Spend even a day in a major Japanese city like Tokyo or Osaka and you won't be able to ignore them: 'idols,' or heavily produced and promoted men and women who perform across media genres and platforms. They appear in magazines and advertisements, perform on TV and on stage, recorded and live. Though central to the workings and experience of media in Japan, idols have unfortunately had only a marginal place in the scholarship. This collection offers the most complete and compelling account of one of the most fascinating and least understood aspects of Japanese media culture today. It brings together a group of interdisciplinary scholars who engage the study of media, gender and celebrity. Sensitive to history and the contemporary scene, essays cover male and female idols, production and consumption, industrial structures and fan movements.
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与其说是比较文学的研究,倒不如说这本书对于我来说是警钟一样的存在,它不停地喧嚣着:“你不要和她们一样,你不要产生母亲的注视,你不要把他们的内心掏空。”有人说前面几章太过cliché,我却觉得只有你在这个群体里真的体会过了,你才会对自己的身份又爱又恨又无能为力。
评分与其说是比较文学的研究,倒不如说这本书对于我来说是警钟一样的存在,它不停地喧嚣着:“你不要和她们一样,你不要产生母亲的注视,你不要把他们的内心掏空。”有人说前面几章太过cliché,我却觉得只有你在这个群体里真的体会过了,你才会对自己的身份又爱又恨又无能为力。
评分想说知道得真多啊,连大宫SK都写了,在这种文章里看到nino和利达的留言板,心情略微秒……以及在说J家的时候双人团全部被忽略了,好忧桑TAT
评分抛砖引玉之作,还算有趣。
评分在最合适的时间读了
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