Perspective as Symbolic Form

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Christopher S. Wood is Professor in the Department of History of Art, Yale University. He is the author of Albrecht Altdorfer and the Origins of Landscape, and the editor of The Vienna School Reader: Politics and Art Historical Method in the 1930s (Zone Books, 2000).

出版者:Zone Books
作者:Erwin Panofsky
出品人:
頁數:198
译者:Christopher S. Wood
出版時間:1991-11-14
價格:USD 32.95
裝幀:Hardcover
isbn號碼:9780942299526
叢書系列:
圖書標籤:
  • 藝術史 
  • Panofsky 
  • 視覺轉嚮 
  • 藝術理論 
  • 藝術 
  • 潘諾夫斯基 
  • 思想史 
  • 西方藝術史 
  •  
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Erwin Panofsky's Perspective as Symbolic Form is one of the great works of modern intellectual history, the legendary text that has dominated all art historical and philosophical discussions on the topic of perspective in this century. Finally available in English, it is an unrivaled example of Panofsky's early method that placed him within broader developments in theories of knowledge and cultural change. Here, drawing on a massive body of learning that ranges over Antique philosophy, theology, science, and optics as well as the history of art, Panofsky produces a type of "archaeology" of Western representation that far surpasses the usual scope of art historical studies.<br /> <br /> Perspective in Panofsky's hands becomes a central component of a Western "will to form," the expression of a schema linking the social, cognitive, psychological, and especially technical practices of a given culture into harmonious and integrated wholes. Yet the perceptual schema of each historical culture or epoch is different, and each gives rise to a different but equally full vision of the world. Panofsky articulates these different spatial systems, demonstrating their particular coherence and compatibility with the modes of knowledge, belief, and exchange that characterized the cultures in which they arose. Our own modernity, Panofsky shows, is characterized by its peculiarly mathematical expression of the concept of the infinite, within a space that is necessarily both continuous and homogeneous.

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Levin課上振臂驚呼: Panofsky當年在哪裏講的style and media in motion?就在隔壁Marquand!但這都2019年瞭Princeton還堅持不設media studies!你看這些學校裏!絕無僅有!

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Levin課上振臂驚呼: Panofsky當年在哪裏講的style and media in motion?就在隔壁Marquand!但這都2019年瞭Princeton還堅持不設media studies!你看這些學校裏!絕無僅有!

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今天大傢都把玩笑對象從教授轉到瞭老潘潘身上。阿根廷來的Mabi帶來瞭超好味的麵包,說希望親愛的教授不會介意the curvature。智慧與美貌兼備的教授也改瞭之前的發言順序,因為要呼應古希臘的fish-bone axis。Monica還分享瞭潘潘的愛狗死後他的同事集資為他買瞭新狗狗的八卦。大傢都好nerdy好可愛啊。

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正文很短,言簡意賅,論文寫作之範本。正在讀第二遍

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