Perspective as Symbolic Form pdf epub mobi txt 電子書 下載2025
Christopher S. Wood is Professor in the Department of History of Art, Yale University. He is the author of Albrecht Altdorfer and the Origins of Landscape, and the editor of The Vienna School Reader: Politics and Art Historical Method in the 1930s (Zone Books, 2000).
- 藝術史
- Panofsky
- 視覺轉嚮
- 藝術理論
- 藝術
- 潘諾夫斯基
- 思想史
- 西方藝術史
Erwin Panofsky's Perspective as Symbolic Form is one of the great works of modern intellectual history, the legendary text that has dominated all art historical and philosophical discussions on the topic of perspective in this century. Finally available in English, it is an unrivaled example of Panofsky's early method that placed him within broader developments in theories of knowledge and cultural change. Here, drawing on a massive body of learning that ranges over Antique philosophy, theology, science, and optics as well as the history of art, Panofsky produces a type of "archaeology" of Western representation that far surpasses the usual scope of art historical studies.<br /> <br /> Perspective in Panofsky's hands becomes a central component of a Western "will to form," the expression of a schema linking the social, cognitive, psychological, and especially technical practices of a given culture into harmonious and integrated wholes. Yet the perceptual schema of each historical culture or epoch is different, and each gives rise to a different but equally full vision of the world. Panofsky articulates these different spatial systems, demonstrating their particular coherence and compatibility with the modes of knowledge, belief, and exchange that characterized the cultures in which they arose. Our own modernity, Panofsky shows, is characterized by its peculiarly mathematical expression of the concept of the infinite, within a space that is necessarily both continuous and homogeneous.
具體描述
讀後感
評分
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用戶評價
“Perspective, finally, opens art to the realm of the psychological, in the highest sense, where the miraculous finds its last refuge in the soul of human being represented in the work of art.”
评分1920-1940
评分大概是第一本形式研究的文化史書？……"Perspective, in transforming the ousia (reality) into the phainomenon (appearance), seems to reduce the divine to a mere subject matter for human consciousness; but for that very reason, conversely, it expands human consciousness into a vessel for the divine."
评分寫作完美與否不取決於結論是否被後人超越
评分注解比正文還厚，感覺很用心。然而我藝術史基礎太差瞭。
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