【作者簡介】
莫德裏斯•埃剋斯斯坦是多倫多大學曆史係榮休教授。他受人稱道的暢銷書《春之祭》曾在九個國傢齣版,並榮獲華萊士•K. 弗格森奬和延齡草圖書奬,還被《環球郵報》和《紐約時報》列為當年的優秀圖書之一。《漫步天明後》(Walking Since Daybreak)也是一部全國暢銷書,獲得過皮爾遜作傢信托基金非虛構圖書奬,並被《泰晤士報文學增刊》、《洛杉磯時報》和《環球郵報》列為2000年優秀圖書之一。他備受期待的《春之祭》續篇《太陽舞》(Solar Dance)也已齣版。
【譯者簡介】
李曉江,北京大學哲學博士。愛書。教書、讀書之餘,亦以譯書為樂。譯有《失敗的帝國:從斯大林到戈爾巴喬夫》《硃可夫:斯大林的將軍》《斯大林的戰爭》。
Dazzling in its originality, witty and perceptive in unearthing patterns of behavior that history has erased, RITES OF SPRING probes the origins, the impact, and the aftermath of World War I -- from the premiere of Stravinsky's ballet The Rite of Spring in 1913 to the death of Hitler in 1945. "The Great War," as Modris Eksteins writes, "was the psychological turning point . . . for modernism as a whole. The urge to create and the urge to destroy had changed places." In this "bold and fertile book" (Atlantic Monthly), Eksteins goes on to chart the seismic shifts in human consciousness brought about by this great cataclysm through the lives and words of ordinary people, works of literature, and such events as Lindbergh's transatlantic flight and the publication of the first modern bestseller, ALL QUIET ON THE WESTERN FRONT. RITES OF SPRING is a remarkable and rare work, a cultural history that redefines the way we look at our past and toward our future.
神经粗壮意犹未尽,有草草结尾感。当革新和巩固点燃毁灭,当意义和目的陷入迷雾,当井然有序的现实世界坍塌,当理性无以再应对。个体人格和体验成了统一性的唯一堡垒和描述现实的唯一途径通往仅可表达的艺术。 当因饱受战争创伤而变得脆弱失去自信,在重新找到象征和维护的寄托...
評分得到听书: 首先,作者认为,两次世界大战都是德意志文化为了保持自身优越性,进而拯救世界发动的战争,德国的领土野心、政治野心等都在其次。但是,我们是不是可以追问一下,反过来是否更合理?也就是说,所谓德意志文化的优越性,无非是满足德国好战分子的野心而已,战争是人...
評分一 讲述一战爆发的书很多,很难写出新意,但这本书做到了。一般分析一战都是从国家、历史、阵营、政治人物入手,但《春之祭》是从文化和普通民众入手,确实耳目一新。 二 一战之前,欧洲已经平静了很多年,从拿破仑战败之后就少有大战了,大家过的比较和平但也挺无聊,有一种一...
評分得到听书: 首先,作者认为,两次世界大战都是德意志文化为了保持自身优越性,进而拯救世界发动的战争,德国的领土野心、政治野心等都在其次。但是,我们是不是可以追问一下,反过来是否更合理?也就是说,所谓德意志文化的优越性,无非是满足德国好战分子的野心而已,战争是人...
評分神经粗壮意犹未尽,有草草结尾感。当革新和巩固点燃毁灭,当意义和目的陷入迷雾,当井然有序的现实世界坍塌,当理性无以再应对。个体人格和体验成了统一性的唯一堡垒和描述现实的唯一途径通往仅可表达的艺术。 当因饱受战争创伤而变得脆弱失去自信,在重新找到象征和维护的寄托...
how to approach elusive cultural phenomena such as perceptions, attitudes, sentiments and belief systems. How do we as historians get at the ‘spirit’ of an age, or systems of meaning-making? What can studying such phenomena reveal? What are the risks involved? Preface, Chapters I (p. 9-16 only), VI and IX 似乎口氣過大,文筆確實很好。
评分how to approach elusive cultural phenomena such as perceptions, attitudes, sentiments and belief systems. How do we as historians get at the ‘spirit’ of an age, or systems of meaning-making? What can studying such phenomena reveal? What are the risks involved? Preface, Chapters I (p. 9-16 only), VI and IX 似乎口氣過大,文筆確實很好。
评分how to approach elusive cultural phenomena such as perceptions, attitudes, sentiments and belief systems. How do we as historians get at the ‘spirit’ of an age, or systems of meaning-making? What can studying such phenomena reveal? What are the risks involved? Preface, Chapters I (p. 9-16 only), VI and IX 似乎口氣過大,文筆確實很好。
评分how to approach elusive cultural phenomena such as perceptions, attitudes, sentiments and belief systems. How do we as historians get at the ‘spirit’ of an age, or systems of meaning-making? What can studying such phenomena reveal? What are the risks involved? Preface, Chapters I (p. 9-16 only), VI and IX 似乎口氣過大,文筆確實很好。
评分how to approach elusive cultural phenomena such as perceptions, attitudes, sentiments and belief systems. How do we as historians get at the ‘spirit’ of an age, or systems of meaning-making? What can studying such phenomena reveal? What are the risks involved? Preface, Chapters I (p. 9-16 only), VI and IX 似乎口氣過大,文筆確實很好。
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