Old Roots, New Routes

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出版者:University of Michigan Press
作者:Fox, Pamela (EDT)/ Ching, Barbara (EDT)
出品人:
页数:264
译者:
出版时间:2008-12-02
价格:USD 26.95
装帧:Paperback
isbn号码:9780472050536
丛书系列:
图书标签:
  • 音乐相关
  • 文化传承
  • 旅行探索
  • 历史反思
  • 个人成长
  • 跨文化理解
  • 记忆与身份
  • 现实与梦想
  • 地域特色
  • 自我发现
  • 人文关怀
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具体描述

"Old Roots, New Routes" takes an in-depth look at the many influences, meanings, and identities of this contemporary music form. Because the definition of the term alt.country changes continually, even the genre's own mouthpiece, the Web site nodepression.com, declared its terrain to be "alternative country (whatever that is)." Despite alt.country's murky parameters, its origins, indeed, its patron saints, are generally acknowledged to range from the Carter Family and Hank Williams---as interpreters of traditional American country---to the country-rock fusions of Gram Parsons and Steve Earle.Just as other musical genres before it have distanced themselves from the popular and commercial center, from the start alt.country has positioned itself as a different kind of music than the slick country sounds emanating from Nashville hit machines such as Garth Brooks and Shania Twain. And yet alt.country's embrace of authenticity and disdain for commercialism---while simultaneously injecting into a traditional, working-class music form an often cosmopolitan flavor and "Generation X" values---has resulted in a fascinating hybrid full of contradictions. In "Old Roots, New Routes," Pamela Fox and Barbara Ching bring together a range of scholars to investigate as never before this significant contemporary music form, providing in addition new ways to approach the worlds of country and alternative music more generally. Individual essays explore the work of a variety of artists, including Neko Case, Jay Farrar, Justin Trevino, and alt.country "hero" Gram Parsons, along with promotional rhetoric, album art, advertising, and fan Web sites, to offer readers a comprehensive understanding of how alt.country functions as a distinct musical form.Pamela Fox is Associate Professor of English and currently the Director of the Women's and Gender Studies Program at Georgetown University. She is the author of "Class Fictions: Shame and Resistance in the British Working-Class Novel, 1890-1945."Barbara Ching is Associate Professor at the University of Memphis. Her previous books include "Wrong's What I Do Best: Hard Country Music and Contemporary Culture" and "Knowing Your Place: Rural Identity and Cultural Hierarchy," coedited with Gerald Creed.

