological stances, Martin Heidegger, Theodor Adorno, Cleanth Brooks, Paul de Man, and many others used lyricism to critique their perilous, epic time. The Chinese case only further intensifies the permeable nature of lyrical discourse, forcing us to reengage with the dominant role of revolution and enlightenment in shaping Chinese -- and global -- modernity.

作者简介

David Der-wei Wang is Edward C. Henderson Professor of Chinese and Comparative Literature at Harvard University. His works include The Monster That Is History: History, Violence, and Fictional Writing in Twentieth-Century China; Fin-de-siècle Splendor: Repressed Modernity in Late Qing Fiction, 1849-1911; and Fictional Realism in Twentieth-Century China.

目录信息

读后感

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——读《史诗时代的抒情声音:二十世纪中期的中国知识分子与艺术家》([美]王德威著.北京:三联书店,2019.6) 有部晦涩沉闷的德语电影《隐墙》'Die Wand',描绘了一个女子无端被一堵看不见的墙困处,在如诗如画的自然中独自生存与思考。该片导演想要表达的似乎很多,算不上是佳...  

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本文原载于《中国图书评论》2016年第6期“书界观察”栏目。 作者,韩晗,深圳大学文化产业研究院。 哈佛大学东亚系讲座教授王德威先生将近年来的研究成果积累整理出版,命名为《史诗时代的抒情声音:1949年前后的中国现代文人》(下文简称《声音》,TheLyrical in Epic Time: ...  

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——读《史诗时代的抒情声音:二十世纪中期的中国知识分子与艺术家》([美]王德威著.北京:三联书店,2019.6) 有部晦涩沉闷的德语电影《隐墙》'Die Wand',描绘了一个女子无端被一堵看不见的墙困处,在如诗如画的自然中独自生存与思考。该片导演想要表达的似乎很多,算不上是佳...  

用户评价

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对情是fact还是feeling可以一看

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江文也那章感人至深

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總有種在外圍繞的感覺。有些association略微牽強。

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胡兰成一章最有趣。

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江文也那章感人至深

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