On Directing Film pdf epub mobi txt 電子書下載2025

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David Mamet's numerous plays include Oleanna, Glengarry Glen Ross (winner of the Pulitzer Prize and the New York Drama Critics' Circle Award), American Buffalo, Speed-the-Plow, Boston Marriage, November, Race and The Anarchist. He wrote the screenplays for such films as The Verdict, The Untouchables and Wag the Dog, and has twice been nominated for an Academy Award. He has written and directed ten films, including Homicide, The Spanish Prisoner, State and Main, House of Games, Spartan and Redbelt. In addition, he wrote the novels The Village, The Old Religion, Wilson and many books of nonfiction, including Bambi vs. Godzilla: On the Nature, Purpose and Practice of the Movie Business; Theatre; Three Uses of the Knife: On the Nature and Purpose of Drama and the New York Times bestseller The Secret Knowledge: On the Dismantling of American Culture. His HBO film Phil Spector, starring Al Pacino and Helen Mirren, aired in 2013 and earned him two Emmy Award nominations for Outstanding Writing and Outstanding Directing. He was co-creator and executive producer of the CBS television show The Unit and is a founding member of the Atlantic Theater Company.

出版者:Penguin Books

作者:David Mamet

出品人:

頁數:128

译者:

出版時間:1992-1-1

價格:USD 14.00

裝幀:Paperback

isbn號碼:9780140127225

叢書系列:

圖書標籤:

電影
電影理論
美國
Film
導演
電影
課堂
講座

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From a Pulitzer Prize-winning playwright comes invaluable insights and practical instructions on the art of film directing. Mamet looks at every aspect of directing--from script to cutting room--and draws from a wide variety of sources to make his points.

具體描述

讀後感

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只有你离开电影，电影不会离开你。音乐和诗诗爱因斯坦为蒙太奇做申论的时候最常用的例子。主角是什么是什么在阻碍他所需要的满足如果他没有得到所需要的满足主角会怎么样导演要说的话：摄影机放在那里？要和演员说什么？这场戏的意义是什么？拍戏导戏其实就是创造镜头...

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“艺术家的任务是把最简单的技术学得完美，而不是去学太多的技术。如此才可以使困难的事变得容易，容易的事变成习惯，习惯的事因此可以变得更加美妙！” “电影导演的功课是借由不相干的镜头之间的并置来说故事。” 故事是什么？“故事是主角在追求他的目标时，发生...

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艺术家的任务是把最简单的技术学得完美，而不是去学太多的技术。如此才可以使困难的事变得容易，容易的事变成习惯，习惯的事因此可以变得更加美妙。安东尼·特洛普：“没有故事要说的人是最快乐的。”然而没有人明白这故事为何没有说出来，还是到底就是——没有故事。搞得...

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看完整本书，学会一点： 1、上电影课是老师和学生讨论中得出结论 2、拍电影就是要把不相关的镜头并只在一起讲故事 3、不用常识上可以给人提示的东西来提示观众 4.、不必给观众太多的说明，观众永远比我们知道的更多 5、观众永远只关注主角要干什么，他能否完成 6、剧本尽量用动...

用戶評價

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有些偏激，但讀完很受啓發

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短小精乾淺顯而啓發

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非常偏激，感覺完全從編劇角度齣發，（但是我又不能吸收自己不同意的的知識，這點必須得改）。自己明顯讀早瞭，可能作者作為編劇有故事是訓練齣來瞭的，但是看看自己還不知道錶達什麼怎麼錶達。特奇怪這人拍的電影是啥樣的，一定要看看。

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Got to take a lot of Mamet's very personal, controversial and extreme opinions with a grain of salt, but in general I have enjoyed his writing, both on film and not. Not sure the title applies so accurately though.

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Mamet講瞭一套好萊塢的標準鏡頭/劇本製作方法，也就是，如何講故事和抖包袱。不過就是太通俗電影瞭一點。