The Trial

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出版者:OUP Oxford
作者:Franz Kafka
出品人:
页数:240
译者:Mike Mitchell
出版时间:2009-07
价格:GBP 8.99
装帧:Paperback
isbn号码:9780199238293
丛书系列:
图书标签:
  • Kafka 
  • 德国文学 
  • 外国文学 
  • 经典 
  • 德语文学 
  • 小说 
  • 奥地利 
  • 卡夫卡 
  •  
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'Someone must have been telling tales about Josef K. for one morning, without having done anything wrong, he was arrested.' A successful professional man wakes up one morning to find himself under arrest for an offence which is never explained. The mysterious court which conducts his trial is outwardly co-operative, but capable of horrific violence. Faced with this ambiguous authority, Josef K. gradually succumbs to its psychological pressure. He consults various advisers without escaping his fate. Was there some way out that he failed to see? Kafka's unfinished novel has been read as a study of political power, a pessimistic religious parable, or a crime novel where the accused man is himself the problem. One of the iconic figures of modern world literature, Kafka writes about universal problems of guilt, responsibility, and freedom; he offers no solutions, but provokes his readers to arrive at meanings of their own. This new edition includes the fragmentary chapters that were omitted from the main text, in a translation that is both natural and exact, and an introduction that illuminates the novel and its author. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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之前读曹庸译本的《审判》两遍,孙坤荣译本的《诉讼》一遍。 虽然现在觉得《诉讼》这个译名可能更贴切,但是就译本内容而言,最喜欢曹庸的翻译。 《诉讼》是我最喜欢的卡夫卡作品。十年前第一次读他的短篇《变形记》,没有任何感觉,又过了两年,第一次读《城堡》,只是觉...  

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据说,每个人的身边都至少有一个用“卡夫卡”当过网名或者QQ签名的朋友。 那些曾化名为卡夫卡的小年轻不一定真的读过卡夫卡,但他们不知道的是,卡夫卡和我们的渊源远比一个名字更深——他堪称当代社畜的精神代言人。 正如诗人奥登所言:“卡夫卡的困境,就是现代人的困境。” ...  

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卡夫卡的荒诞感并不是来自世界本身的存在方式,而是非常私人的他自己与这个世界的对峙关系。卡夫卡是个非常敏感又懦弱的人。在他大部分小说里存在的只有“我”和外部世界的那个力量。其它角色都只是外部力量的一部分。他既无勇气对抗也无能力讨好这个力量。剩下的只能是无止境...  

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卡夫卡在这部小说中从内容、叙述方式乃至笔调都精准再现了一个普通人被操纵社会的庞大律法或政府机器如何折腾到精疲力尽直至宁愿放弃挣扎走向死亡也不愿继续继续背负这沉重的精神负担的过程。过去几年在美国的生活经历让我充分体会了主人公K面对这样一个无法与之进行任何有效交流的机器的无力感,因此读此书的过程对我来说也是一个确信自身生活正在因此而成为对生命的浪费的过程。

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有关守门人的那段比喻发人深思:法律的大门表面上永远向你敞开,却始终无法闯入,甚者这门的设置也是唯独针对你一个人的。而你与守门人又到底是谁从属于谁?虽然整本书有些不连贯,但是其本质是不断地在重复一件事情。其实和《城堡》的主题类似,探讨了order and hierachy,而《审判》则更注重于法律系统本身及其问题:K也许正是因为其“原罪”而被审判的。即使没有实际上犯罪,但是其犯罪的心理却是值得审判的。纵使K始终在扮演着一个法庭的反抗者,但是其自身也深陷于阶级的泥潭之中、享受阶级的快乐。

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