Art of Dramatic Writing Its Basis in the Creative Interpretation of Human Motives

Art of Dramatic Writing Its Basis in the Creative Interpretation of Human Motives pdf epub mobi txt 电子书 下载 2026

出版者:Simon & Schuster
作者:Lajos Egri
出品人:
页数:304
译者:
出版时间:2004
价格:95.58元
装帧:Paperback
isbn号码:9780671213329
丛书系列:
图书标签:
  • 编剧
  • 写作
  • Writing
  • 电影
  • UMFILM
  • RHUL
  • PM
  • MediaArt
  • Dramatic Writing
  • Creative Interpretation
  • Human Motives
  • Theater
  • Storytelling
  • Character Development
  • Emotional Depth
  • Narrative Structure
  • Motive Analysis
  • Scriptwriting
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具体描述

Lajos Egri examines a play from the inside out, starting with the heart of any drama: its characters. For it is people - their private natures and their inter-relationships - that move a story and give it life. All good dramatic writing depends upon an understanding of human motives. Why do people act as they do? What forces transform a coward into a hero, a hero into a coward? What is it that Romeo does early in Shakespeare's play that makes his later suicide seem inevitable? Why must Nora leave her husband at the end of A Doll's House? These are a few of the fascinating problems which Egri analyzes. He shows how it is essential for the author to have a basic premise - a thesis, demonstrated in terms of human behaviour - and to develop his dramatic conflict on the basis of that behaviour. Premise, character, conflict: this is Egri's ABC. His book is a direct, jargon-free approach to the problem of achieving truth in a literary creation.

作者简介

拉约什·埃格里(Lajos Egri,1888-1967)生于原奥匈帝国的埃格(今匈牙利境内),十岁就写出了一部三幕剧。1908年,埃格里移民美国。一战期间,他加入纽约的左派戏剧组织,成为导演和剧作家,后于20世纪30年代创立写作学校。埃格里同时也是一位新闻工作者,并曾撰写过电视剧本。

高远, 2004年毕业于北京电影学院,获硕士学位,现为专职编剧,作品有电视剧《大汉口》等。

目录信息

读后感

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2016.11.14-15 92 《编剧的艺术》——拉约什·埃格里(Lajos Egri)著,高远译,芦苇荐 看了一遍,在没有实际运用去写的前提下,其实还是挺不能够更好的理解并且浪费阅读效果的。不过不能否认,对于编剧专业相关同学来说,应该还是不错的作品吧,举例、问答都非常合...  

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如今怀揣编剧理想的年轻人有若过江之鲫,于是市面上的编剧教程也便多如牛毛。此前出版的教程尽管各有各的参考价值,不过缺点也都非常明显:所选片目太多太杂,若非骨灰级西片影迷,很难参悟个中真谛。相形之下,这部《编剧的艺术》具备许多其他书籍所不具备的优势。 首先,它...  

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冲突是什么? 冲突,简单地说,就是一件事要发生,而另一件事阻止它的发生。 两股力量仍在着相互对抗,这也是冲突。 冲突贯穿于戏剧的始终,不间断的冲突构成了戏剧。。 一、 打出常轨 人在常轨中,不容易出现故事。人被打出常轨,自己必然出现一个力量,想把自己拉回常轨。但...  

用户评价

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三星半 有些观点过于武断和陈旧 但在当时那个年代算是很好的指导类书籍 学到了不少东西 但是书中给出的建议不能照单全收

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The best writing book there is, be it playwriting, screenwriting, or novel-writing. Packed with truths I haven't got a hold on.

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The best writing book there is, be it playwriting, screenwriting, or novel-writing. Packed with truths I haven't got a hold on.

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三星半 有些观点过于武断和陈旧 但在当时那个年代算是很好的指导类书籍 学到了不少东西 但是书中给出的建议不能照单全收

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The best writing book there is, be it playwriting, screenwriting, or novel-writing. Packed with truths I haven't got a hold on.

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