Paradise Lost pdf epub mobi txt 电子书 下载 2025
Gordon Teskey is Professor of English at Harvard University. He is the author of Delirious Milton: The Poet in the Modern World and Allegory and Violence, and co-editor of Unfolded Tales: Essays on Renaissance Romance.
- 诗歌
- JohnMilton
- 英国文学
- 英文原版
- 诗史巨作
- 文学
- 英文
- 失乐园
This Norton Critical Edition is designed to make Paradise Lost accessible for student readers, providing invaluable contextual and biographical information and the tools students need to think critically about this landmark epic. Gordon Teskey's freshly edited text of Milton's masterpiece is accompanied by a new introduction and substantial explanatory annotations. Spelling and punctuation have been modernized, the latter, importantly, within the limits imposed by Milton's syntax. "Sources and Backgrounds" collects relevant passages from the Bible and Milton's prose writings, including selections from The Reason of Church Government and the full text of Areopagitica. "Criticism" brings together classic interpretations by Andrew Marvell, John Dryden, Victor Hugo, and T. S. Eliot, among others, and the most important recent criticism and scholarship surrounding the epic, including essays by Northrop Frye, Barbara Lewalski, Christopher Ricks, and Helen Vendler. A Glossary and Selected Bibliography are also included. About the Series : No other series of classic texts equals the caliber of the Norton Critical Editions . Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.
具体描述
读后感
看这本书的时候，就想起以前听过的一个诡辩来，说如何证明上帝不是万能的，那就让上帝创造一块他自己也不能搬得起的石头，如果他能够创造，那么他搬不起这块石头，他就不是万能的；如果他不能，那么也证明了他不是万能的。 这只是一个轻松的脑筋急转弯，把这个放在书评最前面说...
评分“或许亚当就是坠入如此厄运，了解善恶，即是说，知恶以知善，”弥尔顿在《论出版自由》中写道。通过了解邪恶来尝试了解善良，有人会说这是勇敢之举，光需要影的反衬，但那是一个谎言——弥尔顿知道这点，于是他说“如此厄运”，如此忧伤。《失乐园》里装满他的虔诚、学识，哀...
评分 评分诚然严谨如弥尔顿，在宗教革命的风头浪尖上，以文字为利器，刻画出一部气势磅礴的“失乐园”。在弥漫着boring气息的英美文学史课堂上。这股气势却也唤起我的阅读欲望，进入弥尔顿的世界。人类亿年间在地球上一同发展，中国的古文明古文化是国人骄傲之本。原来地球的另一端也有...
用户评价
rather seek Our own good from ourselves, and from our own Live to ourselves, though in this vast recess, Free and to none accountable, preferring Hard liberty before the easy yoke Of servile pomp, Our greatness will appear
评分我表示对着词典都没读懂
评分book 4
评分感觉这个主题最难处理的地方是从无罪到堕落的过渡 稍不注意就有determinism的危险。而我现在觉得弥尔顿刻画的夏娃还是很成功的 从被造起借用的变形记中Narcissus的形象其实是一个ambiguity——并不直指堕落 亚当与夏娃正如这个故事的正反两面 互为foil。至于撒旦 他与Sin和Death的乱伦关系同样有Narcissus的影子 指向另一极端。 不明白那些看完这三角乱伦与撒旦一伙变成一群蛇 还觉得撒旦是史诗中的英雄的人是怎么想的 弥尔顿要批评传统heroism也不会把hero糟践至此
评分Sublime. 英语还可以是这样！！！以及C. S. Lewis和Empson文章写得真好~
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