For the CDT Bookshelf, China Digital Times invites experts on China to recommend a book to CDT readers. This month, Paul G. Pickowicz, Professor of History and Chinese Studies at the University of California, San Diego, recommends "A Daughter of Han: The Autobiography of a Chinese Working Woman" by Ida Pruitt, Stanford University Press, 1967:
When the editors of China Digital Times invited me to write a series of articles recommending classic books on China that are no longer widely read, the first title that came to mind - - one of my all-time favorites - - was Ida Pruitt's A Daughter of Han: The Autobiography of a Chinese Working Woman. I still assign it to my students at the University of California, and I am pleased to say I have never met a student who did not like it. This fascinating book was originally published by Yale University Press in 1945. Stanford University Press, to its eternal credit, picked up the rights in 1967 and has kept it in print ever since. In many respects A Daughter of Han is as fresh today as it was 60 years ago when it first appeared. I recommend it without reservations and will be surprised if readers of China Digital Times are disappointed by it.
A Daughter of Han was the brainchild of Ida Pruitt, an American who was born in Penglai, Shandong province in 1891, the daughter of Southern Baptist missionaries. Pruitt died in 1985 at the ripe old age of 94. If we use the academic language of today, we would have to call A Daughter of Han a pioneering oral history project or an early attempt at doing the history of Chinese women. It tells the complicated and gripping story of one rather poor and underprivileged Chinese woman, Ning Lao Taitai (Old Lady Ning), from her childhood in the late 1860s to her experiences during the Japanese invasion of China in the late 1930s.
The project began when Pruitt asked a Chinese friend if she knew of anyone who had intimate knowledge of "the old customs of Chinese families in childbirth and marriage and death." The friend recommended Old Lady Ning. For two years Pruitt and Ning met at breakfast every Monday, Wednesday, and Friday to talk about what the old woman had experienced in life. The account is at once tender and gut-wrenching, full of unexpected twists and turns.
Over the decades, critics have raved about this simple, unpretentious narrative. Pacific Affairs said, "Ida Pruitt has rendered a great service to the Chinese people." The American Journal of Sociology called it "the warmest, most human document that has ever come out of China." The Far Eastern Quarterly asserted that the narrative is "part of that wider social and imaginary world from which Chinese draw meaning to their life."
A Daughter of Han allows us access to the mental world of an ordinary Chinese woman born in the middle of the nineteenth century. The book is both charming and informative because we hear Old Lady Ning telling her own story in her own words. Because Pruitt wisely refrains from comment, the reader is left to struggle with the "meaning" of this highly personal tale. No heavy handed scholar is there to "tell" us in an authoritative introduction what the account means. A Daughter of Han makes wonderful classroom reading for high school and college students who invariably take passionate delight in debating its import.
For instance, Old Lady Ning speaks often of the role played by "fate" in her sad life. This leaves the impression that there was nothing she could do to change her fate. It seems she accepted her "fate." Referring to starvation in the late 1880s, she recalled: "Day after day I sat at home. Hunger gnawed. What could I do? . . . When my husband brought home food I ate it and my children ate with me. A woman could not go out . . . I did not know enough even to beg. So I sat home and starved. I was so hungry one day that I took a brick, pounded it to bits, and ate it. It made me feel better." But Old Lady Ning also mentions concrete actions she took to change her life. Speaking of the early years of her difficult marriage to a destitute opium addict who had sold everything in the house to feed his habit, she recalled her decision to do something about her plight despite being hobbled by bound feet: "When Mantze was two and I was big with another child I left my husband and the village. This was the first time I left him and I went on foot. It was the first time I had walked from my husband's home to my mother's. Respectable women did not walk in the streets of Penglai." It seems that she did not accept her fate after all.
