Russian formalists emerged from the Russian Revolution with ideas about the independence of literature. They enjoyed that independence until Stalin shut them down. By then they had produced essays that remain among the best defenses ever written for both literature and its theory. Included here are four essays representing key points in the formalists' short history. Victor Scklovsky's pathbreaking "Art as Technique" (1917) vindicates disorder in literary style. His 1921 essay on Tristram Shandy makes that eccentric novel the centerpiece for a theory of narrative. A section from Tomashevsky's "Thematics" (1925) inventories the elements of stories. In "The Theory of the 'Formal Method'" (1927) Boris Eichenbaum defends Russian formalism from many attacks. An able champion, he describes formalism's evolution, notes its major workers and works, clears away decayed axioms, and rescues literature from "primitive historicism" and other dangers. These essays set a course for literary studies that led to Prague structuralism, French semiotics, and postmodern poetics. Russian Formalist Criticism has been honored as a Choice Outstanding Academic Book of the Year by the American Library Association.
There are four essays in this book. The first one by Shklovsky seems a better translation than that in Theory of Prose. Art as Technique It seems not hard to summarize Shklovsky’s major proposition in “Art as Technique”, that is, when perception becom...
评分There are four essays in this book. The first one by Shklovsky seems a better translation than that in Theory of Prose. Art as Technique It seems not hard to summarize Shklovsky’s major proposition in “Art as Technique”, that is, when perception becom...
评分There are four essays in this book. The first one by Shklovsky seems a better translation than that in Theory of Prose. Art as Technique It seems not hard to summarize Shklovsky’s major proposition in “Art as Technique”, that is, when perception becom...
评分There are four essays in this book. The first one by Shklovsky seems a better translation than that in Theory of Prose. Art as Technique It seems not hard to summarize Shklovsky’s major proposition in “Art as Technique”, that is, when perception becom...
评分There are four essays in this book. The first one by Shklovsky seems a better translation than that in Theory of Prose. Art as Technique It seems not hard to summarize Shklovsky’s major proposition in “Art as Technique”, that is, when perception becom...
与其他同类学术著作相比,这本书的行文风格显得尤为潇洒和不羁,它没有被沉重的学术镣铐所束缚。作者似乎深谙如何将深奥的哲学思辨包裹在一层富有文学色彩的外衣之下,使得整个阅读过程充满了辩论的活力和思想交锋的火花。那些引用的案例和旁征博引的论证,绝非生硬的堆砌,而是被巧妙地编织进了作者的核心论点之中,它们相互印证、相互激发,共同构建起一个逻辑自洽又充满生命力的知识体系。在某些篇幅中,我甚至能感受到作者那种近乎狂热的、对真理探索的激情,这种饱满的情感,极大地感染了作为读者的我,让我感受到的不是冰冷的学术探讨,而是一场充满热忱的思想远征。这种张弛有度的叙事节奏,让原本可能枯燥的理论学习,变成了一场引人入胜的智力冒险,让人欲罢不能,恨不得一口气读完所有精彩的论述。
评分这本书的价值,我认为远远超出了其专业范畴,它提供了一种观察世界、理解文化现象的全新“工具箱”。它教导的不仅仅是知识,更是一种思维方式——一种质疑既有框架、探寻事物底层规律的批判精神。读完后,我发现自己看待日常的媒介、流行的文化趋势,乃至人际交流的方式,都带上了一种更深层次的解构视角。这种由内而外的认知重塑,才是最深刻的阅读体验。它迫使我重新校准自己理解复杂世界的参照系,让我意识到,我们习以为常的“自然”状态,往往是历史和社会建构的产物,而这本书,就如同打开了一扇通往幕后操作室的门。它培养的,是一种永不满足于表面答案的求知欲,一种对结构性力量的敏锐洞察力。总而言之,这是一部具有变革性力量的著作,值得被反复研读和珍藏。
评分我不得不说,初读这本书的开篇,我的心头立刻涌起一股强烈的学术冲动,作者的叙事方式非常独特,他没有采用那种枯燥的说教式开场,而是通过一系列引人入胜的、看似无关却又暗藏玄机的历史片段,巧妙地为接下来的深入探讨铺设了坚实的文化土壤。阅读过程中,我发现自己仿佛跟随一位经验丰富的向导,穿梭在知识的迷宫之中,每每柳暗花明,总有令人拍案叫绝的论述豁然眼前。那种思维被不断激发、认知边界被不断拓宽的感觉,是阅读的至高享受。我尤其欣赏作者在处理复杂概念时所展现出的精妙平衡感——既保持了理论的严谨性,又确保了表达的流畅性与可及性,使得即便是初涉该领域的读者也能迅速跟上其思想的节奏,而不至于感到迷失或挫败。这种写作功力,绝非一朝一夕之功所能企及,它透露出作者对研究对象有着近乎苛刻的深挖和彻悟。
评分这本书给我的最大震撼,在于它那种近乎手术刀般精确的分析能力。在阅读到关于文本结构解构的章节时,我简直惊呆了。作者似乎拥有一种透视能力,能够将那些隐藏在文字表象之下的、驱动作品运作的内在机制,清晰而无情地剖析出来,丝毫不拖泥带水,直击要害。这种剖析过程本身,就构成了一种极富张力的阅读体验,仿佛在观看一场精密复杂的机械拆装表演,每一个齿轮、每一根弹簧都必须归位,才能理解整体的运作逻辑。这种对“如何运作”而非仅仅“说了什么”的执着探究,彻底颠覆了我过去对文本阅读的肤浅理解。它强迫读者跳出情感共鸣的舒适区,进入一个更理性、更具批判性的审视场域。读完相关章节后,我再回看任何一篇文学作品,都会不自觉地带着一种新的、更具穿透力的眼光去审视,这种思维模式的转变,是这本书带给我最宝贵的一份“礼物”。
评分这本书的封面设计真是让人眼前一亮,那种深邃的蓝色调配上烫金的字体,散发出一种既古典又现代的神秘感,让人忍不住想立刻翻开它,探寻其中蕴含的知识宝藏。拿到手里的时候,我就感觉到它厚重实在的分量,这不仅仅是一本书的重量,更像是一份沉甸甸的学术承诺。书的装帧质量极高,纸张的触感非常细腻,即便是长时间阅读也不会感到疲劳,这对于像我这样喜欢沉浸式阅读的读者来说,简直是莫大的福音。我特别欣赏出版社在细节上的用心,无论是页眉的排版还是字体的选择,都体现出一种对文本的尊重和对读者的体贴。每一次摩挲书页,都像是在触摸一段厚重的历史,感觉自己正要踏入一个充满智慧和洞见的领域。这本书的整体美学价值已经超越了一本普通读物的范畴,它更像是一件值得珍藏的艺术品,静静地躺在书架上,本身就是一种无声的宣告,宣告着对高质量阅读体验的追求。
评分中间跳了,一如既往地被老毛子惊到
评分中间跳了,一如既往地被老毛子惊到
评分中间跳了,一如既往地被老毛子惊到
评分中间跳了,一如既往地被老毛子惊到
评分中间跳了,一如既往地被老毛子惊到
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