Sister Outsider

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Audre Lorde is a revolutionary Black feminist. Lorde's poetry was published very regularly during the 1960s — in Langston Hughes' 1962 New Negro Poets, USA; in several foreign anthologies; and in black literary magazines. During this time, she was politically active in civil rights, anti-war, and feminist movements. Her first volume of poetry, The First Cities (1968), was published by the Poet's Press and edited by Diane di Prima, a former classmate and friend from Hunter College High School. Dudley Randall, a poet and critic, asserted in his review of the book that Lorde "does not wave a black flag, but her blackness is there, implicit, in the bone."

Her second volume, Cables to Rage (1970), which was mainly written during her tenure at Tougaloo College in Mississippi, addressed themes of love, betrayal, childbirth and the complexities of raising children. It is particularly noteworthy for the poem "Martha", in which Lorde poetically confirms her homosexuality: "[W]e shall love each other here if ever at all." Later books continued her political aims in lesbian and gay rights, and feminism. In 1980, together with Barbara Smith and Cherríe Moraga, she co-founded Kitchen Table: Women of Color Press, the first U.S. publisher for women of colour. Lorde was State Poet of New York from 1991 to 1992.

出版者:Crossing Press
作者:Audre Lorde
出品人:
页数:192
译者:
出版时间:2007-8-1
价格:USD 16.99
装帧:Paperback
isbn号码:9781580911863
丛书系列:
图书标签:
  • 女权 
  • 女性主义 
  • 女性 
  • 散文 
  • 性别研究 
  • 政治 
  • 英文 
  • 美国 
  •  
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SISTER OUTSIDER presents essential writings of black poet and feminist writer Audre Lorde, an influential voice in 20th century literature. In this varied collection of essays, Lorde takes on sexism, racism, ageism, homophobia, and class, and propounds social difference as a vehicle for action and change. Her prose is incisive, unflinching, and lyrical, offering a message of struggle but also of hope?one that still resonates with us after more than 20 years. This commemorative edition is, in Lorde's own words, a call to ?never close our eyes to the terror, to the chaos which is Black which is creative which is female which is dark which is rejected which is messy which is. . . .?

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《the uses of anger》

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读起来比较轻松,很容易用凝练抽象的语言引人共鸣。

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我的天哪,这本书!每一篇都是经典。Lorde对silence的理解是独一无二的,并让我想起了语言表达中“停顿”的实际性效果。Lorde对白人女权主义的询问,对黑人男女之间的关系,对黑人女女之间的关系,女权与女同性恋主义之间的冲突的理解,这一系列涉及intersectionality的讨论都非常犀利。真的很可惜,至今这类思想家的作品都不在主流学术文化里,而我们这些在机制内部的人,常常要有点觉悟自己出去看看其他的风景。Lorde说的对,反抗压迫者,的确一部分也是我们自己的责任。

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Audre Lorde, “Poetry is Not a Luxury”

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感觉就是一记一记重锤。

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