图书标签: 音乐 Edward_Said 萨义德 英文原版 開卷八分鐘 美國 思想 Music
发表于2024-11-24
Music at the Limits pdf epub mobi txt 电子书 下载 2024
"Music at the Limits" is the first book to bring together three decades of Edward W. Said's essays and articles on music. Addressing the work of a variety of composers, musicians, and performers, Said carefully draws out music's social, political, and cultural contexts and, as a classically trained pianist, provides rich and often surprising assessments of classical music and opera. "Music at the Limits" offers both a fresh perspective on canonical pieces and a celebration of neglected works by contemporary composers. Said faults the Metropolitan Opera in New York for being too conservative and laments the way in which opera superstars like Pavarotti have "reduced opera performance to a minimum of intelligence and a maximum of overproduced noise." He also reflects on the censorship of Wagner in Israel; the worrisome trend of proliferating music festivals; an opera based on the life of Malcolm X; the relationship between music and feminism; the pianist Glenn Gould; and the works of Mozart, Bach, Richard Strauss, and others. Said wrote his incisive critiques as both an insider and an authority. He saw music as a reflection of his ideas on literature and history and paid close attention to its composition and creative possibilities. Eloquent and surprising, "Music at the Limits" preserves an important dimension of Said's brilliant intellectual work and cements his reputation as one of the most influential and groundbreaking scholars of the twentieth century.
作者简介
萨义德,1935年生于巴勒斯坦的耶路撒冷,接受过英式教育,取得哈佛大学博士学位,哥伦比亚大学英文系与比较文学系教授,担任The Nation杂志乐评,著作等身,包括《乡关何处》(又译《格格不入》)、《文化与帝国主义》、《东方主义》。他由哥伦比亚大学出版社出版的著作包括《康拉德与自传小说》、《人文主义与民主的批评》、《开始:意图与方法》、《音乐的阐释》及《并行与吊诡》。2003年逝于纽约。
译者简介
彭淮栋,1953年生。译有《后殖民理论》(Bart Moore-Gilbert)、《意义》(博蓝尼)、《俄国思想家》(以撒•柏林)、《自由主义之后》(华勒斯坦)、《西方政治思想史》(麦克里兰)、《乡关何处》(萨义德)、《现实意义》(以撒•柏林)、《贝多芬:阿多诺的音乐哲学》(阿多诺)、《美的历史》和《丑的历史》(艾可)等书。
我不是音乐学生,读着有些地方不懂呀
评分这本书一半的篇幅可以另编一本书叫Pianists at the limits,对几位知名钢琴家的评价很中肯;另一半是乐评和书评。给三星是因为评论本身的局限性:离开原作便失去意义, 算作Comments at the limits. 他倒是提醒我应该去读Rosen的两本音乐史。
评分五音不全的人看古典音乐评论,完全是磨练意志
评分我不是音乐学生,读着有些地方不懂呀
评分这本书一半的篇幅可以另编一本书叫Pianists at the limits,对几位知名钢琴家的评价很中肯;另一半是乐评和书评。给三星是因为评论本身的局限性:离开原作便失去意义, 算作Comments at the limits. 他倒是提醒我应该去读Rosen的两本音乐史。
在我的心中,早已认定萨义德的古典乐随笔《音乐的极境》是我在2019年读过的最好的书。也许后面还会再读其他新书,但它的地位却无可撼动,常读常新,常读常感动。 我读过不少古典乐随笔和乐评,而萨义德的这本是最让我爱不释手的。他的创作切入点不局限在古典乐及作曲家本身,他...
评分在我的心中,早已认定萨义德的古典乐随笔《音乐的极境》是我在2019年读过的最好的书。也许后面还会再读其他新书,但它的地位却无可撼动,常读常新,常读常感动。 我读过不少古典乐随笔和乐评,而萨义德的这本是最让我爱不释手的。他的创作切入点不局限在古典乐及作曲家本身,他...
评分梅梢 译 The core repertory of Western classical music is dominated by a small number of composers, mostly German and Austrian, mostly of the 18th and 19th centuries. In their work, perfection – of form, melody, harmony and rhythm – is common; in fact it o...
评分之前说过,《音乐的极境》这书第一次读,通读,而里面专业名词林立,这本乐评,主要又是评论1980-2000在美国出演的各种音乐会和歌剧,这可真是难为我这音乐小白了[捂脸][捂脸] 花了半天时间做了思维导图,好不容易弄清思路,我觉得萨义德主要是讲了两大部分: 1、音乐是什么?音...
评分在我的心中,早已认定萨义德的古典乐随笔《音乐的极境》是我在2019年读过的最好的书。也许后面还会再读其他新书,但它的地位却无可撼动,常读常新,常读常感动。 我读过不少古典乐随笔和乐评,而萨义德的这本是最让我爱不释手的。他的创作切入点不局限在古典乐及作曲家本身,他...
Music at the Limits pdf epub mobi txt 电子书 下载 2024