Watchmen

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Alan Moore is an English writer most famous for his influential work in comics, including the acclaimed graphic novels Watchmen, V for Vendetta and From Hell. He has also written a novel, Voice of the Fire, and performs "workings" (one-off performance art/spoken word pieces) with The Moon and Serpent Grand Egyptian Theatre of Marvels, some of which have been released on CD.

As a comics writer, Moore is notable for being one of the first writers to apply literary and formalist sensibilities to the mainstream of the medium. As well as including challenging subject matter and adult themes, he brings a wide range of influences to his work, from the literary–authors such as William S. Burroughs, Thomas Pynchon, Robert Anton Wilson and Iain Sinclair; New Wave science fiction writers such as Michael Moorcock; horror writers such as Clive Barker; to the cinematic–filmmakers such as Nicolas Roeg. Influences within comics include Will Eisner, Harvey Kurtzman, Jack Kirby and Bryan Talbot.

出版者:DC Comics
作者:Alan Moore
出品人:
页数:416
译者:
出版时间:1995-4-1
价格:CAD 22.99
装帧:Paperback
isbn号码:9780930289232
丛书系列:
图书标签:
  • 漫画 
  • AlanMoore 
  • 美国 
  • DC 
  • 反乌托邦 
  • 科幻 
  • graphic_novel 
  • Comic 
  •  
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Has any comic been as acclaimed as Alan Moore and Dave Gibbons' Watchmen? Possibly only Frank Miller's The Dark Knight Returns, but Watchmen remains the critics' favorite. Why? Because Moore is a better writer, and Watchmen a more complex and dark and literate creation than Miller's fantastic, subversive take on the Batman myth. Moore, renowned for many other of the genre's finest creations (Saga of the Swamp Thing, V for Vendetta, and From Hell, with Eddie Campbell) first put out Watchmen in 12 issues for DC in 1986-87. It won a comic award at the time (the 1987 Jack Kirby Comics Industry Awards for Best Writer/Artist combination) and has continued to gather praise since.

The story concerns a group called the Crimebusters and a plot to kill and discredit them. Moore's characterization is as sophisticated as any novel's. Importantly the costumes do not get in the way of the storytelling; rather they allow Moore to investigate issues of power and control--indeed it was Watchmen, and to a lesser extent Dark Knight, that propelled the comic genre forward, making "adult" comics a reality. The artwork of Gibbons (best known for 2000AD's Rogue Trooper and DC's Green Lantern) is very fine too, echoing Moore's paranoid mood perfectly throughout. Packed with symbolism, some of the overlying themes (arms control, nuclear threat, vigilantes) have dated but the intelligent social and political commentary, the structure of the story itself, its intertextuality (chapters appended with excerpts from other "works" and "studies" on Moore's characters, or with excerpts from another comic book being read by a child within the story), the finepace of the writing and its humanity mean that Watchmen more than stands up--it keeps its crown as the best the genre has yet produced. --Mark Thwaite

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一本非常宏大深邃的图画小说。之前看过电影,先是看了公映版本后不太懂,又看了两个多小时的完整版,查了很多资料,对守望者书有了非常大的兴趣。时隔多年读漫画,自然沉迷在了这个吸引人又引人深思的故事当中。漫画和作者的另一名著v字仇杀队一样,都是假设历史走向了另一条反...  

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刻画了 冷战背景下,守望末世的超级英雄图鉴。面对冷漠无情的人群,肮脏丑恶的社会,一触即发的核子战争,拥有不同能力、性格、世界观的守望者们,做出了不同的回答。笑匠的玩世不恭与罗夏的嫉恶如仇遥相呼应,曼哈顿博士超脱时空的无为宇宙观,与法老王的冷酷野心、雷霆手段相...  

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上周末粗粗看了一遍,故事和设定大大超出我的预计。 所有的超级英雄,拥有的只是稍微超出常人的力量或者知识,也许把他们称为特种兵更适合一点。 他们不再忙于嫉恶如仇,除暴安良;而是被政府雇用了用于战争和治安。 他们相互之间有着不喜欢甚至憎恨,也有着爱情,甚至有着...  

用户评价

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这部电影告诉我们超级英雄的真相:不管是多么正当的理由,就算你如此坚持原则不妥协,哪怕你拥有创造整个宇宙的力量,你都不能改变人。每个人都需要牺牲某些东西,基于这样的理由,一些人被看作英雄,而另外一些则被看作恶棍。——Youtube网友

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偶然又翻watchmen的时候,突然让我觉得不喜欢少年派的原因根本还是在于,这一整个故事从未让我产生过半点信任(跟“第一个故事”还是“第二个故事”没半毛钱关系)。比起吃人、吃老妈、素食主义者大块吃肉等等等等,长达400天的绝对孤独和恐惧才是重点吧,这足以彻底、永久的改变任何人,或者释放任何人的本质。最简单的情况莫过于watchmen中tales of the black freighter的描述,纯粹的疯狂。除此外让人呵呵的,大概还有导演的立场,清晰、明确的表达暧昧和含混,呵呵呵。事实上派的剧作相当精致,尤其是叙述架构、视点的选择,老练狡猾,工于技巧,只是人物的转变在我看来相当弱外。归根结底,还是对于人的认识不同。

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一场笑话

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沉重的感觉!~

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每个主要角色都有自己的哲学,人性如此矛盾,只有妥协才能生存?Veidt策划毁了半个纽约却因此阻止了wwIII拯救了全人类,太讽刺!看的第一本Graphic Novel,剧情太好了,画风什么的也就不重要了!

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