Thomas Elsaesser is Professor of Film and Television Studies in the Department of Art and Culture at the University of Amsterdam. A renowned film scholar, he is the author and editor of many books, including Weimar Cinema and After, also published by Routledge.
Malte Hagener is Associate Professor of media studies at the Leuphana Universität Lüneburg. He has written Moving Forward, Looking Back: The European Avant-garde and the Invention of Film Culture, 1919-1939 and edited many volumes, including Cinephilia: Movies, Love, and Memory.
What is the relationship between cinema and spectator? That is the central question for film theory, and renowned film scholars Thomas Elsaesser and Malte Hagener use this question to guide students through all of the major film theories—from the classical period to today—in this insightful, engaging book. Every kind of cinema (and film theory) imagines an ideal spectator, and then imagines a certain relationship between the mind and body of that spectator and the screen. Using seven distinctive configurations of spectator and screen that move progressively from ‘exterior’ to ‘interior’ relationships, the authors retrace the most important stages of film theory from 1945 to the present, from neo-realist and modernist theories to psychoanalytic, ‘apparatus’, phenomenological and cognitivist theories.
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更像是一个“漫谈”;我还是觉得这本不适合入门,更适合全面了解过电影理论史之后当一个自圆其说的approach来看待,这个approach看起来在衔接传统电影与未来的VR/AR/MR电影上更有优势。
评分以前也用过Elsaesser的其他文章,不过这本读起来特别晦涩,不好理解,觉得简单易懂的童鞋可以留个联系方式,讨论下cinema as window and frame这一章
评分朝天大喊三个字:好!好!好! 电影理论界的小红书,每一章的footnotes疯狂种草。Elsaesser的wording十分精妙,读最后一章,惊讶这么跟得上时代;最后对现在film and philosophy的流行现象的评价也是、很见功力了。常读常新。
评分朝天大喊三个字:好!好!好! 电影理论界的小红书,每一章的footnotes疯狂种草。Elsaesser的wording十分精妙,读最后一章,惊讶这么跟得上时代;最后对现在film and philosophy的流行现象的评价也是、很见功力了。常读常新。
评分???这书简直牛逼上天了怎么会有差评
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