Old Roots, New Routes 一个古老村庄的宁静生活,在一连串意外事件的冲击下被彻底打破。年轻的艾拉,一个渴望探索未知世界的女孩,意外地发现了一份尘封已久的家族秘密。这份秘密不仅揭示了她家族的起源,更将她卷入了一场横跨数代人的恩怨纠葛之中。 故事以艾拉祖母留下的一个古老木盒为引子,盒中装满了泛黄的书信、一张褪色的地图以及一枚刻着神秘符号的吊坠。这些物件似乎指向一个隐藏在村庄附近山林深处的古老遗迹,而遗迹的传说与艾拉家族的过去有着千丝万缕的联系。 艾拉并非孤身一人。她的童年玩伴,也是村里唯一一个对古老传说抱有怀疑态度的本,被艾拉的热情所感染,决定一同踏上探索之旅。与此同时,一位来自城市的历史学家,马丁,也对这个偏远村庄的古老传说产生了浓厚的兴趣,他的出现为故事增添了另一条线索,也带来了潜在的危险。 随着探索的深入,艾拉和本逐渐揭开了村庄和家族不为人知的另一面。他们发现,村庄的繁荣并非偶然,而是建立在一个被遗忘的古老契约之上。这个契约不仅保护着村庄,也约束着村里的人们。而艾拉的家族,似乎是这个契约的守护者,肩负着维护村庄安宁的重任。 然而,一份贪婪的力量也在暗中觊觎着村庄的秘密。一个狡猾的商人,卡尔,为了获取村庄的传说宝藏,不惜一切代价,甚至不惜动用阴谋手段。他试图利用村庄内部的矛盾,挑拨离间,以达到自己的目的。 在探索遗迹的过程中,艾拉和本遭遇了重重困难。险峻的山路、古老的机关、以及来自卡尔的阻挠,都考验着他们的勇气和智慧。但每一次挑战,都让他们更加坚定,也让他们对彼此的信任更加深厚。 马丁的研究也渐渐指向了同一个方向。他发现,关于这个村庄和它所属家族的记载,在历史的长河中被刻意地抹去。他开始怀疑,这一切背后隐藏着一个更大的阴谋,而这个阴谋可能不仅仅是为了财富,更可能关乎着某种更为重要的力量。 艾拉在遗迹中发现了一系列壁画,这些壁画详细地描绘了家族的传承,以及与一个古老神秘组织的斗争。她了解到,她的祖先曾是这个组织的成员,致力于保护某种强大的自然力量,避免它落入邪恶之手。 故事的高潮部分,艾拉、本和马丁在遗迹深处发现了一个被封存的古老祭坛,祭坛上刻满了古老的符文。就在他们试图解开符文的奥秘时,卡尔带领着他的手下闯入了遗迹,试图抢夺祭坛上的秘密。 一场激烈的对峙在所难免。艾拉必须运用她从家族传承中获得的知识,以及她与生俱来的勇气,来对抗卡尔的贪婪。本也展现出他意想不到的坚韧和智慧,成为艾拉最坚实的后盾。马丁则利用他的专业知识,在关键时刻提供了重要的帮助。 最终,艾拉成功地阻止了卡尔的阴谋,保护了村庄的秘密,也守护了家族的传承。她理解了“Old Roots”所代表的意义——家族的责任,古老的智慧,以及与这片土地之间深厚的情感联结。而“New Routes”则象征着她自己的人生方向——继承家族的使命,同时以全新的视角去探索世界,书写属于自己的未来。 经历过这场惊心动魄的冒险,艾拉不再是那个只渴望逃离小镇的女孩。她成为了家族的继承者,对自己的身份有了更深刻的认知。她也明白了,过去与未来并非割裂,而是相互依存,相互成就。村庄在经历风波后,重新回归平静,但人们对历史的认知,以及对未来的希望,都已悄然改变。艾拉和本的故事,也成为了村庄新的传说,激励着一代又一代的人们,勇敢地探索,坚定地前行。 马丁也从这次经历中获得了宝贵的研究素材,他决定将这个被遗忘的故事公之于众,让更多人了解那些隐藏在历史深处的真相。而艾拉,则带着她的勇气和智慧,继续踏上新的旅程,去寻找更多的“New Routes”,去拥抱更广阔的世界。她知道,无论走到哪里,她的“Old Roots”都将是她最坚实的依靠。

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The moment I saw "Old Roots, New Routes," a certain feeling of resonance washed over me. It’s a title that speaks to something fundamental, something deeply human. It suggests a narrative that grapples with origins, with the bedrock upon which things are built, but simultaneously looks outward, towards the horizon, towards possibilities yet to be discovered. I imagined it could be a profound exploration of heritage, not just as a static historical record, but as a living, breathing force that shapes our present and future. The "Old Roots" component immediately made me think about lineage, about the foundational elements that have sustained us through time. It could be about culture, about identity, about the very essence of what it means to be connected to something larger than ourselves. I envisioned the book delving into the deep, often unseen, foundations that inform our understanding of the world, the inherited wisdom that has been passed down through generations, shaping our beliefs, our values, and our perspectives. Then comes the counterpoint, "New Routes." This is where the dynamic, forward-looking aspect of the title comes into play. It implies innovation, adaptation, and the courage to forge new paths. It suggests that the established roots are not a dead end, but rather a fertile ground from which novel approaches can emerge. I imagined the book exploring how these ancient foundations can be reinterpreted, reimagined, and applied to the challenges and opportunities of our contemporary world, leading to fresh insights and groundbreaking developments. What struck me was the inherent tension and harmony within the title. It’s not about abandoning the old for the new, nor is it about clinging rigidly to tradition. Instead, it suggests a delicate dance between the two, a process of integration and evolution. I was curious to see how the book would navigate this relationship, perhaps by illustrating how historical understanding can inform contemporary creativity, or how novel approaches can draw strength and legitimacy from established traditions. This title felt like a promise of a thoughtful and insightful journey. It suggested a book that would encourage readers to reflect on their own connections to the past, while also inspiring them to embrace the potential for growth and transformation. "Old Roots, New Routes" seemed to encapsulate the timeless human endeavor of understanding where we come from in order to determine where we are going, and how we might get there in ways that are both meaningful and innovative.

