拉約什·埃格裏(Lajos Egri,1888-1967)生於原奧匈帝國的埃格(今匈牙利境內),十歲就寫齣瞭一部三幕劇。1908年,埃格裏移民美國。一戰期間,他加入紐約的左派戲劇組織,成為導演和劇作傢,後於20世紀30年代創立寫作學校。埃格裏同時也是一位新聞工作者,並曾撰寫過電視劇本。
高遠, 2004年畢業於北京電影學院,獲碩士學位,現為專職編劇,作品有電視劇《大漢口》等。
Lajos Egri examines a play from the inside out, starting with the heart of any drama: its characters. For it is people - their private natures and their inter-relationships - that move a story and give it life. All good dramatic writing depends upon an understanding of human motives. Why do people act as they do? What forces transform a coward into a hero, a hero into a coward? What is it that Romeo does early in Shakespeare's play that makes his later suicide seem inevitable? Why must Nora leave her husband at the end of A Doll's House? These are a few of the fascinating problems which Egri analyzes. He shows how it is essential for the author to have a basic premise - a thesis, demonstrated in terms of human behaviour - and to develop his dramatic conflict on the basis of that behaviour. Premise, character, conflict: this is Egri's ABC. His book is a direct, jargon-free approach to the problem of achieving truth in a literary creation.
我们有成千上万的电影及动画片,可是它们的故事类型其实只有几种。这些类型并没有规定说一定是多少个,而且有时候对类型片的归类名称也会不一样。我这里将会举出十种类型,这十种类型也不一定包含了所有的电影,但它们是最主要的大类。我现在会讲解一下这些影片类型里的中心思...
評分冲突是什么? 冲突,简单地说,就是一件事要发生,而另一件事阻止它的发生。 两股力量仍在着相互对抗,这也是冲突。 冲突贯穿于戏剧的始终,不间断的冲突构成了戏剧。。 一、 打出常轨 人在常轨中,不容易出现故事。人被打出常轨,自己必然出现一个力量,想把自己拉回常轨。但...
評分 評分方法都懂,依然寫不齣來Play writing的作業_( :3 」∠)_
评分方法都懂,依然寫不齣來Play writing的作業_( :3 」∠)_
评分方法都懂,依然寫不齣來Play writing的作業_( :3 」∠)_
评分方法都懂,依然寫不齣來Play writing的作業_( :3 」∠)_
评分三星半 有些觀點過於武斷和陳舊 但在當時那個年代算是很好的指導類書籍 學到瞭不少東西 但是書中給齣的建議不能照單全收
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