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The tenth century was a period of extensive change in East Asia, in which China was divided into regional kingdoms with the fall of the Tang dynasty in 907 and powerful northern empires, the Khitan Liao and Koryŏ dynasty, arose. Though historically regarded as a period declining into disorder between the great Tang and Song eras, it in fact saw art and culture flourish in regional contexts. Important new stylistic trends in painting, technologies of printing and ceramic making, and unprecedented features of construction of tombs and Buddhist and Daoist temples at regional centers of art emerged. At the same time, transregional interaction, exchange, and rivalries were also contributing factors to the dynamism and richness of artistic production during this period. The collected essays in this volume present groundbreaking research resulting from two international conferences organized by the Center for the Art of East Asia, Department of Art History, at the University of Chicago.

Contributions by: Jenny F. So, Nancy Steinhardt, Youngsook Pak, Wu Hung, Li Qingquan, Hsueh-man Shen, Eugene Wang, Bai Bin, Li Song, Wang Huimin, Jonathan Hay, François Louis, Foong Ping, and Hui-Wen Lu

序言
巫鴻…………………………………………………………………………………………9
亞洲聯係
Jade of the Tenth Century: A Fresh Assessment(對十世紀玉器的新評估)
Jenny F.So蘇芳淑（香港中文大學）………………………………………………………13
Standard Architecture in a Multi-Centered, Multi-Cultural Age多中心多文化時代的標準建築
Nancy S. Steinhardt夏南悉（賓夕法尼亞大學）…………………………………………38
Koryŏ (918-1392) and Liao(907-1125) Relations in the Tenth-Eleventh Centuries: Impact on Buddhist Culture(十至十一世紀間高麗與遼的關係：對佛教文化的影響)
樸英淑 Youngsook Pak（倫敦大學亞非中心）……………………………………………70
墓葬藝術
Two Royal Tombs from the Early Liao: Architecture, Pictorial Program, Authorship, Subjectivity(兩座早期遼代皇室墓葬：建築、畫像程序、作者、主體性)
Wu Hung巫鴻（芝加哥大學）……………………………………………………………100
從南漢康陵“陵颱”看佛教影響下的十世紀墓葬
李清泉（廣州美術學院）…………………………………………………………………126
Tombs at the Crossroads of the Worlds of the Living and the Dead(生死交接處的墓葬)
Hsueh-man Shen瀋雪曼（紐約大學美術研究院）………………………………………150
宗教藝術
Ritual Practice without Its Practitioner? Early Eleventh-Century dhāraṇī Prints in the Ruiguangsi Pagoda(虛位空場的虛擬儀軌：瑞光寺塔十一世紀早期陀羅尼經咒刻印的啓示)
Eugene Wang汪躍進（哈佛大學）……………………………………………………179
四川成都後蜀袁氏解伏連石刻研究
白彬（四川大學）………………………………………………………………………212
經典聖地的新經典——關於968年京兆府國子監裏的《佛道圖文碑》
李淞（北京大學）………………………………………………………………………236
敦煌所見早期披帽地藏圖像新資料
王惠民（敦煌研究院）…………………………………………………………………266
繪畫與書法
Tenth-Century Painting before Song Taizong’s Reign: A Macrohistorical View (宋太宗之前的十世紀繪畫：一個大曆史觀)
Jonathan Hay喬迅（紐約大學美術研究所）…………………………………………285
The Cultured and Martial Prince: Notes on Li Zanhua’s Biographical Record (經文緯武的王公：關於李贊華傳記資料的幾點看法)
Francois Louis陸毅（巴德學院）………………………………………………………319
The Structural Position of Court Artists in the Song daynasty: Issues of Rank, Title, and Legitimate Rule during the Founding Decades(宋代宮廷畫傢的官署機構)
Foong Ping馮良冰（芝加哥大學）……………………………………………………350
Wild Cursive Calligraphy, Poetry, and Chan Monks in the Tenth Century (十世紀中國的狂草、詩歌和禪僧)
Hui-Wen Lu盧慧紋（國立颱灣大學）…………………………………………………364
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