 
			 
				Has any comic been as acclaimed as Alan Moore and Dave Gibbons' Watchmen? Possibly only Frank Miller's The Dark Knight Returns, but Watchmen remains the critics' favorite. Why? Because Moore is a better writer, and Watchmen a more complex and dark and literate creation than Miller's fantastic, subversive take on the Batman myth. Moore, renowned for many other of the genre's finest creations (Saga of the Swamp Thing, V for Vendetta, and From Hell, with Eddie Campbell) first put out Watchmen in 12 issues for DC in 1986-87. It won a comic award at the time (the 1987 Jack Kirby Comics Industry Awards for Best Writer/Artist combination) and has continued to gather praise since.
The story concerns a group called the Crimebusters and a plot to kill and discredit them. Moore's characterization is as sophisticated as any novel's. Importantly the costumes do not get in the way of the storytelling; rather they allow Moore to investigate issues of power and control--indeed it was Watchmen, and to a lesser extent Dark Knight, that propelled the comic genre forward, making "adult" comics a reality. The artwork of Gibbons (best known for 2000AD's Rogue Trooper and DC's Green Lantern) is very fine too, echoing Moore's paranoid mood perfectly throughout. Packed with symbolism, some of the overlying themes (arms control, nuclear threat, vigilantes) have dated but the intelligent social and political commentary, the structure of the story itself, its intertextuality (chapters appended with excerpts from other "works" and "studies" on Moore's characters, or with excerpts from another comic book being read by a child within the story), the finepace of the writing and its humanity mean that Watchmen more than stands up--it keeps its crown as the best the genre has yet produced. --Mark Thwaite
Alan Moore is an English writer most famous for his influential work in comics, including the acclaimed graphic novels Watchmen, V for Vendetta and From Hell. He has also written a novel, Voice of the Fire, and performs "workings" (one-off performance art/spoken word pieces) with The Moon and Serpent Grand Egyptian Theatre of Marvels, some of which have been released on CD.
As a comics writer, Moore is notable for being one of the first writers to apply literary and formalist sensibilities to the mainstream of the medium. As well as including challenging subject matter and adult themes, he brings a wide range of influences to his work, from the literary–authors such as William S. Burroughs, Thomas Pynchon, Robert Anton Wilson and Iain Sinclair; New Wave science fiction writers such as Michael Moorcock; horror writers such as Clive Barker; to the cinematic–filmmakers such as Nicolas Roeg. Influences within comics include Will Eisner, Harvey Kurtzman, Jack Kirby and Bryan Talbot.
“名为神祗的生物执着红色闪电, 愤怒和恐惧占据了墨诺提俄斯的心。” —— Titanomachy 当我试着为罗夏(Rorschach)寻找一个神话原型时,我发现了墨诺提俄斯(Menoitios)——愤怒和狂妄的提坦。墨诺提俄斯那暴力的神性最好地映射了罗夏,甚至连粉碎于宙斯闪电的死亡也和罗...
評分一本非常宏大深邃的图画小说。之前看过电影,先是看了公映版本后不太懂,又看了两个多小时的完整版,查了很多资料,对守望者书有了非常大的兴趣。时隔多年读漫画,自然沉迷在了这个吸引人又引人深思的故事当中。漫画和作者的另一名著v字仇杀队一样,都是假设历史走向了另一条反...
評分上周末粗粗看了一遍,故事和设定大大超出我的预计。 所有的超级英雄,拥有的只是稍微超出常人的力量或者知识,也许把他们称为特种兵更适合一点。 他们不再忙于嫉恶如仇,除暴安良;而是被政府雇用了用于战争和治安。 他们相互之间有着不喜欢甚至憎恨,也有着爱情,甚至有着...
評分漫画本身是一部文学作品,但是通过电影,导演对它做了进一步的解读,它对漫画的部分台词以及人物塑造有改动,不妨来看看这两个版本的同异之处 电影分为三部分叙述: 第一部分——时代序曲:以笑匠被杀开场,通过一首歌曲回顾整个变装英雄和时代的变迁,罗夏开始追查蒙面英雄杀...
評分一場笑話
评分看過漫畫,纔知道電影還原度有多高。紮剋·施奈德真·宅男!
评分偶然又翻watchmen的時候,突然讓我覺得不喜歡少年派的原因根本還是在於,這一整個故事從未讓我産生過半點信任(跟“第一個故事”還是“第二個故事”沒半毛錢關係)。比起吃人、吃老媽、素食主義者大塊吃肉等等等等,長達400天的絕對孤獨和恐懼纔是重點吧,這足以徹底、永久的改變任何人,或者釋放任何人的本質。最簡單的情況莫過於watchmen中tales of the black freighter的描述,純粹的瘋狂。除此外讓人嗬嗬的,大概還有導演的立場,清晰、明確的錶達曖昧和含混,嗬嗬嗬。事實上派的劇作相當精緻,尤其是敘述架構、視點的選擇,老練狡猾,工於技巧,隻是人物的轉變在我看來相當弱外。歸根結底,還是對於人的認識不同。
评分很奇怪原著和電影評分差這麼多,兩者甚至連許多分鏡都一樣(區彆是電影的《黑船傳奇》要在導演最終剪輯版中纔有。風格就是絕望,絕望到我連阿媽都不認識瞭),是我最喜歡的科幻電影。
评分其實隻是看瞭motion comic
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