圖書標籤: 建築  Rossi  建築理論  羅西  AldoRossi  Aldo_Rossi  architecture  architecture+history   

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後記中說他這個就是不連續的，柏拉圖式地把他的斷斷續續的文化迴憶弄成空間形式。建築都是植根於過去，體現當地文化也體現個人經曆。可他這樣寫得沒有時間順序，有點理解難度啊。不過這也是不是可以體現某種現代建築之中的非綫性美學呢？

讀羅西《自傳》，像是在讀普魯斯特或是帕慕剋的文字。。。。。被震到瞭。原來他的另外一麵是這麼豐富，思考瞭那麼多的建築問題。。。。多少令人感傷。“有好幾人都說我的劇場內部的光，跟Carpaccio的光有關。我不願拿來評論傢們有關這個項目的溢美之詞，但是我還是記住瞭Mazzario的話。因為他講到瞭威尼斯在變得具有紀念性之前的那個威尼斯，一個在Sansovino和Palladio的白色石頭還沒到來之前的威尼斯，Carpaccio的威尼斯。是的，我在他畫的建築那裏，那種木質建築的內部，看到瞭那種光，讓我總想起某些荷蘭繪畫的室內用光，它們總跟船，或是海的記憶有關”。。。。。

信息量比想象的大多瞭

形式終將消解，時間，場所，生命的可能性展開，觀察，預見力

像是迴憶錄一樣的文字，有著讀本雅明的柏林童年的感覺。雖然以解釋他的項目為全書的主綫，然而這些解釋，都被一些插進來的思緒扯得亂七八糟。正如他自己所說‘love things which are broken and then reassembled"。不過，你丫也想的太多瞭吧。

Merely personal understandings, if not feelings, for the book. Clearly a hint of some very unique affection can be found in Rossi’s description to architecture, city, and maybe anything that functions as human artifacts. I would say what interest me most...  

Merely personal understandings, if not feelings, for the book. Clearly a hint of some very unique affection can be found in Rossi’s description to architecture, city, and maybe anything that functions as human artifacts. I would say what interest me most...  

Lucy. The film itself is sort of nonsense. But the sentence. "Time is the true unit of measurement." It suddenly occurred to me that "being" is really what we recognize and identify our own tracks. Finally I could understand why Rossi would say "each summer...

Lucy. The film itself is sort of nonsense. But the sentence. "Time is the true unit of measurement." It suddenly occurred to me that "being" is really what we recognize and identify our own tracks. Finally I could understand why Rossi would say "each summer...

Merely personal understandings, if not feelings, for the book. Clearly a hint of some very unique affection can be found in Rossi’s description to architecture, city, and maybe anything that functions as human artifacts. I would say what interest me most...