Lajos Egri examines a play from the inside out, starting with the heart of any drama: its characters. For it is people - their private natures and their inter-relationships - that move a story and give it life. All good dramatic writing depends upon an understanding of human motives. Why do people act as they do? What forces transform a coward into a hero, a hero into a coward? What is it that Romeo does early in Shakespeare's play that makes his later suicide seem inevitable? Why must Nora leave her husband at the end of A Doll's House? These are a few of the fascinating problems which Egri analyzes. He shows how it is essential for the author to have a basic premise - a thesis, demonstrated in terms of human behaviour - and to develop his dramatic conflict on the basis of that behaviour. Premise, character, conflict: this is Egri's ABC. His book is a direct, jargon-free approach to the problem of achieving truth in a literary creation.
拉約什·埃格裏(Lajos Egri,1888-1967)生於原奧匈帝國的埃格(今匈牙利境內),十歲就寫齣瞭一部三幕劇。1908年,埃格裏移民美國。一戰期間,他加入紐約的左派戲劇組織,成為導演和劇作傢,後於20世紀30年代創立寫作學校。埃格裏同時也是一位新聞工作者,並曾撰寫過電視劇本。
高遠, 2004年畢業於北京電影學院,獲碩士學位,現為專職編劇,作品有電視劇《大漢口》等。
2016.11.14-15 92 《编剧的艺术》——拉约什·埃格里(Lajos Egri)著,高远译,芦苇荐 看了一遍,在没有实际运用去写的前提下,其实还是挺不能够更好的理解并且浪费阅读效果的。不过不能否认,对于编剧专业相关同学来说,应该还是不错的作品吧,举例、问答都非常合...
評分人果然还是看到自己想看的。 断断续续读完这本书,开始看时,老犯困,读到后来方能看得进去。翻看自己的笔记,发现其实有关编剧的具体操作的并不多,记下的更多的是,对当下自己剪不出片子的困惑能展开思考一些点。就像作者反复举例强调,也是我深有体会的:任何局部都不能大过...
評分好吧,我最早的时候以为这是一本关于各种技法的书,可打开一看,基本上都是从哲学方面论述的一个剧本的方方面面,基本上就是论述了人的三个纬度,社会性,生理性然后造成了心理,心理从而影响性格,性格影响行动的原理。 或许在那个时候(这本书1946年写的,最早的中文版是198...
評分 評分The best writing book there is, be it playwriting, screenwriting, or novel-writing. Packed with truths I haven't got a hold on.
评分三星半 有些觀點過於武斷和陳舊 但在當時那個年代算是很好的指導類書籍 學到瞭不少東西 但是書中給齣的建議不能照單全收
评分方法都懂,依然寫不齣來Play writing的作業_( :3 」∠)_
评分The best writing book there is, be it playwriting, screenwriting, or novel-writing. Packed with truths I haven't got a hold on.
评分對個人而言點齣戲劇衝突核心所在的一本書。
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