Paradise Lost

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Gordon Teskey is Professor of English at Harvard University. He is the author of Delirious Milton: The Poet in the Modern World and Allegory and Violence, and co-editor of Unfolded Tales: Essays on Renaissance Romance.

出版者:W. W. Norton & Company
作者:John Milton
出品人:
页数:624
译者:
出版时间:2004-12-15
价格:USD 21.89
装帧:Paperback
isbn号码:9780393924282
丛书系列:Norton Critical Editions
图书标签:
  • 诗歌 
  • JohnMilton 
  • 英国文学 
  • 英文原版 
  • 诗史巨作 
  • 文学 
  • 英文 
  • 失乐园 
  •  
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This Norton Critical Edition is designed to make Paradise Lost accessible for student readers, providing invaluable contextual and biographical information and the tools students need to think critically about this landmark epic. Gordon Teskey's freshly edited text of Milton's masterpiece is accompanied by a new introduction and substantial explanatory annotations. Spelling and punctuation have been modernized, the latter, importantly, within the limits imposed by Milton's syntax. "Sources and Backgrounds" collects relevant passages from the Bible and Milton's prose writings, including selections from The Reason of Church Government and the full text of Areopagitica. "Criticism" brings together classic interpretations by Andrew Marvell, John Dryden, Victor Hugo, and T. S. Eliot, among others, and the most important recent criticism and scholarship surrounding the epic, including essays by Northrop Frye, Barbara Lewalski, Christopher Ricks, and Helen Vendler. A Glossary and Selected Bibliography are also included. About the Series : No other series of classic texts equals the caliber of the Norton Critical Editions . Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.

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As one of the most brilliant epic in English literature history, Paradise Lost deals with the fall of man, which includes Satan and his downfall in both Heaven and Hell. It also gained Milton his world fame. This thesis is aimed at discussing the reason for...  

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弥尔顿的长篇史诗《失乐园》,以《圣经•旧约•创世记》第二、三章关于人类始祖亚当、夏娃在撒旦引诱下偷食禁果犯下原罪,被上帝逐出伊甸园的故事为蓝本,成功地将诗人——作为一个清教徒,所相信的人类重返上帝的乐园的回归之路极为完整、生动地展现在读者面前。这条路发...  

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故事從撒旦墜落開始,共有12卷,以亞當和夏娃的離去為結束。 虛偽、謊言、奉承、狡詐、背叛。每一樣都是上帝心目中的罪惡,但這并不是黑暗的源頭。【意志也好,理性也罷,若被剝奪自由,二者都變為空虛,沒用的了,二者都成了被動,只服從不得已,而不服從我,這樣的服從,又有...  

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感觉这个主题最难处理的地方是从无罪到堕落的过渡 稍不注意就有determinism的危险。而我现在觉得弥尔顿刻画的夏娃还是很成功的 从被造起借用的变形记中Narcissus的形象其实是一个ambiguity——并不直指堕落 亚当与夏娃正如这个故事的正反两面 互为foil。至于撒旦 他与Sin和Death的乱伦关系同样有Narcissus的影子 指向另一极端。 不明白那些看完这三角乱伦与撒旦一伙变成一群蛇 还觉得撒旦是史诗中的英雄的人是怎么想的 弥尔顿要批评传统heroism也不会把hero糟践至此

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感觉这个主题最难处理的地方是从无罪到堕落的过渡 稍不注意就有determinism的危险。而我现在觉得弥尔顿刻画的夏娃还是很成功的 从被造起借用的变形记中Narcissus的形象其实是一个ambiguity——并不直指堕落 亚当与夏娃正如这个故事的正反两面 互为foil。至于撒旦 他与Sin和Death的乱伦关系同样有Narcissus的影子 指向另一极端。 不明白那些看完这三角乱伦与撒旦一伙变成一群蛇 还觉得撒旦是史诗中的英雄的人是怎么想的 弥尔顿要批评传统heroism也不会把hero糟践至此

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后半本的context相当详实 记得尖尖上课扯到了薄某人以及激励革命者的骄矜【受够了中译本里的“骄矜”】

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感觉这个主题最难处理的地方是从无罪到堕落的过渡 稍不注意就有determinism的危险。而我现在觉得弥尔顿刻画的夏娃还是很成功的 从被造起借用的变形记中Narcissus的形象其实是一个ambiguity——并不直指堕落 亚当与夏娃正如这个故事的正反两面 互为foil。至于撒旦 他与Sin和Death的乱伦关系同样有Narcissus的影子 指向另一极端。 不明白那些看完这三角乱伦与撒旦一伙变成一群蛇 还觉得撒旦是史诗中的英雄的人是怎么想的 弥尔顿要批评传统heroism也不会把hero糟践至此

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弥尔顿是我真正喜欢的外国诗人,读中文版翻译,倍感他的诗歌充满磅礴气势,让我忍不住找原版翻,尽管原版有很多单词不认识,但弥尔顿诗歌的气势深深地震撼到我。

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