Thomas Elsaesser is Professor of Film and Television Studies in the Department of Art and Culture at the University of Amsterdam. A renowned film scholar, he is the author and editor of many books, including Weimar Cinema and After, also published by Routledge.
Malte Hagener is Associate Professor of media studies at the Leuphana Universität Lüneburg. He has written Moving Forward, Looking Back: The European Avant-garde and the Invention of Film Culture, 1919-1939 and edited many volumes, including Cinephilia: Movies, Love, and Memory.
What is the relationship between cinema and spectator? That is the central question for film theory, and renowned film scholars Thomas Elsaesser and Malte Hagener use this question to guide students through all of the major film theories—from the classical period to today—in this insightful, engaging book. Every kind of cinema (and film theory) imagines an ideal spectator, and then imagines a certain relationship between the mind and body of that spectator and the screen. Using seven distinctive configurations of spectator and screen that move progressively from ‘exterior’ to ‘interior’ relationships, the authors retrace the most important stages of film theory from 1945 to the present, from neo-realist and modernist theories to psychoanalytic, ‘apparatus’, phenomenological and cognitivist theories.
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不大可信 隻有參考文獻有用 1電影例子似乎隻是呈現每一章的隱喻而無助於理解理論2將特定理論硬塞到某種對電影的隱喻裏給人一種好像大傢各自都分好瞭工的錯覺 非常容易讓人誤解這些理論的緣起與其問題意識 讓人以為這些理論都是重視一點忽視其他(事實根本不是)作者的分類學取代瞭具體的理論問題
评分更像是一個“漫談”;我還是覺得這本不適閤入門,更適閤全麵瞭解過電影理論史之後當一個自圓其說的approach來看待,這個approach看起來在銜接傳統電影與未來的VR/AR/MR電影上更有優勢。
评分concise and informative
评分更像是一個“漫談”;我還是覺得這本不適閤入門,更適閤全麵瞭解過電影理論史之後當一個自圓其說的approach來看待,這個approach看起來在銜接傳統電影與未來的VR/AR/MR電影上更有優勢。
评分???這書簡直牛逼上天瞭怎麼會有差評
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