Nick Browne is Professor of Film at the University of California, Los Angeles, and coeditor of "New Chinese Cinemas: Forms, Identities, Politics" (1994).
Paul G. Pickowicz is Distinguished Professor of History and Chinese Studies at the University of California, San Diego and inaugural holder of the UC San Diego Modern Chinese History Endowed Chair.
Vivian Sobchack is Professor and Associate Dean in the School of Theater, Film, and Television at the University of California, Los Angeles. She is the author of "Screening Space: The American Science Fiction Film "(1997) and "The Address of the Eye: A Phenomenology of Film Experience "(1992) and the editor of "Meta-Morphing: Visual Transformation and the Culture of Quick Change "(2000) and "The Persistence of History: Cinema, Television, and the Modern Event "(1996), among other books.
Esther C. M. Yau is Assistant Professor of Film at Occidental College.
New Chinese Cinemas analyzes the changing forms and significance of filmmaking in the People's Republic of China, Taiwan, and Hong Kong since the end of the Cultural Revolution, with a particular emphasis on how film comments on the profound social changes that have occurred in East Asia over the past two decades. Considering in detail both conservative and progressive stances on economic modernization, it also demonstrates how film has been an important formal structure and social document in the interpretation of these changes. The essays collected here, which were specially commissioned for this volume, also offer extended analyses of the important trends, styles, and work that define Chinese filmmaking in the 1980s.
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隻簡單翻瞭前麵幾篇。有謝晉的meladrama的一些論述,女性研究的一些視角,黃建新電影的那篇裏提到postsocialism視角,相關研究可以再看。在尋找分析文革電影的視角中
评分學習!有傑姆遜的 Remapping Taiwan
评分隻簡單翻瞭前麵幾篇。有謝晉的meladrama的一些論述,女性研究的一些視角,黃建新電影的那篇裏提到postsocialism視角,相關研究可以再看。在尋找分析文革電影的視角中
评分其中對於侯孝賢早期電影的一篇討論文章十分片麵武斷
评分學習!有傑姆遜的 Remapping Taiwan
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