 
			 
				This book is intended for use in English courses in which the practice of composition is combined with the study of literature. It aims to give in brief space the principal requirements of plain English style. It aims to lighten the task of instructor and student by concentrating attention (in Chapters II and III) on a few essentials, the rules of usage and principles of composition most commonly violated. The numbers of the sections may be used as references in correcting manuscript.
The book covers only a small portion of the field of English style, but the experience of its writer has been that once past the essentials, students profit most by individual instruction based on the problems of their own work, and that each instructor has his own body of theory, which he prefers to that offered by any textbook.
The writer's colleagues in the Department of English in Cornell University have greatly helped him in the preparation of his manuscript. Mr. George McLane Wood has kindly consented to the inclusion under Rule 11 of some material from his Suggestions to Authors.
The following books are recommended for reference or further study: in connection with Chapters II and IV, F. Howard Collins, Author and Printer (Henry Frowde); Chicago University Press, Manual of Style; T. L. De Vinne Correct Composition (The Century Company); Horace Hart, Rules for Compositors and Printers (Oxford University Press); George McLane Wood, Extracts from the Style-Book of the Government Printing Office (United States Geological Survey); in connection with Chapters III and V, Sir Arthur Quiller-Couch, The Art of Writing (Putnams), especially the chapter, Interlude on Jargon; George McLane Wood, Suggestions to Authors (United States Geological Survey); John Leslie Hall, English Usage (Scott, Foresman and Co.); James P. Kelly, Workmanship in Words (Little, Brown and Co.).
It is an old observation that the best writers sometimes disregard the rules of rhetoric. When they do so, however, the reader will usually find in the sentence some compensating merit, attained at the cost of the violation. Unless he is certain of doing as well, he will probably do best to follow the rules. After he has learned, by their guidance, to write plain English adequate for everyday uses, let him look, for the secrets of style, to the study of the masters of literature.
这本书是The elements of style的翻译。之前很费力的看英文版,有些不懂。 从eco论坛找到这边书的时候非常高兴,更加高兴的发现这本书翻译得还很不错。 中英文结合着看总算能搞懂里面所要表达的东西。 可以学习英语的一些基本用法,修正一些日常低级错误。当然其中...
评分如果一个英文作家不知道这本书,那他肯定不是个英文作家。这本出版了将近百年的小书,已经成为了最有影响的英文写作指导书。先是由教授William Strunk Jr.自行出版,拿这本书教他的学生。他的学生E. B.怀特后来成了《纽约客》的编辑,并奠定了它幽默与优雅并存的文风。当出版社...
评分这书开头非常简单,但翻到最后才发觉朴实无华的语法讲要背后的学问。 作为一名阅读爱好者,读到优秀的文字时,其实我不会特别有感觉。因为读的时候早就已经顺着作者的思想游走了,哪里顾得了去细细体味措词造句背后的艺术。可是,读到不好的文字时,却常常难受得抓耳挠腮。啰...
评分这本书是The elements of style的翻译。之前很费力的看英文版,有些不懂。 从eco论坛找到这边书的时候非常高兴,更加高兴的发现这本书翻译得还很不错。 中英文结合着看总算能搞懂里面所要表达的东西。 可以学习英语的一些基本用法,修正一些日常低级错误。当然其中...
评分我有时看字,有时写字。上过十数年语文课。像很多人一样,我在课堂外读书,在课堂内睡觉,在阅读中培养敏锐感觉,在睡梦中意淫前排美女。 我没有从读好书中学会写好书,却学会挑剔烂书。看烂书就像看H卡通里流着哈喇子的丑八怪猥亵美女,令我既恶心又愤怒。多余,滥用,浮...
经典的意义在于每回重新细读时都有不同的体会,一本具有生命力的书。
评分这本书对我的刺激连绝对阈值都没达到 writing is simply an outpouring.
评分又长见识了,难怪我雅思写作只得了6.。。。
评分141229想读。Mar 2015 got from the book thing at Baltimore. 180729读过。而the book thing已经烧毁。时过境迁。good things don't last forever. but at least there's hope.
评分下了mp3听
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