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喜歡 Leviathan 的讀者還喜歡

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Paul Auster pays homage to Laurence Sterne this time. The Tristram-Shandy-like narration is in itself very compelling, but the protagonists are too flat and lack sophistication, anyway I like his prose style of writing which contributes to form a powerful narrative. In conclusion, it's a novel with many flaws in its logic as well as characters.

Paul Auster pays homage to Laurence Sterne this time. The Tristram-Shandy-like narration is in itself very compelling, but the protagonists are too flat and lack sophistication, anyway I like his prose style of writing which contributes to form a powerful narrative. In conclusion, it's a novel with many flaws in its logic as well as characters.

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Paul Auster pays homage to Laurence Sterne this time. The Tristram-Shandy-like narration is in itself very compelling, but the protagonists are too flat and lack sophistication, anyway I like his prose style of writing which contributes to form a powerful narrative. In conclusion, it's a novel with many flaws in its logic as well as characters.

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美国小说家保罗·奥斯特的早期作品中，虽然直接以城市命名只有他的成名作《纽约三部曲》（1987），但是城市这个主题从来没有中断过。我们之所以把它与另外两部作品《月宫》（1989）和《巨兽》（1992）并称看作他的代表作，正是因为其中若隐若现的城市叙事，城市不但作为小说中...  

虽说“生活是由混乱和偶然统治的谜团”，但一个理想主义者的意外死亡自然不会轻易陷入无法解释的泥沼，因为敢于手持长矛冲向庞大风车的骑士，总会有一以贯之的信念支撑其行动的。美国小说家保罗•奥斯特的《巨兽》基调伤感、沉痛，缘于对一个时代的追溯，理想主义虽已幻灭...  

巨兽是文化人的一部自嘲之作，因为再翻江倒海般的心里波澜和伟大的思想都在现实里面变地如此荒诞而可笑。 文化人总是儒雅且想象丰富，另外总是觉得自己在表象的世界中应该显得善良，所以萨克斯小心翼翼地炸毁每一座自由女神像，精确地计算炸弹爆炸的时间，避免伤害到经过的路...