The Burden of Female Talent pdf epub mobi txt 電子書下載 2024

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Ronald C. Egan

Harvard University Asia Center

2014-2-17

432

USD 59.95

Hardcover

Harvard-Yenching Institute Monograph Series

9780674726697

圖書標籤: 李清照海外中國研究詩歌海外漢學文學研究文學宋代宋

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发表于2024-07-12

The Burden of Female Talent epub 下載 mobi 下載 pdf 下載 txt 電子書下載 2024

The Burden of Female Talent pdf epub mobi txt 電子書下載 2024

圖書描述

Widely considered the preeminent Chinese woman poet, Li Qingzhao (1084-1150s) occupies a crucial place in China’s literary and cultural history. She stands out as the great exception to the rule that the first-rank poets in premodern China were male. But at what price to our understanding of her as a writer does this distinction come? The Burden of Female Talent challenges conventional modes of thinking about Li Qingzhao as a devoted but often lonely wife and, later, a forlorn widow. By examining manipulations of her image by the critical tradition in later imperial times and into the twentieth century, Ronald C. Egan brings to light the ways in which critics sought to accommodate her to cultural norms, molding her “talent” to make it compatible with ideals of womanly conduct and identity. Contested images of Li, including a heated controversy concerning her remarriage and its implications for her “devotion” to her first husband, reveal the difficulty literary culture has had in coping with this woman of extraordinary conduct and ability. The study ends with a reappraisal of Li’s poetry, freed from the autobiographical and reductive readings that were traditionally imposed on it and which remain standard even today.

The Burden of Female Talent 下載 mobi epub pdf txt 電子書

著者簡介

Ronald C. Egan is Professor of Sinology in the Department of East Asian Languages and Cultures at Stanford University.

圖書目錄

The Burden of Female Talent pdf epub mobi txt 電子書下載

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用戶評價

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很comprehensive的研究，前半部就李清照於其時的女性／文人的身份地位齣發重新考察瞭比如自傳式書寫、《金石錄》後序、再婚等等經典問題，頗有新的見解；書的後半部分則關注李清照形象在後世的接受和層纍變遷，也很細緻。我對這個領域並不瞭解，但就閱讀第一感覺來說，那些被批駁的舊觀點自然暴露齣男性中心等偏見，但一些revisionist的論點如果實證不足，是否也難脫在女性主義影響下強行修正的嫌疑（比如解讀《詞論》的地方，Egan對李作為“女性”詞人的發言位置的認定在性彆上還挺essentialized的，但其實《詞論》中李八郎的故事很有強調performance/preemption的靈活機巧的一麵）？但也確實因為年代久遠，實證難尋瞭吧。

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有時身處自己的文化環境反而無法看清事物本質。這個牛逼的外國教授對李清照詞從很新穎的角度分析：她一定是在思念趙明誠？她一定是在寫自己？男詞人在創作時常把自己變成歌女來寫，那纔高八鬥的李清照為何不可？佩服！

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謝謝彥霄掃描前言與結尾，齣國後一定要讀完。和中文的清照評傳之尋溯係年不同，該書開門見山地質疑瞭曆代傳遞下來清照作品的真實性。第一部分重構當時的社會環境之於女性作傢，強調嚮來未被重視的"historicized apprehension"。與中文評傳相同的是反駁瞭將清照詞作為純粹的個人抒情來看。作者將李清照再嫁（張汝舟?）並告離視為她創作的一個轉摺點("writings from aftermath") 7-9章敘述瞭明清時期婦女寫作的更被接受、但同時守貞觀念加強- 這兩者在清照身上的衝撞所造成的對其scholarship的影響。清照對明誠死後忠貞的寡婦形象，對其再嫁一事的掩蓋就是晚清時期漸盛的，緊接著作者敘述五四時期對於此點的爭議，並且之後置於全世界的gender dynamic環境中。作者

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