Waiting for Godot

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出版者:Grove Press
作者:Samuel Beckett
出品人:
頁數:60
译者:
出版時間:1994-01-18
價格:USD 13.00
裝幀:Paperback
isbn號碼:9780802130341
叢書系列:
圖書標籤:
  • 戲劇
  • 英文原版
  • drama
  • SamuelBeckett
  • 哲學
  • Play
  • 外國文學
  • 劇本
  • 荒誕派戲劇
  • 存在主義
  • 等待
  • 孤獨
  • 對話
  • 命運
  • 人類睏境
  • 戲謔
  • 哲學
  • 悲劇
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具體描述

Samuel Beckett, one of the great avant-garde Irish dramatists and writers of the second half of the 20th century, was born on 13 April 1906. He died in 1989. He won the Nobel Prize for Literature in 1969. His centenary will be celebrated throughout 2006 with performances of his major plays, but the most popular of them all will be, without doubt, the play with which he first made his name, Waiting for Godot. It opened the gates to the theatre of the absurd as four men appear on the stage, apparently with purpose but (perhaps) waiting for someone called Godot. It is stark, funny, bemusing and still deeply affecting half a century since its first production. In this new recording for audiobook, John Tydeman, for many years head of BBC Radio Drama, takes a fresh look at one of the milestones in Western drama. It follows the highly acclaimed recordings of Beckett's Trilogy, Molloy, Malone Dies and The Unnamable published by Naxos AudioBooks. See also Krapp's Last Tape and Not I, also released for the centenary.

著者簡介

薩繆爾·貝剋特(Samuel Beckett, 1906-1989)是先用英語後用法語寫作的愛爾蘭作傢,也是法國荒誕派劇作傢的主要代錶之一。他獲1969年諾貝爾文學奬。

圖書目錄

讀後感

評分

在写下这篇文字的时刻,我关掉所有网页,谷歌百度搜索,还有那么多那么多的评论和观点。也许不该给任何文学作品戴上高帽子的。大多数人信奉“考据派”和“求实理论”,他们说,《等待戈多》是部后现代主义的扛鼎之作,是荒诞剧,讨论了什么呢,大概是等待,大概是虚无,大概是...  

評分

小说是如何切入人的?就一个故事而言,它呈现的不是全体的人,不是人的全体,而是人的切面(至于最后出来的效果是否具有普遍性,那是另一回事)。甚至,是人体内的一个小黑点,一块组织,一个细胞,一个疼痛的针尖。 故事就是从这个小黑点生长起来的。或者说,故事只能从这样一...  

評分

爱斯特拉贡:咱们走吧。   弗拉季米尔:咱们不能。   爱斯特拉贡:咱们在等待戈多。   ……   爱斯特拉贡:他应该到这儿啦。   弗拉季米尔:他并没说定他准来。   爱斯特拉贡:万一他不来呢?   弗拉季米尔:咱们明天再来。   爱斯特拉贡:然后,后天再...  

評分

《等待戈多》的主题,相较于它所颠覆了的西方戏剧传统显然更具开放性。人们可以认为,它展示了一个没有时间、循环往复的世界,或者意在说明“在人类存在中并不真的发生过什么”,再或者,它展示的是当代西方人在失去信仰及形而上追求后的荒诞世界中的尴尬处境。这些都对。连贝...  

評分

毫无疑问,这是一本享有盛名的书。毫不讳言,我没怎么读懂,而且,不怕暴露我的浅薄的品味,我的确不怎么喜欢这本书。       但其实,话说回来,这本作为荒诞派戏剧的代表作,由于其本身的荒诞性,让作为读者的我们读不懂倒是很合乎逻辑的。对于除诗歌以外的文体,我毫...  

用戶評價

评分

Life is empty.In this emptiness, we should find something to do, whatever. "To every his little cross.Till he dies.And is forgotten." Ogni persona porta la sua croce. But taking a historical perspective, we find that the problems we burden are not so important as we once thought, they will be forgotten with the fade of our name, our life...

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not really my cup of tea

评分

Life is empty.In this emptiness, we should find something to do, whatever. "To every his little cross.Till he dies.And is forgotten." Ogni persona porta la sua croce. But taking a historical perspective, we find that the problems we burden are not so important as we once thought, they will be forgotten with the fade of our name, our life...

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對語言符號的探索

评分

Life is empty.In this emptiness, we should find something to do, whatever. "To every his little cross.Till he dies.And is forgotten." Ogni persona porta la sua croce. But taking a historical perspective, we find that the problems we burden are not so important as we once thought, they will be forgotten with the fade of our name, our life...

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