Drama Kings pdf epub mobi txt 电子书下载 2024

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Joshua Goldstein

University of California Press

2007-2-13

382

USD 85.00

Hardcover

9780520247529

图书标签: 京剧文化史海外中国研究 Joshua_Goldstein 近代史城市史戏曲海外中国学

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发表于2024-11-21

Drama Kings epub 下载 mobi 下载 pdf 下载 txt 电子书下载 2024

Drama Kings pdf epub mobi txt 电子书下载 2024

图书描述

In this colorful and detailed history, Joshua Goldstein describes the formation of the Peking opera in late Qing and its subsequent rise and re-creation as the epitome of the Chinese national culture in Republican era China. Providing a fascinating look into the lives of some of the opera’s key actors, he explores their methods for earning a living; their status in an ever-changing society; the methods by which theaters functioned; the nature and content of performances; audience make-up; and the larger relationship between Peking opera and Chinese nationalism.

Propelled by a synergy of the commercial and the political patronage from the Qing court in Beijing to modern theaters in Shanghai and Tianjin, Peking opera rose to national prominence. The genre’s star actors, particularly male cross-dressing performers led by the exquisite Mei Lanfang and the “Four Great Female Impersonators” became media celebrities, models of modern fashion and world travel. Ironically, as it became increasingly entrenched in modern commercial networks, Peking opera was increasingly framed in post-May fourth discourses as profoundly traditional. Drama Kings demonstrates that the process of reforming and marketing Peking opera as a national genre was integrally involved with process of colonial modernity, shifting gender roles, the rise of capitalist visual culture, and new technologies of public discipline that became increasingly prevalent in urban China in the Republican era.

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著者简介

Joshua Goldstein is Assistant Professor of Chinese History at the University of Southern California.

图书目录

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用户评价

评分☆☆☆☆☆

挺好的、很值得一读。写作、模式、理论、方法论略“油滑”——几乎可以看到一个从案例写历史的学术类量产式框架。"fetishization of the Shanghai modern"等观点比较有趣，但没有更加有条理地深挖。

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京剧兴盛源自清廷的青睐；殖民现代性的侵入导致象征了阳刚的老生的地位盖过旦角；科班/私房的授艺关系、包银制度及随后的商业巡演对此制度的打破，演出空间从隔离官民、如集市般、观/演区域互相渗透的茶园式戏园转向镜框式舞台；新戏的趋新暗含对政治/商业现代性的追逐，文明戏的混杂性和奇观化特征，梅、齐的合作关系；齐将京戏国剧化，强调其舞美动作的视觉化观感，并给它贴上美学标签来同西方现实主义区分，却和新文化旗手陷入本质化陷阱:现实/再现的断裂是五四知识人认识论上的大转型，影响到表演上炫技/心理体验、入戏的分化，伴随了演员地位的提升；京剧改革投射了时人对公民社会和公共空间的追寻，却在旧习的干扰下失败；禁止相公，暗示女演员身体成为欲望凝视对象，男扮女的旦角则与京剧非现实标签相契合；梅因出国展演成为国粹代名词。

评分☆☆☆☆☆

详尽清楚

评分☆☆☆☆☆

A Chinese history based on theatre history, not flawless but clever and ambitious indeed.

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insightful but the argument is too neat

读后感

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A Brief history of Beijing Opera starts from Qianlong’s southern tour in 1751, which brought four Anhui troupes to Beijing. The Rise of Beijing Opera published in 1971 addresses this early period. Goldstein’s book, instead, focuses on the period of 1870-1...

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