Pictures and Visuality in Early Modern China pdf epub mobi txt 电子书下载 2025

☆☆☆☆☆
简体网页||繁体网页

Craig Clunas

Reaktion Books

2006-3-1

224

USD 45.00

Hardcover

Picturing History

9781861890085

图书标签: 艺术史柯律格 Craig_Clunas 海外中国研究中国艺术早期现代中国的图像与视觉文化新文化史

喜欢 Pictures and Visuality in Early Modern China 的读者还喜欢

下载链接在页面底部

下载链接1
下载链接2
下载链接3

facebook linkedin mastodon messenger pinterest reddit telegram twitter viber vkontakte whatsapp 复制链接

想要找书就要到小哈图书下载中心

qciss.net

立刻按 ctrl+D收藏本页

你会得到大惊喜!!

发表于2025-02-22

Pictures and Visuality in Early Modern China epub 下载 mobi 下载 pdf 下载 txt 电子书下载 2025

Pictures and Visuality in Early Modern China pdf epub mobi txt 电子书下载 2025

图书描述

Pictures and Visuality in Early Modern China is not simply a survey of sixteenth-century images, but rather, a thorough and thoughtful examination of visual culture in China's Ming Dynasty, one that considers images wherever they appeared—not only paintings, but also illustrated books, maps, ceramic bowls, lacquered boxes, painted fans, and even clothing and tomb pictures.

Clunas's theory of visuality incorporates not only the image and the object upon which it is placed but also the culture which produced and purchased it. Economic changes in sixteenth-century China—the rapid expansion of trade routes and a growing class of consumers—are thus intricately bound up with the evolution of the image itself. Pictures and Visuality in Early Modern China will be a touchstone for students of Chinese history, art, and culture.

Pictures and Visuality in Early Modern China 下载 mobi epub pdf txt 电子书

著者简介

Craig Clunas is Senior Lecturer in the History of Art at the University of Sussex. He has published extensively on the culture of the Ming period. His books include Fruitful Sites: Garden Culture in Ming Dynasty China; Art in China; and Superfluous Things: Material Culture and Social Status in Early Modern China.

图书目录

Pictures and Visuality in Early Modern China pdf epub mobi txt 电子书下载

想要找书就要到小哈图书下载中心

qciss.net

立刻按 ctrl+D收藏本页

你会得到大惊喜!!

用户评价

评分☆☆☆☆☆

讲三才图会那一节，尤其是“地”那一节和上学期写早期中国地图的东西都串上了，感觉很高兴。全书结论里面关于图(picture)与画(painting)的complementary bipolarity（这词是引用浦安迪的说法）关系很有启发。

评分☆☆☆☆☆

不太记得了，印象就读了关于“观”和“读”概念的两章很有趣

评分☆☆☆☆☆

由此书起，柯律格不再立足于某一个特定的材料或者特定的艺术家来看明代，而是撒下一张巨大的网，经纬纵横穿插于多种媒材，多个阶层，多种观看模式和多种话语之间。如此之野心需要一个精心设计的结构或者是坚实的理论，甚至是一种信念在背后作为支持。由一种后见之明看来，这种对明代的复杂性的看法是显而易见的，一种fine art的确立必然是一种垄断性话语和实践的构建的产物，而由此，艺术史则进入了视觉文化和物质文化研究的范畴，研究的重心也从图像和审美要素进入社会学和人类学。

评分☆☆☆☆☆

写得有趣的一本书。像明代印刷时代下书籍的普及与宗教等公共建筑壁画之间的竞争，就是一种很好理解却又很难理清楚但被作者大致上理个清楚的一章。下文，对于《三才图会》中“天、地、人”三大主题的表现方式的讨论，对理解明代人的视觉文化，很有启发：“天”的表达，反而越来越不具像了，地的表达则跟时代的商品化、地图、收藏品的制作有关。。。。第5章讨论的是“木版印刷时代的艺术”，外加一章专讲情色画。