China was the most advanced country in the world when Huizong ascended the throne in 1100 CE. In his eventful twenty-six year reign, the artistically-gifted emperor guided the Song Dynasty toward cultural greatness. Yet Huizong would be known to posterity as a political failure who lost the throne to Jurchen invaders and died their prisoner. The first comprehensive English-language biography of this important monarch, Emperor Huizong is a nuanced portrait that corrects the prevailing view of Huizong as decadent and negligent. Patricia Ebrey recasts him as a ruler genuinely ambitious—if too much so—in pursuing glory for his flourishing realm.
After a rocky start trying to overcome political animosities at court, Huizong turned his attention to the good he could do. He greatly expanded the court’s charitable ventures, founding schools, hospitals, orphanages, and paupers’ cemeteries. An accomplished artist, he surrounded himself with outstanding poets, painters, and musicians and built palaces, temples, and gardens of unsurpassed splendor. What is often overlooked, Ebrey points out, is the importance of religious Daoism in Huizong’s understanding of his role. He treated Daoist spiritual masters with great deference, wrote scriptural commentaries, and urged his subjects to adopt his beliefs and practices. This devotion to the Daoist vision of sacred kingship eventually alienated the Confucian mainstream and compromised his ability to govern.
Readers will welcome this lively biography, which adds new dimensions to our understanding of a passionate and paradoxical ruler who, so many centuries later, continues to inspire both admiration and disapproval.
Patricia Buckley Ebrey is Professor of History and Chinese Studies at the University of Washington.
徐瑾 宋代是一个矛盾的时代。 前人感叹读宋史常流泪。明代王夫之曾经批判“陋宋”,国史大家钱穆更是表示汉唐宋明清中,宋是“最贫最弱”的一环,“从政治制度上看来,也是最没有建树的一环”。与此同时,宋代在华夏历史中,却又同时是斯文的代表。我们知道,宋代文化经济方面...
评分赵宋王朝的诸位皇帝当中,宋徽宗是个独特的存在。尽管对时人而言,位居权力顶峰的他,高不可攀,但后世记住的,要么是他无能君主的形象——被金人掳走,沦为阶下囚——赵宋王朝威风不再,要么是作为非凡艺术家的他,不但以瘦金体在书法史上占据一席之地,而且还以高超的画技闻...
评分【媒体用稿,请勿转载】 宋代在历史上积贫积弱的形象,最近十几年得到了很大改观。学术著作、民间网文,每每提及此话题,引用陈寅恪“造极于赵宋之世”的说法,几已成为了标准操作。而随着故宫博物院近些年一系列宋画展览、众多普及型宋史著作的出版,以及宋代文人士大夫持久不...
评分皇帝也是人,可是身在那样的高位,他被要求只能努力具备圣贤要求的明君品质,而不许有作为人的性情与欲望,所以徽宗对文艺的热爱,与性情相投者的交往,对道教的沉迷都成了他亡国的罪证。如果不是皇帝,他会成为一个成就卓著的艺术家,被后人赞赏,而不是被一再作为反面教材来...
评分对于中国的古代帝王,传统的官方话语中单独有着自己独特的一套评价准则,比如皇帝若是每天早起晚归宵衣旰食,勤俭克己,哪怕他只是中人之资,这样我们也会认为他是一位好皇帝了;而对于本书的主人公,却不幸地落入万劫不复之地,后世帝王教育里,他成为了似乎必须提及的反例。 ...
#要看文笔好找史景迁卜正民这俩写小说的啊(嘲讽脸)
评分这位太太我喜欢的!
评分伊佩霞给宋徽宗全面翻案的著作。试图全面摆脱历史的后见之明,把宋徽宗当成一个人,一个局限于当时的环境和观念的人,并把很多当时的偶然性都考虑进去。伊佩霞是很成功的史学家,运用材料极多,思路清晰准确;不过行文就不如专业的艺术史学者来得富于文采,读得特别累。大概就像啃窝窝头的感觉,管饱,就是没什么滋味。
评分脱离了低级趣味和随意幻想的冷静文笔。
评分從不同材料拼湊起來的宋徽宗的重新審視,厚厚的書多半是材料地堆積和故事的敘述,缺乏critical的成分,顯得索然無味。
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