图书标签: 戏剧 莎士比亚 马洛里 英国 简史 文艺复兴
发表于2024-12-23
A Short History of English Renaissance Drama pdf epub mobi txt 电子书 下载 2024
Shakespeare is a towering presence in English and indeed global culture. Yet considered alongside his contemporaries he was not an isolated phenomenon, but the product of a period of astonishing creative fertility. This was an age when new media - popular drama and print - were seized upon avidly and inventively by a generation of exceptionally talented writers. In her sparkling new book, Helen Hackett explores the historical contexts of English Renaissance drama by situating it in the wider history of ideas. She traces the origins of Renaissance theatre in communal religious drama, civic pageantry and court entertainment and vividly describes the playing conditions of Elizabethan and Jacobean playhouses. Examining Marlowe, Shakespeare and Jonson in turn, the author assesses the distinctive contribution made by each playwright to the creation of English drama. She then turns to revenge tragedy, with its gothic poetry of sex and death; city comedy, domestic tragedy and tragicomedy; and gender and drama, with female roles played by boy actors in commercial playhouses while women participated in drama at court and elsewhere. The book places Renaissance drama in the exciting and vibrant cosmopolitanism of sixteenth-century London.
Helen Hackett is a Professor of English at UCL, where she runs the Shakespeare course. Her publications include A Short History of English Renaissance Drama (2012), Shakespeare and Elizabeth: The Meeting of Two Myths (2009), and the introduction to the Penguin edition of A Midsummer Night’s Dream (2005). She enjoys setting Shakespeare’s works in the historical contexts of their time, and also investigating how Shakespeare’s cultural meaning has developed over the centuries up to the present. She also has a particular interest in Renaissance literature by and about women, as explored in her books Virgin Mother, Maiden Queen: Elizabeth I and the Cult of the Virgin Mary (1995) and Women and Romance Fiction in the English Renaissance (2000). Helen is co-director of the UCL Centre for Early Modern Exchanges: this fosters research into all kinds of intercultural exchange in the period 1450-1800, including travel, trade, translation, and the circulation of ideas. Her web-page is at http://www.ucl.ac.uk/english/about/staff/hh.htm.
人生不过是一个行走的影子,一个在舞台上指手划脚的拙劣的伶人,登场片刻,就在无声无臭中悄然退下;它是一个愚人所讲的故事,充满着喧哗和骚动,却找不到一点意义。——莎士比亚《麦克白》 文艺复兴起始于14世纪的意大利,至16世纪末传播到欧洲各地,泛指古典范氏影响下艺术与...
评分《英国文艺复兴戏剧简史》是英国伦敦大学英语语言文学系教授海伦•海克特所创作的一部英国戏剧的断代史,完整勾勒了文艺复兴时期这一英国戏剧文学创作的春天。 文艺复兴时期亦是英国戏剧创作的黄金时代,这一时期的经济政治、人们的思想意识特别是文艺复兴的大环境为戏剧的繁...
评分一部文艺复兴史 生存还是毁灭?这是个问题。 究竟哪样更高贵,去忍受那狂暴的命运无情的摧残 还是挺身去反抗那无边的烦恼,把它扫一个干净。——莎士比亚《哈姆雷特》 提起莎士比亚众所周知的是他是英国文艺复兴的典型代表人物。而在英国历史上的文艺复兴是指14世纪到16世纪...
评分还记得大年初二晚上《声临其境》终于迎来了王洛勇老师,作为百老汇亚洲第一人,他其实并不为大众所熟知。在《声临其境》的舞台上,他那流利的古英语发音,再配合剧中人物的呼吸和动作,一句“To be or not to be”瞬间将观众带入到莎翁名著《哈姆雷特》中的经典独白片段。据说...
A Short History of English Renaissance Drama pdf epub mobi txt 电子书 下载 2024