Set in the late 1980s, the story is written from the perspective of David Zimmer, a university professor who, after losing his wife and children in a plane crash, falls into a routine of depression and isolation. After seeing one of the silent comedies of Hector Mann, an actor missing since the 1920s, he decides to occupy himself by watching all of Mann's films and writing a book about them. The publishing of the book, however, triggers another series of events that draw Zimmer even deeper into the actor's past.
The middle of the story is largely dedicated to telling the life story of Hector Mann, involving his self-imposed exile from his past life and career, which serves as a form of penance for his role in the death of a woman who loved him. In his last days, his wife sends a letter to Zimmer, requesting him to come to their New Mexico home to bear witness to Mann's final legacy of films. The events that ensue form the overarching story of Zimmer's rehabilitation from his reclusive state, and his coming to terms with the manner in which his family was killed.
Paul Benjamin Auster (born February 3, 1947, Newark, New Jersey) is a Brooklyn-based author known for works blending absurdism and crime fiction, such as The New York Trilogy (1987), Moon Palace (1989) and The Brooklyn Follies (2005).
for 南方都市报阅读周刊 (由于版面原因,报纸用的是略有删节的短版本) 保罗·奥斯特是个出色的回声制造者。其小说或交叉或平行的多层次叙事,总是彼此呼应,相互映射,令读者宛如置身一个六面皆为镜子的封闭空间,镜子里的人物在一次次的反射中变得身份不明,真实与虚构的界...
評分1、死人回忆录 “仿效夏多布里昂的做法,我不打算让我写的东西现在就出版。我已经给我的律师留了一封指示信,他会知道在我死后应该到哪儿去找我的手稿以及如何处理它。我的目标是活到一百岁,但万一我活不了那么久的话,所有必要的安排我都已经做好了。如果这本书出版了,我亲...
評分 評分死亡 竟然有这么多的死亡,在这些虽然不断给人惊奇的字里行间。你看:海克特消失后别人以为的死亡、我(戴维)的妻子与两个孩子、布莉姬、戴克斯特·菲邦(捐助人)、西摩·汉特、戴瑞·诺克斯(银行劫犯)、菲亚(阿尔玛的母亲)、海克特和芙芮达、阿尔玛。当然还有文字中...
評分这本书让我觉得一项深刻的不是男主人。是在他生命中短暂出现的阿尔玛。 这样一个看起来果断而聪慧的女子,往往都有一颗惶恐不安的心灵。开始看见戴维的时候,她说:“我喜欢男人。给我一点时间,他们也会喜欢上我。……我有自己的特点和魅力。”但是,在她临死之前...
他隻陳述,不評論,但讓你覺得喘不過氣來。。一串精緻而又超現實的故事。
评分他隻陳述,不評論,但讓你覺得喘不過氣來。。一串精緻而又超現實的故事。
评分Guess what, the thing push us to die and the thing push us to live is same
评分如果不是那個結尾,完全可以打5星。不過也許沒有人能完美地結束,因為世界本是如此。
评分Guess what, the thing push us to die and the thing push us to live is same
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