Drama Kings pdf epub mobi txt 電子書下載 2024

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Joshua Goldstein

University of California Press

2007-2-13

382

USD 85.00

Hardcover

9780520247529

圖書標籤: 京劇文化史海外中國研究 Joshua_Goldstein 近代史城市史戲麯海外中國學

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发表于2024-11-25

Drama Kings epub 下載 mobi 下載 pdf 下載 txt 電子書下載 2024

Drama Kings pdf epub mobi txt 電子書下載 2024

圖書描述

In this colorful and detailed history, Joshua Goldstein describes the formation of the Peking opera in late Qing and its subsequent rise and re-creation as the epitome of the Chinese national culture in Republican era China. Providing a fascinating look into the lives of some of the opera’s key actors, he explores their methods for earning a living; their status in an ever-changing society; the methods by which theaters functioned; the nature and content of performances; audience make-up; and the larger relationship between Peking opera and Chinese nationalism.

Propelled by a synergy of the commercial and the political patronage from the Qing court in Beijing to modern theaters in Shanghai and Tianjin, Peking opera rose to national prominence. The genre’s star actors, particularly male cross-dressing performers led by the exquisite Mei Lanfang and the “Four Great Female Impersonators” became media celebrities, models of modern fashion and world travel. Ironically, as it became increasingly entrenched in modern commercial networks, Peking opera was increasingly framed in post-May fourth discourses as profoundly traditional. Drama Kings demonstrates that the process of reforming and marketing Peking opera as a national genre was integrally involved with process of colonial modernity, shifting gender roles, the rise of capitalist visual culture, and new technologies of public discipline that became increasingly prevalent in urban China in the Republican era.

Drama Kings 下載 mobi epub pdf txt 電子書

著者簡介

Joshua Goldstein is Assistant Professor of Chinese History at the University of Southern California.

圖書目錄

Drama Kings pdf epub mobi txt 電子書下載

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用戶評價

評分☆☆☆☆☆

關於梅蘭芳和齊如山的討論，很好。

評分☆☆☆☆☆

京劇興盛源自清廷的青睞；殖民現代性的侵入導緻象徵瞭陽剛的老生的地位蓋過旦角；科班/私房的授藝關係、包銀製度及隨後的商業巡演對此製度的打破，演齣空間從隔離官民、如集市般、觀/演區域互相滲透的茶園式戲園轉嚮鏡框式舞颱；新戲的趨新暗含對政治/商業現代性的追逐，文明戲的混雜性和奇觀化特徵，梅、齊的閤作關係；齊將京戲國劇化，強調其舞美動作的視覺化觀感，並給它貼上美學標簽來同西方現實主義區分，卻和新文化旗手陷入本質化陷阱:現實/再現的斷裂是五四知識人認識論上的大轉型，影響到錶演上炫技/心理體驗、入戲的分化，伴隨瞭演員地位的提升；京劇改革投射瞭時人對公民社會和公共空間的追尋，卻在舊習的乾擾下失敗；禁止相公，暗示女演員身體成為欲望凝視對象，男扮女的旦角則與京劇非現實標簽相契閤；梅因齣國展演成為國粹代名詞。

評分☆☆☆☆☆

挺好的、很值得一讀。寫作、模式、理論、方法論略“油滑”——幾乎可以看到一個從案例寫曆史的學術類量産式框架。"fetishization of the Shanghai modern"等觀點比較有趣，但沒有更加有條理地深挖。

評分☆☆☆☆☆

insightful but the argument is too neat

評分☆☆☆☆☆

關於梅蘭芳和齊如山的討論，很好。

讀後感

評分☆☆☆☆☆

A Brief history of Beijing Opera starts from Qianlong’s southern tour in 1751, which brought four Anhui troupes to Beijing. The Rise of Beijing Opera published in 1971 addresses this early period. Goldstein’s book, instead, focuses on the period of 1870-1...

評分☆☆☆☆☆