拉约什·埃格里(Lajos Egri,1888-1967)生于原奥匈帝国的埃格(今匈牙利境内),十岁就写出了一部三幕剧。1908年,埃格里移民美国。一战期间,他加入纽约的左派戏剧组织,成为导演和剧作家,后于20世纪30年代创立写作学校。埃格里同时也是一位新闻工作者,并曾撰写过电视剧本。
高远, 2004年毕业于北京电影学院,获硕士学位,现为专职编剧,作品有电视剧《大汉口》等。
Lajos Egri examines a play from the inside out, starting with the heart of any drama: its characters. For it is people - their private natures and their inter-relationships - that move a story and give it life. All good dramatic writing depends upon an understanding of human motives. Why do people act as they do? What forces transform a coward into a hero, a hero into a coward? What is it that Romeo does early in Shakespeare's play that makes his later suicide seem inevitable? Why must Nora leave her husband at the end of A Doll's House? These are a few of the fascinating problems which Egri analyzes. He shows how it is essential for the author to have a basic premise - a thesis, demonstrated in terms of human behaviour - and to develop his dramatic conflict on the basis of that behaviour. Premise, character, conflict: this is Egri's ABC. His book is a direct, jargon-free approach to the problem of achieving truth in a literary creation.
人果然还是看到自己想看的。 断断续续读完这本书,开始看时,老犯困,读到后来方能看得进去。翻看自己的笔记,发现其实有关编剧的具体操作的并不多,记下的更多的是,对当下自己剪不出片子的困惑能展开思考一些点。就像作者反复举例强调,也是我深有体会的:任何局部都不能大过...
评分好吧,我最早的时候以为这是一本关于各种技法的书,可打开一看,基本上都是从哲学方面论述的一个剧本的方方面面,基本上就是论述了人的三个纬度,社会性,生理性然后造成了心理,心理从而影响性格,性格影响行动的原理。 或许在那个时候(这本书1946年写的,最早的中文版是198...
评分好吧,我最早的时候以为这是一本关于各种技法的书,可打开一看,基本上都是从哲学方面论述的一个剧本的方方面面,基本上就是论述了人的三个纬度,社会性,生理性然后造成了心理,心理从而影响性格,性格影响行动的原理。 或许在那个时候(这本书1946年写的,最早的中文版是198...
方法都懂,依然写不出来Play writing的作业_( :3 」∠)_
评分对个人而言点出戏剧冲突核心所在的一本书。
评分The best writing book there is, be it playwriting, screenwriting, or novel-writing. Packed with truths I haven't got a hold on.
评分The best writing book there is, be it playwriting, screenwriting, or novel-writing. Packed with truths I haven't got a hold on.
评分方法都懂,依然写不出来Play writing的作业_( :3 」∠)_
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