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“Old Roots, New Routes” 这个书名本身就充满了诗意和引人遐想的空间。我是在一个偶然的机会下,在一家独立书店的书架上瞥见它的。书名就像一个古老而又充满活力的符号,立刻吸引了我。我想,这一定是一本关于传承与创新的书,或许是在讲述历史的根基如何孕育出新的可能性,又或者是在探讨如何在现代社会中寻回那些被遗忘的宝贵传统。 我常常在想,我们是否真的理解“根”的意义?我们的文化,我们的历史,我们的身份认同,它们是如何在时间的洪流中扎根、生长,又如何在代代相传的过程中发生微妙而又深刻的变化?这本书名似乎在暗示一种连接,一种跨越时空的对话。它让我联想到那些在老宅里发现的泛黄的信件,上面记录着先辈们的生活点滴,那些在古老工艺中蕴含的智慧,以及那些在音乐、艺术和文学中回响的民族记忆。 “New Routes”则让人看到了希望和未来。它不仅仅是简单的“新路”,更可能是一种颠覆性的探索,一种不拘一格的尝试。或许这本书会带我们去发现那些被忽视的角落,去解读那些被误解的现象,去连接那些看似毫无关联的领域。我期待着作者能够用一种全新的视角,为我们展现一个充满活力和无限可能的世界,让我们看到古老智慧在现代文明中的闪光点,以及如何在挑战与机遇并存的当下,开辟出属于我们自己的崭新道路。 我一直在思考,在如今这个信息爆炸、节奏飞快的时代,我们是否正在逐渐失去与过去的联系?我们是否在追逐“新”的过程中,忽略了那些真正滋养我们的“根”?“Old Roots, New Routes”这个书名,就像一盏明灯,指引着我去探索这个问题的答案。它唤起了我内心深处对历史、对文化、对身份的追问。 我希望这本书能够带我深入地了解那些支撑着我们文化的古老根基,那些可能已经埋藏在记忆深处的传统和价值。同时,我也期待它能够展现如何在这些深厚的根基之上,开辟出新的道路,去拥抱变化,去创新,去迎接一个更加美好的未来。它让我看到了一种平衡的可能性,一种在尊重过去的同时,勇敢面向未来的智慧。

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When I first saw the title "Old Roots, New Routes," I was immediately intrigued. It’s the kind of title that sparks curiosity and hints at a rich narrative. It suggests a journey, a transformation, perhaps an exploration of how ancient traditions can inform and inspire modern endeavors. I imagined it might delve into the origins of something significant, tracing its lineage through time, and then charting a course for its future development. The "Old Roots" part of the title conjures images of deep, established foundations, of history, heritage, and perhaps the fundamental principles that have guided us for generations. I wondered if it would explore the foundational aspects of a particular field, a discipline, or even human experience itself. It made me think of timeless wisdom, the enduring lessons passed down from ancestors, and the bedrock of knowledge upon which present-day societies are built. On the other hand, "New Routes" evokes a sense of exploration, innovation, and progress. It suggests a departure from the familiar, a willingness to forge new paths and embrace the unknown. This part of the title implies a dynamic and forward-looking perspective, a consideration of how these foundational roots can be reinterpreted and applied in novel ways to navigate contemporary challenges and opportunities. I found myself contemplating the delicate balance between honoring the past and boldly stepping into the future. This title seemed to encapsulate that very tension. It suggested a book that wouldn’t just dwell in nostalgia, but would actively seek to bridge the gap between what has been and what could be. I envisioned a narrative that could illuminate how the wisdom of the past can serve as a compass for charting new territories, ensuring that progress is not made at the expense of heritage. Ultimately, "Old Roots, New Routes" presented itself as a promise of both depth and breadth. It suggested a work that would delve into the profound underpinnings of its subject matter while simultaneously offering fresh perspectives and innovative directions. It hinted at a book that could resonate with readers who appreciate history and tradition, but are also keen to see how these elements can be creatively reinvented for a dynamic and evolving world.