A Daughter of Han is filled with tensions and incongruities of this sort. As such, it opens a delightful window on the complexities and contradictions of ordinary daily life in China in the late nineteenth and early twentieth centuries
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说实话,刚开始看这本书的时候,我有点担心它会过于晦涩难懂,毕竟题材和背景都带着一种历史的厚重感。但很快,我的顾虑就被打消了。作者的文笔极其老练,他巧妙地将复杂的时代背景融入到日常生活的琐碎细节中,使得宏大的叙事变得既生动又亲切。我特别欣赏他对于社会阶层和性别议题的探讨,那种批判不是直白的控诉,而是通过人物的无奈选择和挣扎,以一种不动声色的方式渗透出来,更具震撼力。阅读过程中,我多次停下来,反复咀嚼某些段落,思考其中蕴含的社会学意义。这本书的结构设计也很有心思,看似松散的线索,最终却如蛛网般严丝合缝地连接起来,展现出作者高超的布局能力。它成功地做到了在娱乐性和思想性之间找到了一个绝佳的平衡点,值得反复阅读和研究。
评分坦白说,这本书的视角选择非常独特,它没有聚焦于那些耳熟能详的历史节点,而是将镜头对准了时代的边缘人物,通过他们的微小视角,去折射出整个时代的巨大变迁。这种“以小见大”的手法,使得宏大的历史叙事不再是冰冷的教科书记录,而是充满了血肉的、鲜活的个体经验。我特别欣赏作者在处理女性角色时所展现出的那种微妙的平衡——既要尊重历史框架下的限制,又要凸显人物内在的觉醒与反抗。这本书的行文流畅,用词精准,即便涉及到一些专业性较强的内容,作者也能用通俗易懂但绝不失文采的语言进行阐述,阅读起来毫不费力,反而是一种享受。它教会了我从全新的角度去审视过去,去理解那些看似微不足道的坚持是如何汇聚成改变历史的力量的。这是一部值得反复品读的杰作。
评分这本书的叙事方式真是令人耳目一新,作者在铺陈故事的肌理时,展现出一种近乎于诗意的细腻。我尤其欣赏它对于人物内心世界的刻画,那种深藏不露的情感波动,如同潜流般推动着情节发展,让你在不经意间就被带入角色的命运之中。读完之后,那种回味无穷的韵味,就像品尝了一杯陈年的佳酿,初时或许平淡,但后劲十足,久久不散。书中对于环境的描摹,也达到了极高的水准,那些场景仿佛被赋予了生命,与人物的境遇紧密交织,形成了一种强烈的代入感。整体而言,它不是那种追求快节奏和戏剧性冲突的作品,而更像是一幅徐徐展开的、充满人生哲思的画卷,需要静下心来细细品味,才能体会到其中蕴含的深邃意境。我强烈推荐给那些追求文学深度和情感共鸣的读者。
评分我通常不太喜欢读篇幅特别长的作品,但这本书完全打破了我的偏见。它的节奏把握得极其精准,每一章的过渡都处理得干净利落,让你根本停不下来。最让我感到惊喜的是,作者在保持历史真实感的同时,还注入了极其鲜活的人性光辉。那些主要人物的形象塑造得立体而丰满,他们的喜怒哀乐、他们的坚韧与脆弱,都让人感同身受,仿佛他们就是我们身边的朋友或邻居。我尤其喜欢作者笔下那些充满张力的对话,寥寥数语,却能将人物的关系和潜在的冲突展现得淋漓尽致,读起来简直像在看一场精妙的舞台剧。这本书不仅仅是一个故事,它更像是一面镜子,映照出人类面对命运时的各种复杂心态。对于喜欢角色驱动型叙事的读者来说,这无疑是一次不容错过的阅读体验。
评分这本书的整体氛围营造得非常成功,它有一种独特的“气场”,一旦你进入,就很难抽离。我感觉作者在写作时,似乎对那个特定时期的文化和氛围有着深入骨髓的理解,每一个物件、每一次礼仪、每一句俚语,都散发着浓郁的时代气息,仿佛能闻到空气中的尘土味和香料味。这种沉浸式的写作手法,极大地提升了阅读的质量。虽然故事情节本身可能带有一定的悲剧色彩,但作者的处理方式却异常克制和优雅,没有过度的煽情,而是让情感在克制中自然流淌,反而更显力量。对于那些热衷于历史背景文学的读者来说,这本书提供了一个极佳的切入点,它既有扎实的史料基础,又不乏艺术上的大胆创新。我合上书本时,心中充满了一种对逝去时光的敬畏和对生命韧性的赞叹。
评分果然我还是很喜欢看故事的。。。
评分果然我还是很喜欢看故事的。。。
评分虽然内容有些琐碎,但确实少有的关于下层社会的第一手材料,应该被翻成中文。
评分老太太hardcore的可爱,女校欢迎你
评分foot-binding, pigtail cut-off
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