Huizong was an exceptional emperor who lived through momentous times. A man of many talents, he wrote poetry and created his own distinctive calligraphy style; collected paintings, calligraphies, and antiquities on a large scale; promoted Daoism; and involved himself in the training of court artists, the layout of gardens, and reforms of music and medicine. The quarter century when Huizong ruled is just as fascinating. The greatly enlarged scholar-official class had come into its own but was deeply divided by factional strife. The long struggle between the Chinese state and its northern neighbors entered a new phase when Song proved unable to defend itself against the newly emergent Jurchen state of Jin. Huizong and thousands of members of his family and court were taken captive, and the Song dynasty had to recreate itself in the South.
Patricia Buckley Ebrey is Professor of History and Chinese Studies at the University of Washington.
Maggie Bickford is Professor and Chair of History of Art and Architecture at Brown University.
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内容没有想象中的好,政治、意识形态部分的论文感觉像是流水帐,文化艺术部分的虽然不错,但也更加坐实了徽宗的文艺青年形象。结构上最大的问题就是缺少讲述盐法、茶法改革的论文,正是财政上的改善才让徽宗一切的折腾成为可能;而同样也正是这一块几乎被南宋全面继承,成为徽宗最重要的政治遗产。
评分内容没有想象中的好,政治、意识形态部分的论文感觉像是流水帐,文化艺术部分的虽然不错,但也更加坐实了徽宗的文艺青年形象。结构上最大的问题就是缺少讲述盐法、茶法改革的论文,正是财政上的改善才让徽宗一切的折腾成为可能;而同样也正是这一块几乎被南宋全面继承,成为徽宗最重要的政治遗产。
评分其实是论文集,冲着尹佩霞去的,结果只有导言是她写的。
评分很好
评分重点读Bol, Ebrey & Bickford的论文,宋徽宗传统上艺术家皇帝的形象需要被重新考量。Ebrey的文章算是个引子,日后出的两本书都往这个方向上更进一步。Bol的文章要和艾诺朗的书合起来读就豁然开朗了。
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