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“Old Roots, New Roots” – that title, it just grabbed me. It’s not like one of those generic titles that tells you exactly what’s inside, you know? This one, it’s got a bit of mystery, a bit of a philosophical bent. It made me think immediately about where things come from, the really solid, foundational stuff, the things that have been around forever, shaping us whether we realize it or not. I pictured ancient trees, their roots deep in the earth, grounding them against storms. Then you have the “New Routes” part. That’s where the excitement kicks in. It’s not just about looking back, is it? It’s about what happens next. It suggests a journey, a bit of an adventure, maybe even a bit of a departure from the well-trodden path. I imagined someone, or something, taking those old, sturdy foundations and building something completely fresh and unexpected upon them. It’s the idea of innovation, of finding new ways to do things, or even new things to do entirely. I found myself wondering if the book would explore how we can connect with our past in a meaningful way without getting stuck there. How can we draw strength and wisdom from our history, from our traditions, from our very origins, and then use that as a springboard for creating something new and relevant for today? It’s like taking an old recipe, understanding all the nuances of its original creation, and then adding a modern twist to make it appealing to a new generation. The contrast in the title is what makes it so compelling. It’s not just “roots” or just “routes,” it’s the combination. It implies a process, a movement from one state to another. I was curious to see if the book would tackle the challenges of change, the potential conflicts between the old and the new, and how those might be resolved or at least understood. It felt like it could be about growth, about evolution, about the constant ebb and flow of ideas and practices. It’s a title that makes you pause and think. It’s not just a label; it’s an invitation. An invitation to explore the enduring aspects of our world, our cultures, our very selves, and to consider how these enduring elements can be reimagined and propelled forward into uncharted territories. It hinted at a narrative that would be both grounding and exhilarating, offering a fresh perspective on how the past can illuminate the future.

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“Old Roots, New Routes” – that title, it just sings. It’s evocative, isn’t it? It doesn’t just tell you what the book is about; it makes you *feel* something about it. It conjured up images in my mind of ancient trees, their gnarly roots deeply embedded in the earth, holding firm through centuries. And then, those same branches reaching out, seeking sunlight, branching into new directions, creating a whole new canopy. It felt like a metaphor for something substantial, something that has a strong foundation but is also constantly evolving. I was immediately drawn to the promise of exploration. The “Old Roots” suggests a journey into the past, a deep dive into the origins of things, perhaps into history, into tradition, or even into the very fabric of human experience. I imagined it would explore those foundational elements that have shaped us, the fundamental truths or practices that have endured. It made me think of inherited knowledge, of cultural heritage, of the bedrock of our understanding of the world. But then the “New Routes” part. That’s where the excitement really ignites. It signals a departure, a movement forward, a charting of new territories. It’s not about being stuck in the past, but about using that past as a springboard. I envisioned the book talking about innovation, about creativity, about finding novel ways to approach problems or to express ourselves. It suggested a willingness to break free from the conventional, to explore uncharted intellectual or creative landscapes. The interplay between the two parts of the title is what makes it so compelling. It’s not an either/or situation. It’s a synthesis. It’s about how the ancient can inform the modern, how tradition can fuel innovation. I wondered if the book would explore the challenges and triumphs of this transition, how old ideas can be reinterpreted for a new age, or how new ideas can find strength and resonance by connecting with established principles. It felt like a conversation across time. This title feels like it promises a narrative that is both grounded and expansive. It’s the kind of book that can make you reflect on where you come from, on the influences that have shaped you, and then inspire you to look ahead, to consider the possibilities, and to perhaps forge your own unique path. "Old Roots, New Routes" felt like an invitation to a journey of discovery, a testament to the enduring power of heritage and the boundless potential of human ingenuity.

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