Mrs. Dalloway pdf epub mobi txt 电子书 下载 2026
- VirginiaWoolf
- 意识流
- 英国文学
- 小说
- 女性
- 英国
- 外国文学
- woolf
- Mrs
- Dalloway
- Virginia Woolf
- 1920s
- Stream of consciousness
- London
- War
- Time
- Memory
- Identity
具体描述
Virginia Woolf's Mrs. Dalloway, published in 1925, was a bestseller both in Britain and the United States despite its departure from typical novelistic style. Mrs. Dalloway and Woolf's subsequent book, To the Lighthouse, have generated the most critical attention and are the most widely studied of Woolf's novels.
The action of Mrs. Dalloway takes place during a single day in June 1923 in London, England. This unusual organizational strategy creates a special problem for the novelist: how to craft characters deep enough to be realistic while treating only one day in their lives. Woolf solved this problem with what she called a "tunneling" technique, referring to the way her characters remember their pasts. In experiencing these characters' recollections, readers derive for themselves a sense of background and history to characters that, otherwise, a narrator would have had to provide.
In a sense, Mrs. Dalloway is a novel without a plot. Instead of creating major situations between characters to push the story forward, Woolf moved her narrative by following the passing hours of a day. The book is composed of movements from one character to another, or of movements from the internal thoughts of one character to the internal thoughts of another.
Mrs. Dalloway has been called a flâneur novel, which means it depicts people walking about a city. (Flâneur is the French word for a person who enjoys walking around a city often with no other purpose than to see the sights.) The book, as is typical of the Flâneur novel, makes the city, its parks, and its streets as interesting as the characters who inhabit them.
Clarissa Dalloway's party, which is the culminating event of the book, ties the narrative together by gathering the group of friends Clarissa thinks about throughout her day. It also concludes the secondary story of the book, the story of Septimus Warren Smith, by having Dr. Bradshaw arrive at the party and mention that one of his patients committed suicide that day.
The book's major competing themes are isolation and community, or the possibilities and limits of communicativeness, as evidenced by Clarissa's abiding sense of being alone and by her social skills, which bring people together at her parties.
作者简介
Virginia Woolf (January 25, 1882 - March 28, 1941) was a English author and feminist. Born Adeline Virginia Stephens in London she was brought up and educated at home. In 1895 following the death of her mother she had the first of numerous nervous breakdowns. Following the death of her father (Sir Leslie Stephen, a literary critic) in 1904, she moved with her sister and two brothers to a house in Bloomsbury. She began writing professionally in 1905, initially for the Times Literary Supplement. In 1912 she married Leonard Woolf, a civil servant and political theorist. Her first novel, The Voyage Out, was published in 1915. Between the wars, Woolf was a significant figure in London literary society and a member of the Bloomsbury group. In March 1941, Woolf drowned herself in the River Ouse, near her Romdell residence. She had published ten (?) novels and over 500 essays.
目录信息
读后感
1，不流畅也就算了，你长句子没主语这算什么事？经常读了好长一段景物描写突然就出现了人物动词。靠，是谁啊⋯⋯ 2，文中只要涉及人物在想或是在思考，翻译一定会用“思忖”。 3，116页有明显的疏漏，明明问句是“霍姆斯办的疗养院吗？”下文布雷德肖回答“是我办的疗养院...
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用户评价
我必须承认，我并不是一个能轻松接受所有“先锋”文学的读者，但这次阅读体验让我不得不重新思考“阅读乐趣”的定义。乐趣不再仅仅来源于情节的推进或悬念的揭晓，而更多地来自于对语言本身的欣赏和对人物内心世界的深度潜入。这本书就像一个精美的万花筒，你转动一下，里面的颜色和形状就会完全重组，呈现出新的图案。每一次重读，都会有新的细节浮现出来，一些之前忽略的暗示和重复的主题会突然变得清晰，让你有种“原来如此”的顿悟感。作者对于感官世界的描摹达到了令人发指的程度，那种对气味、声音、光线的捕捉，仿佛能让你真的闻到夏日午后的空气中弥漫的花香，听到远方汽车驶过的嗡鸣。这种极致的感官体验，让整部小说超越了单纯的故事叙述，成为了一种全方位的、沉浸式的艺术感知。
评分如果用一个词来概括我的感受，那便是“共振”。尽管故事背景与我所处的时代和生活环境相去甚远，但书中人物内心深处的那些普遍的人类情感——爱、遗憾、对美好事物的瞬间捕捉、对逝去光阴的留恋——却能与我产生强烈的共鸣。尤其是一些关于选择与未选择的生活路径的思考，非常引人深思。我们每个人心中都住着一个“如果当初”的幽灵，这本书将这些幽灵具象化了，让它们在文字中与我们对话。它不是在提供答案，而是在提出更深刻的问题：我们是如何定义我们自己的一天的？我们真正“活着”的时刻，是在那些盛大的事件中，还是在那些不为人知的、转瞬即逝的内心波动里？这本书像一面清晰的镜子，映照出我们自己生命中那些被匆忙忽略的美丽与徒劳，让人在合上书本之后，需要很长时间才能将自己的思绪从书中的世界中抽离出来，重新校准自己的步调。
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评分坦白说，初读时我有些跟不上节奏，感觉人物的情绪和思绪跳跃得太快，像是一串被随意打散的珠链，需要极大的耐心去重新串联。但一旦你适应了这种独特的“意识流”叙事方式，它展现出的魔力便会彻底俘获你。与其说是在读一个故事，不如说是在体验一种思维的流程，体验人类心智那错综复杂、永不停歇的内在对话。那些看似毫不相关的片段，比如一朵花的凋谢、街角的一瞥、一句未完成的话语，都在潜移默化中被编织进人物复杂的精神挂毯里。这种写法要求读者投入极大的共情和想象力，去填补那些留白之处，去感受字里行间涌动的情感暗流。它挑战了传统小说的线性结构，提供了一种更加真实、更加“人性化”的体验——毕竟，我们的真实生活很少有清晰的开端和结局，更多的是连续不断的内在独白。这是一次对阅读习惯的彻底颠覆，但回报是巨大的，它拓宽了我对文学表达可能性的理解。
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评分总和伍尔夫有一种莫名的联系
评分too beautiful
评分對於她如你只讀一次等如跳來讀，永不完的詩
评分置身无尽水流，又好像站在时间的河岸上。一生被具象成许多亮点，掉头折返时，它们就模糊地燃烧起来了。Peter Walsh深深迷住我，易怒，幼稚，找不到出路，几十年前的一句妙语却能让人每逢平庸死角便记取。伍尔芙把时间跨度像面条一样忽而扯长，从车水马龙伦敦街到地底尸骸旧婚戒，苍老歌女直指几百万年前某个爱情五月，于是远超于了“一个女人一生中的不到二十四小时”本身。如Septimus所见，阳光下灰尘里壁纸上都藏着神留下的秘密，细细看去，死亡、欢笑、喇叭鸣声都在其中，像火焰上方扭曲的空气团，最怪异的时刻都在于我们看见永恒又即逝的自己。人们俯仰一世如大宴会，交谈许多只为结尾处经久珍稀的神迹，我倾向于达洛维夫人的后半生不必再写了，乐谱上不过画的是重复号而已，圣铃只响一次，而大本钟它敲过，正敲，又要敲了。
评分Oh my dear Woolf
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