This Norton Critical Edition is designed to make Paradise Lost accessible for student readers, providing invaluable contextual and biographical information and the tools students need to think critically about this landmark epic. Gordon Teskey's freshly edited text of Milton's masterpiece is accompanied by a new introduction and substantial explanatory annotations. Spelling and punctuation have been modernized, the latter, importantly, within the limits imposed by Milton's syntax. "Sources and Backgrounds" collects relevant passages from the Bible and Milton's prose writings, including selections from The Reason of Church Government and the full text of Areopagitica. "Criticism" brings together classic interpretations by Andrew Marvell, John Dryden, Victor Hugo, and T. S. Eliot, among others, and the most important recent criticism and scholarship surrounding the epic, including essays by Northrop Frye, Barbara Lewalski, Christopher Ricks, and Helen Vendler. A Glossary and Selected Bibliography are also included. About the Series : No other series of classic texts equals the caliber of the Norton Critical Editions . Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.
Gordon Teskey is Professor of English at Harvard University. He is the author of Delirious Milton: The Poet in the Modern World and Allegory and Violence, and co-editor of Unfolded Tales: Essays on Renaissance Romance.
故事從撒旦墜落開始,共有12卷,以亞當和夏娃的離去為結束。 虛偽、謊言、奉承、狡詐、背叛。每一樣都是上帝心目中的罪惡,但這并不是黑暗的源頭。【意志也好,理性也罷,若被剝奪自由,二者都變為空虛,沒用的了,二者都成了被動,只服從不得已,而不服從我,這樣的服從,又有...
評分Yale Open Course ENGL220 Milton: notes on lecture2 《圣诞清晨歌》是弥尔顿出版的第一本诗集里的第一首诗,也是任何一本弥尔顿诗选里的第一首诗。事实上这并不是弥尔顿创作的第一首诗,他在大学期间有许多习作,但是是用拉丁文写成的,那些习作技法娴熟,充分体现了古典作家...
評分Yale Open Course ENGL220 Milton: notes on lecture2 《圣诞清晨歌》是弥尔顿出版的第一本诗集里的第一首诗,也是任何一本弥尔顿诗选里的第一首诗。事实上这并不是弥尔顿创作的第一首诗,他在大学期间有许多习作,但是是用拉丁文写成的,那些习作技法娴熟,充分体现了古典作家...
評分弥尔顿的长篇史诗《失乐园》,以《圣经•旧约•创世记》第二、三章关于人类始祖亚当、夏娃在撒旦引诱下偷食禁果犯下原罪,被上帝逐出伊甸园的故事为蓝本,成功地将诗人——作为一个清教徒,所相信的人类重返上帝的乐园的回归之路极为完整、生动地展现在读者面前。这条路发...
評分Yale Open Course ENGL220 Milton: notes on lecture2 《圣诞清晨歌》是弥尔顿出版的第一本诗集里的第一首诗,也是任何一本弥尔顿诗选里的第一首诗。事实上这并不是弥尔顿创作的第一首诗,他在大学期间有许多习作,但是是用拉丁文写成的,那些习作技法娴熟,充分体现了古典作家...
終於讀到米爾頓啦。這個學期英國中世紀-文藝復興英語閱讀的最後一項。單純從文學性上評分,米爾頓的氣勢之恢宏,細節之流麗,劇情往復安排的呼應,比莎翁更優!
评分rather seek Our own good from ourselves, and from our own Live to ourselves, though in this vast recess, Free and to none accountable, preferring Hard liberty before the easy yoke Of servile pomp, Our greatness will appear
评分目前為止最能讀進去的史詩
评分great epic poem
评分讀一遍就是跟著亞當夏娃死一次。
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