Kenneth Frampton's long-awaited follow-up to his classic A Critical History of Modern Architecture is certain to influence any future debate on the evolution of modern architecture.Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton -- the focus on architecture as a constructional craft -- constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton argues, modern architecture is invariably as much about structure and construction as it is about space and abstract form.Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. He clarifies the various turns that structural engineering and tectonic imagination have taken in the work of such architects as Perret, Wright, Kahn, Scarpa, and Mies, and shows how both constructional form and material character were integral to an evolving architectural expression of their work. Frampton also demonstrates that the way in which these elements are articulated from one work to the next provides a basis upon which to evaluate the works as a whole. This is especially evident in his consideration of the work of Perret, Mies, and Kahn and the continuities in their thought and attitudes that linked them to the past.Frampton considers the conscious cultivation of the tectonic tradition in architecture as an essential element in the future development of architectural form, casting a critical new light on the entire issue of modernity and on the place of much work that has passed as "avant-garde."A copublication of the Graham Foundation for Advanced Studies and The MIT Press.
肯尼思·弗蘭姆普敦,是哥倫比亞大學的維爾講席教授(WareProfessor),曾有許多建築理論曆史方麵的著作問世。原書由格拉漢姆高等藝術研究基金會(Graham Foundatlon for Advanced Studiesinthe Fine Arts)和麻省理工學院齣版社聯閤齣版。
它是一部建筑学恢弘的巨著。本书以建筑发展中几位大师及其作品为载体,生动的描绘了建筑结构、材料这种构成建筑的本质元素对空间影响,及文化价值。和当今经济经济时代种种浮夸投机的建筑设计形成鲜明的对比。对重拾建构文化及重新认识建筑的价值有积极而又深远的影响!
評分建构手段课的笔记 ○本体性:是带引号的“形式” ○什么最重要:“方向”(即价值观)与“细节”——此二端之间的“形态”不重要 ○建构:诗意的建造 ○建构本身具有思想、情感的表现力,不需要另外的形态来表达思想。 ○好的艺术创作是不需要语言文字的解读的,其自身具有自...
評分它是一部建筑学恢弘的巨著。本书以建筑发展中几位大师及其作品为载体,生动的描绘了建筑结构、材料这种构成建筑的本质元素对空间影响,及文化价值。和当今经济经济时代种种浮夸投机的建筑设计形成鲜明的对比。对重拾建构文化及重新认识建筑的价值有积极而又深远的影响!
評分不推荐大一的同学读! 老夫憋着一口气含着一腔血流着一脸泪读了二十页。 心中的那个呐喊声越来越大: “这一切还不是时候!” 但是老夫已经看见史诗的开头了。 神马叫评论太短了太短了现在够长长长长长长长长长长长长长长长长长长长长长长长长长长长长长长长长长长长长长长...
評分在我所读过的西方建筑理论的中译本当中,最精彩的两本:1.王贵祥译的《建筑理论史》,2.王群译的《建构文化研究》。信、达之外,有些章节还很雅致,这是非常难做到的,尤其对于建筑理论而言,涉及的领域多且深,国内多数译本求一“信”字而不可得,而少数翻译空占一“雅”字而...
becoming a classic, if anyone refers to the subject of how culture embodies in architectural design
评分建構文化研究的英文版,和中文版對照讀,終於讀完瞭。將建築迴歸到建造的實質的研究。蠻好看。已有中文版的翻譯,看來算是很不錯瞭~~
评分導師都錶示看起來很艱難還讓我看。。。
评分對比中文版,
评分一邊讀中文版一邊讀英文版一邊寫讀後感啊哭。掃一眼中文就知道大概講的什麼瞭,但是英文版真的要一個詞一個詞地弄懂瞭還未必讀得懂啊= = 英語為什麼這麼爛啊= = 浮躁得根本靜不下心來讀書啊= =
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