Jerome David Salinger, was born in New York City on Jan. 1, 1919, and established his reputation on the basis of a single novel, The Catcher in the Rye (1951), whose principal character, Holden Caulfield, epitomized the growing pains of a generation of high school and college students. The public attention that followed the success of the book led Salinger to move from New York to the remote hills of Cornish, New Hampshire. Before that he had published only a few short stories; one of them, "A Perfect Day for Bananafish," which appeared in The New Yorker in 1949, introduced readers to Seymour Glass, a character who subsequently figured in Franny and Zooey (1961) and Raise High the Roof Beam, Carpenter and Seymour: An Introduction (1963), Salinger's only other published books. Of his 35 published short stories, those which Salinger wishes to preserve are collected in Nine Stories (1953).
Nine Stories is a collection of short stories by American fiction writer J. D. Salinger published in April 1953. It includes two of his most famous short stories, "A Perfect Day for Bananafish" and "For Esmé – with Love and Squalor". (Nine Stories is the U.S. title; the book is published in many other countries as For Esmé - with Love and Squalor, and Other Stories.)
The stories are:
"A Perfect Day for Bananafish"
"Uncle Wiggily in Connecticut"
"Just Before the War with the Eskimos"
"The Laughing Man"
"Down at the Dinghy"
"For Esmé – with Love and Squalor"
"Pretty Mouth and Green My Eyes"
"De Daumier-Smith's Blue Period"
"Teddy"
一 塞林格比任何人都注重保护他与文学之间的关系的紧密度,仿佛对他来说,创作行为也是隐私的一种。 这个自我封闭的自囚者对外界给以他的过分关注,回敬以充满敌意的沉寂,以至于这种行为方式成就了一个反常的悖论:塞林格作为作家的名声很大程度上却是得益于他对名声授权者...
评分 评分《九故事》结集发表于1953年,晚于《麦田里的守望者》(1951),但其中除《泰迪》(1953)以及《De Daumier-Smith的忧郁岁月》(1952)两个故事之外,其它七个故事之前都先后在《纽约客》发表上过。因此,有人看低《麦田守望者》,认为塞林格在写九故事的时候小说功夫才开始“...
评分九故事卷首引禅宗公案:“吾人知悉二掌相击之声,然则独手拍之音又何若?” 禅宗公案历来玄微。试做一解: 二掌相击当然是“啪”的一声。那么,单手拍掌会是什么声音呢? 当你在心里思索“单手拍掌”时,甚至只要你的念头一触及到“拍掌”这个单词时,其实你心里早已“啪”的响...
评分一 塞林格比任何人都注重保护他与文学之间的关系的紧密度,仿佛对他来说,创作行为也是隐私的一种。 这个自我封闭的自囚者对外界给以他的过分关注,回敬以充满敌意的沉寂,以至于这种行为方式成就了一个反常的悖论:塞林格作为作家的名声很大程度上却是得益于他对名声授权者...
看了4个故事,每看完一个都搜书评求解释。。累弃书。。
评分not good enough as u said @王宝莱
评分爱所有极具镜头感的描写。感觉塞林格的笔好像nick drake的吉他,一把乐器奏出了乐队的效果。
评分故事开始得无声无息又止于一瞬间。感觉一个比一个难懂。每个小孩都是Salinger。
评分语言其实也不难,简洁精悍,但就是读得迷迷糊糊,很不好懂
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