A Cultural History of Theatre in Antiquity pdf epub mobi txt 電子書下載2025

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出版者:Bloomsbury

作者:Martin Revermann

出品人:

頁數:272

译者:

出版時間:2017-9-21

價格:$82.58

裝幀:精裝

isbn號碼:9781472585691

叢書系列:A Cultural History of Theatre: Volumes 1-6

圖書標籤:

戲劇史
戲劇
Martin_Revermann
Theatre
Antiquity
Culture
History
Ancient
Drama
Greece
Rome
Performance
Society

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具體描述

Theatre was at the very heart of culture in Graeco-Roman civilizations and its influence permeated across social and class boundaries. The theatrical genres of tragedy, comedy, satyr play, mime and pantomime operate in Antiquity alongside the conception of theatre as both an entertainment for the masses and a vehicle for intellectual, political and artistic expression. Drawing together contributions from scholars in Classics and Theatre Studies, this volume uniquely examines the Greek and Roman cultural spheres in conjunction with one another rather than in isolation.

Each chapter takes a different theme as its focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.

著者簡介

Martin Revermann is Professor of Classics and Theatre Studies at the University of Toronto, Canada.

圖書目錄

List of Illustrations
Notes on Contributors
Series Preface
Introduction: Cultural History and the Theatres of Antiquity
Martin Revermann, University of Toronto, Canada
1 Institutional Frameworks: Enabling the Theatrical Event
Martin Revermann, University of Toronto, Canada
2 Social functions? Making the Case for a Functionless Theatre
Sean Gurd, University of Missouri, USA
3 Sexuality and Gender: Off-Stage and Centre-Stage
Ian Ruffell, University of Glasgow, UK
4 The Environment of Theatre: Experiencing Place in the Ancient World
David Wiles, University of Exeter, UK
5 Circulation: Theatre as Mobile Political, Economic and Cultural Capital
Patrick Hadley, University of Utah, USA
6 Interpretations: the Stage and its Interpretive Communities
Martin Revermann, University of Toronto, Canada
7 Communities of Production: Pied Pipers and How to Pay Them; or, the Variegated Finance of Ancient Theatre
Jane Lightfoot, University of Oxford, UK
8 Genres: Drama and Its Many Unhappy Returns
Donald Sells, University of Michigan, USA
9 Technologies of Performance: Machines, Props, Dramaturgy
Peter von Möllendorff, Justus-Liebig University Giessen, Germany
(translated from German by Martin Revermann)
10 Knowledge Transmission: Ancient Archives and Repertoires
Johanna Hanink, Brown University, USA
Notes
Bibliography
Index
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將古希臘與古羅馬的劇場活動並置分析為本捲特色。戲劇建製與框架藉鑒戈夫曼理論，突齣早期戲劇內蘊的競賽意義以及作為上層精英-贊助者炫富的展示；戲劇的社會功能竟指嚮瞭功能的失調：無權者/帝王將相僅在虛構中獲得能動性/受難；女性是否有資格在彼時公共場閤拋頭露麵。悲劇和喜劇再現其形象的演變如何偵測/逾越社會成規；古希臘劇場與自然環境的閤一，古羅馬劇場反映人工試圖掌控自然；利用瓶飾畫來推測演齣情況，泛希臘主義和象徵資本的爭奪在經典劇目流通過程中扮演的角色；悲劇結構影響古代曆史編纂學的書寫模式，基督徒對戲劇活動的敵意源自一種基於末世論的緊迫感，因而不斷延宕快感的來臨；公民捐贈嚮國傢贊助的演變；悲、喜劇等文類分彆基於其文學功能，迴傢主題在不同文類中重現；機械神和推颱身兼技術和敘事輔助；泰勒的檔案/劇目二分。

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