This book is intended for use in English courses in which the practice of composition is combined with the study of literature. It aims to give in brief space the principal requirements of plain English style. It aims to lighten the task of instructor and student by concentrating attention (in Chapters II and III) on a few essentials, the rules of usage and principles of composition most commonly violated. The numbers of the sections may be used as references in correcting manuscript.
The book covers only a small portion of the field of English style, but the experience of its writer has been that once past the essentials, students profit most by individual instruction based on the problems of their own work, and that each instructor has his own body of theory, which he prefers to that offered by any textbook.
The writer's colleagues in the Department of English in Cornell University have greatly helped him in the preparation of his manuscript. Mr. George McLane Wood has kindly consented to the inclusion under Rule 11 of some material from his Suggestions to Authors.
The following books are recommended for reference or further study: in connection with Chapters II and IV, F. Howard Collins, Author and Printer (Henry Frowde); Chicago University Press, Manual of Style; T. L. De Vinne Correct Composition (The Century Company); Horace Hart, Rules for Compositors and Printers (Oxford University Press); George McLane Wood, Extracts from the Style-Book of the Government Printing Office (United States Geological Survey); in connection with Chapters III and V, Sir Arthur Quiller-Couch, The Art of Writing (Putnams), especially the chapter, Interlude on Jargon; George McLane Wood, Suggestions to Authors (United States Geological Survey); John Leslie Hall, English Usage (Scott, Foresman and Co.); James P. Kelly, Workmanship in Words (Little, Brown and Co.).
It is an old observation that the best writers sometimes disregard the rules of rhetoric. When they do so, however, the reader will usually find in the sentence some compensating merit, attained at the cost of the violation. Unless he is certain of doing as well, he will probably do best to follow the rules. After he has learned, by their guidance, to write plain English adequate for everyday uses, let him look, for the secrets of style, to the study of the masters of literature.
我有时看字,有时写字。上过十数年语文课。像很多人一样,我在课堂外读书,在课堂内睡觉,在阅读中培养敏锐感觉,在睡梦中意淫前排美女。 我没有从读好书中学会写好书,却学会挑剔烂书。看烂书就像看H卡通里流着哈喇子的丑八怪猥亵美女,令我既恶心又愤怒。多余,滥用,浮...
评分如果一个英文作家不知道这本书,那他肯定不是个英文作家。这本出版了将近百年的小书,已经成为了最有影响的英文写作指导书。先是由教授William Strunk Jr.自行出版,拿这本书教他的学生。他的学生E. B.怀特后来成了《纽约客》的编辑,并奠定了它幽默与优雅并存的文风。当出版社...
评分From my perspective, no book in shorter sapce, with fewer words, will help any writer more than this persistent little volume which the work remains a nonpareil: direct, correct, and delightful. Truth be told, i was a student that needed help in my punct...
评分文如其人——读《the elements of style》 虽然从大学起就开始接受英文写作的训练,但是读过此书前,我都没能理解什么才是好的写作? 《the elements of style》是英文世界中一本畅销不衰的经典,用不到数百页的篇幅谈论了英文写作的基本原理和注意事项。这本书最不是空洞的说...
评分http://blog.caing.com/article.php?itemid=9537&preview=888 The Elements of Style,风格的要素,非常小的一本书,几十页,是最有影响力的英文写作指南。我读的是2000年第四版,边读边记,摘记如下: 对与错 段落,不是句子,是文章组合的单元。段落首句要么点...
比较底层的英文写作技术。有点太技工了。
评分Bible. // May not be useful for beginners though.
评分虎头蛇尾,文不对题。
评分这本书对我的刺激连绝对阈值都没达到 writing is simply an outpouring.
评分详见博客笔记 http://yufree.github.io/blogcn/2014/02/19/teos.html
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