A Chinese American woman tells of the Chinese myths, family stories and events of her California childhood that have shaped her identity.
Maxine Hong Kingston, (born October 27, 1940, Stockton, California, U.S.), American writer, much of whose work is rooted in her experience as a first-generation Chinese American. Maxine Hong was the eldest of six American-born children of Chinese immigrant parents. Hong’s father, a scholar, had left China in 1924 and immigrated to New York City; unable to find work as a poet or calligrapher, he took a job in a laundry. Hong’s mother had remained behind in China and joined him in the United States in 1939. Hong attended the University of California, Berkeley, as a scholarship student, graduating in 1962. At Berkeley she met aspiring actor Earll Kingston. They were married in November 1962 and had a son in 1964. The couple taught at Sunset High School in 1966–67 in Hayward, California, then moved to Hawaii, where she held a series of teaching jobs for the next 10 years. In 1976 Kingston published her first book, The Woman Warrior: Memoirs of a Girlhood Among Ghosts. It combines myth, family history, folktales, and memories of the experience of growing up within two conflicting cultures. The book was an immediate critical success, winning the 1976 National Book Critics’ Circle Award for nonfiction. In her second memoir, China Men (1980), Kingston tells the story of Chinese immigration through the experiences of the men in her family. Using the narrative techniques of The Woman Warrior, she relates their stories of virtual slave labour, loneliness, and discrimination. China Men won the American Book Award for nonfiction. In Tripmaster Monkey: His Fake Book (1989), the main character—Whittman Ah Sing, named after Walt Whitman—narrates a peculiarly 20th-century American odyssey; the book combines Eastern and Western literary traditions while emphasizing the Americanness of its characters. In To Be the Poet (2002), written mainly in verse, Kingston presented a rumination on elements of her own past and the acts of reading and creating poetry. The Fifth Book of Peace (2003) combines elements of fiction and memoir in the manner of a Chinese talk-story, a tradition in which elements of both the real and imagined worlds become interpolated. I Love a Broad Margin to My Life (2011) is a “memoir-in-verse.” Kingston also published poems, short stories, and articles. Her collection of 12 prose sketches, Hawai’i One Summer (1987), was published in a limited edition with original woodblock prints and calligraphy. Beginning in 1993 Kingston ran a series of writing and meditation workshops for veterans of various conflicts and their families. From these workshops came the material for Veterans of War, Veterans of Peace (2006), a collection edited by Kingston containing prose and verse on the experiences of war, domestic violence, drug abuse, and other traumatic experiences. In 2014 Kingston received the National Medal of Arts.
哎…为了写作业看的这本书我把作业放上来造福以后也许会写这个相关作业的人当参考吧……有错误就别管我了下面指出下免得误导群众吧咳咳_(:з」∠)_ 关于The Woman Warrior 和Obasan两本书的 The Great Struggle Since ancient times, the struggle of people never s...
评分《女勇士》令我着迷。 也许是因为与母文化的天然隔绝,才使得作者笔下的中国人、中国事,显得既遥远又贴近。作者以细腻的笔触、芜杂的叙述以及神经质的呓语,解析了一个在美国出生的华裔女性独特而又丰富的个体经验。 作者的叙述是自觉与不自觉掺杂在一起的。在...
评分In The Woman Warrior: Memoirs of a Girlhood Among Ghosts, Maxine Hong Kingston extensively uses Chinese folklore to move along her narrative. Her use of folklore is two-sided: On one hand, she uses real folklore from Chinese culture, giving creditability to...
评分哎…为了写作业看的这本书我把作业放上来造福以后也许会写这个相关作业的人当参考吧……有错误就别管我了下面指出下免得误导群众吧咳咳_(:з」∠)_ 关于The Woman Warrior 和Obasan两本书的 The Great Struggle Since ancient times, the struggle of people never s...
评分《女勇士》令我着迷。 也许是因为与母文化的天然隔绝,才使得作者笔下的中国人、中国事,显得既遥远又贴近。作者以细腻的笔触、芜杂的叙述以及神经质的呓语,解析了一个在美国出生的华裔女性独特而又丰富的个体经验。 作者的叙述是自觉与不自觉掺杂在一起的。在...
lots of chinese stories hearded and written by one immigrant,far from what we read in chinese works.
评分boring
评分喜欢汤亭亭重构故事的能力和诡谲的想象力。她打破了自传传统的线形写作的方式,甚至看着看着还会迷失在何处是现实何处是想象的文字中。这本书外国人和中国人都容易读错,比如第二个故事并不是为了塑造一个中国式家国牵连的女勇士形象,而只是汤亭亭小时候难以融入美国社会时困惑与自救的变形。
评分"'We belong to the planet now, Mama. Does it make sense to you that if we're no longer attached to one piece of land, we belong to the planet? Wherever we happen to be standing, why, that spot belongs to us as much as any other spot.' Can we spend the fare money of furniture and cars? Will American flowers smell good now?"
评分not sure i like her too obvious femenist conscious, though all symptoms about chinese are unmistakenly true, which is very uncomfortably acheing to admit being a chinese myself. the last two chap is bit denument compared to the first three. But the novel fell short of my expectation on the whole.
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