826973 |
Tarkovsky |
Dunne, Nathan 编 |
826974 |
Die Lücke, die der Teufel läßt |
Alexander Kluge |
826980 |
中国影视专业教育现状 |
王志敏 |
826981 |
The Films of Andrei Tarkovsky |
Vida T. Johnson |
826982 |
电影创作津梁 |
罗姆 |
826983 |
Sunday's Children |
Bergman, Ingmar |
826985 |
Persona and Shame |
Ingmar Bergman |
826986 |
Four screenplays of Ingmar Bergman / translated from the Swedish by Lars Malmstrom and David Kushner |
Ingmar Bergman |
826987 |
Visions of Japanese Modernity |
Aaron Gerow |
826988 |
David Lynch: Beautiful Dark |
Greg Olson |
826989 |
The Film |
Hugo Munsterberg |
826990 |
Film Festivals and Anthropology |
Aida Vallejo |
826991 |
Cosmopolitan Cinema |
Chan, Felicia |
826992 |
Hollywood 101 |
Frederick Levy |
826993 |
Writing Movies |
Gotham Writers' Workshop |
826994 |
Action Figures |
Mark Gallagher |
826997 |
The Gospel according to Star Wars |
John C. McDowell |
826998 |
Indian Films in Soviet Cinemas |
Sudha Rajagopalan |
826999 |
The Brothers Coen |
Ryan P. Doom |
827000 |
The Action and Adventure Cinema |
Tasker, Yvonne 编 |
827001 |
The Documentary |
Belinda Smaill |
827002 |
New Documentary |
Stella Bruzzi |
827003 |
Undressing Cinema |
Bruzzi, Stella |
827004 |
Existentialist Cinema |
William C. Pamerleau |
827005 |
Cinema Studies |
Susan Hayward |
827006 |
World Film Locations |
|
827008 |
The Future of Humanity |
Michio Kaku |
827010 |
摄影美学基础 |
杨恩璞 |
827011 |
专题摄影 |
张韫磊 |
827012 |
导演创作论 |
|
827014 |
广告摄影 |
栾良才 |
827015 |
风光摄影 |
张韫磊 |
827016 |
Taking Woodstock |
Elliot Tiber |
827017 |
月の破片 |
鬼束ちひろ |
827020 |
コトコノコ |
Cocco |
827021 |
クナッパーツブッシュ 音楽と政治 |
奥波一秀 |
827022 |
Antony and the Johnsons: Swanlights |
Antony and the Johnsons |
827025 |
星界の音楽 |
ジョスリン・ゴドウィン |
827026 |
音楽と文学の対位法 |
青柳 いづみこ |
827027 |
サウンド・エシックス |
小沼 純一 |
827028 |
現代思想 2016年8月臨時増刊号 総特集◎プリンス1958-2016 |
松浦理英子 |
827029 |
至高の音樂 |
百田尚樹 |
827030 |
J・A・シーザーの世界 新装改訂版 |
J・A・シーザー |
827035 |
東京ドリーム |
Cocco |
827036 |
日本映画音楽の巨星たちⅢ |
小林淳 |
827037 |
南の島の星の砂 (大型本) |
Cocco |
827038 |
感動をつくれますか? |
久石譲 著 |
827039 |
The End of Early Music |
Bruce Haynes |
827040 |
不条理日記 |
吾妻ひでお |
827041 |
Le Pendu de Saint-Phollien |
Georges Simenon |
827042 |
迷幻少女 2 |
手塚治虫 |
827043 |
迷幻少女 1 |
手塚治虫 |
827044 |
令人戰慄的妖人奇人傳 |
澀澤龍彥 |
827046 |
茄子 2 |
黑田硫黄 |
827048 |
ひぐらしのなく頃に 暇潰し編 1 (ガンガンコミックス) |
外海 良基 |
827049 |
ひぐらしのなく頃に 暇潰し編 2 (2) (ガンガンコミックス) |
竜騎士07 |
827050 |
Japanese Cinema |
Stuart IV Galbraith |
827051 |
沖縄映画論 |
四方田 犬彦 |
827052 |
The Economist Style Guide |
The Economist |
827054 |
Paragraph Writing From Sentence to Paragraph |
Dorothy Zemach |
827055 |
Writing Analytically |
David Rosenwasser |
827056 |
Copywriting |
Shaw, Mark |
827057 |
Plot Perfect |
Paula Munier |
827058 |
Revising Prose (5th Edition) |
Richard A. Lanham |
827059 |
Point Made |
Ross Guberman |
827060 |
The World's Writing Systems |
Daniels, Peter T. (EDT)/ Bright, William (EDT) |
827061 |
Writing Down Your Soul |
Conner, Janet |
827062 |
Write No Matter What |
Joli Jensen |
827063 |
Air & Light & Time & Space |
Helen Sword |
827064 |
MLA Style Manual and Guide to Scholarly Publishing, 3rd Edition |
Modern Language Association |
827065 |
Legal Writing in Plain English, Second Edition |
Bryan A. Garner |
827066 |
Hodges' Harbrace Handbook |
Cheryl Glenn |
827067 |
Style |
Joseph M. Williams |
827068 |
Handbook of Technical Writing, Ninth Edition |
Gerald J. Alred |
827069 |
On the Art of Writing |
Arthur Quiller-Couch |
827070 |
Writing Well |
Mark Tredinnick |
827071 |
College Writing Skills |
John Langan |
827072 |
Wait, How Do I Write This Email? |
Danny Rubin |
827073 |
The Economist Style Guide |
The Economist |
827074 |
From Concept to Completion |
Elise Lipkowitz (ed.) |