(Book Jacket Status: Jacketed)
The legends surrounding Oedipus of Thebes and his ill-fated offspring provide the subject matter for Sophocles’ three greatest plays, which together represent Greek drama at the pinnacle of its achievement.
Oedipus the King, the most famous of the three, has been characterized by critics from Aristotle to Coleridge as the perfect exemplar of the art of tragedy, in its unforgettable portrayal of a man’s failed attempt to escape his fate. In Oedipus at Colonus, the blind king finds his final release from the sufferings the gods have brought upon him, and Antigone completes the downfall of the House of Cadmus through the actions of Oedipus’s magnificent and uncompromising daughter defending her ideals to the death. All three of The Theban Plays, while separate, self-contained dramas, draw from the same rich well of myth and showcase Sophocles’ enduring power.
Translated by David Grene.
首先,對於“悲劇”的定義,不是在通常漢語語境中的“苦情戲”,而是指“通過莊嚴肅穆的輪專場展開劇情”的敘事藝術(詳見劉小楓《哲人王俄狄浦斯》),與戲劇戲謔狂歡的敘事方式相對,因此劉小楓認為定名為“肅劇”更恰當。劉小楓先生這是從悲劇的的表演形式來講,而從悲...
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