On Directing Film

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David Mamet's numerous plays include Oleanna, Glengarry Glen Ross (winner of the Pulitzer Prize and the New York Drama Critics' Circle Award), American Buffalo, Speed-the-Plow, Boston Marriage, November, Race and The Anarchist. He wrote the screenplays for such films as The Verdict, The Untouchables and Wag the Dog, and has twice been nominated for an Academy Award. He has written and directed ten films, including Homicide, The Spanish Prisoner, State and Main, House of Games, Spartan and Redbelt. In addition, he wrote the novels The Village, The Old Religion, Wilson and many books of nonfiction, including Bambi vs. Godzilla: On the Nature, Purpose and Practice of the Movie Business; Theatre; Three Uses of the Knife: On the Nature and Purpose of Drama and the New York Times bestseller The Secret Knowledge: On the Dismantling of American Culture. His HBO film Phil Spector, starring Al Pacino and Helen Mirren, aired in 2013 and earned him two Emmy Award nominations for Outstanding Writing and Outstanding Directing. He was co-creator and executive producer of the CBS television show The Unit and is a founding member of the Atlantic Theater Company.

出版者:Penguin Books
作者:David Mamet
出品人:
页数:128
译者:
出版时间:1992-1-1
价格:USD 14.00
装帧:Paperback
isbn号码:9780140127225
丛书系列:
图书标签:
  • 电影 
  • 电影理论 
  • 美国 
  • Film 
  • 导演 
  • 電影 
  • 课堂 
  • 講座 
  •  
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From a Pulitzer Prize-winning playwright comes invaluable insights and practical instructions on the art of film directing. Mamet looks at every aspect of directing--from script to cutting room--and draws from a wide variety of sources to make his points.

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艺术家的任务是把最简单的技术学得完美,而不是去学太多的技术。如此才可以使困难的事变得容易,容易的事变成习惯,习惯的事因此可以变得更加美妙。 安东尼·特洛普:“没有故事要说的人是最快乐的。”然而没有人明白这故事为何没有说出来,还是到底就是——没有故事。搞得...  

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《导演功课》 大卫•马梅 我们知道混好莱坞的都喜欢忽悠人,大卫•马梅自不例外,这本书名取得磅礴大气,其实只有薄薄的一百来页。是学电影很好的入门书籍,简单易懂也比较有趣。所以,吓得到门外汉,吓不到我们。 :) 这本书...  

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艺术家的任务是把最简单的技术学得完美,而不是去学太多的技术。如此才可以使困难的事变得容易,容易的事变成习惯,习惯的事因此可以变得更加美妙。 安东尼·特洛普:“没有故事要说的人是最快乐的。”然而没有人明白这故事为何没有说出来,还是到底就是——没有故事。搞得...  

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其实想给的是三星半。 如果一个导演先了解这场戏的意义是什么,然后再开始导戏,他必然能够同时站在作者以及观众的立场来思考事情。因为一个导演如果在一开始就找来美丽的或者画的如实景般巨细靡遗的布景,他可能会被迫去整合这个布景到剧情的必然演进。由于这种被迫的情况,他...  

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Mamet讲了一套好莱坞的标准镜头/剧本制作方法,也就是,如何讲故事和抖包袱。不过就是太通俗电影了一点。

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MAMET你自创一套独裁主义好了……

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4.0 莫望初衷,控制與簡單。

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4.0 莫望初衷,控制與簡單。

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短小精干 浅显而启发

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