A Cultural History of Theatre in Antiquity pdf epub mobi txt 电子书下载 2025

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出版者:Bloomsbury

作者:Martin Revermann

出品人:

页数:272

译者:

出版时间:2017-9-21

价格:$82.58

装帧:精装

isbn号码:9781472585691

丛书系列:A Cultural History of Theatre: Volumes 1-6

图书标签:

戏剧史
戏剧
Martin_Revermann
Theatre
Antiquity
Culture
History
Ancient
Drama
Greece
Rome
Performance
Society

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具体描述

Theatre was at the very heart of culture in Graeco-Roman civilizations and its influence permeated across social and class boundaries. The theatrical genres of tragedy, comedy, satyr play, mime and pantomime operate in Antiquity alongside the conception of theatre as both an entertainment for the masses and a vehicle for intellectual, political and artistic expression. Drawing together contributions from scholars in Classics and Theatre Studies, this volume uniquely examines the Greek and Roman cultural spheres in conjunction with one another rather than in isolation.

Each chapter takes a different theme as its focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.

作者简介

Martin Revermann is Professor of Classics and Theatre Studies at the University of Toronto, Canada.

目录信息

List of Illustrations
Notes on Contributors
Series Preface
Introduction: Cultural History and the Theatres of Antiquity
Martin Revermann, University of Toronto, Canada
1 Institutional Frameworks: Enabling the Theatrical Event
Martin Revermann, University of Toronto, Canada
2 Social functions? Making the Case for a Functionless Theatre
Sean Gurd, University of Missouri, USA
3 Sexuality and Gender: Off-Stage and Centre-Stage
Ian Ruffell, University of Glasgow, UK
4 The Environment of Theatre: Experiencing Place in the Ancient World
David Wiles, University of Exeter, UK
5 Circulation: Theatre as Mobile Political, Economic and Cultural Capital
Patrick Hadley, University of Utah, USA
6 Interpretations: the Stage and its Interpretive Communities
Martin Revermann, University of Toronto, Canada
7 Communities of Production: Pied Pipers and How to Pay Them; or, the Variegated Finance of Ancient Theatre
Jane Lightfoot, University of Oxford, UK
8 Genres: Drama and Its Many Unhappy Returns
Donald Sells, University of Michigan, USA
9 Technologies of Performance: Machines, Props, Dramaturgy
Peter von Möllendorff, Justus-Liebig University Giessen, Germany
(translated from German by Martin Revermann)
10 Knowledge Transmission: Ancient Archives and Repertoires
Johanna Hanink, Brown University, USA
Notes
Bibliography
Index
· · · · · · (收起)

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将古希腊与古罗马的剧场活动并置分析为本卷特色。戏剧建制与框架借鉴戈夫曼理论，突出早期戏剧内蕴的竞赛意义以及作为上层精英-赞助者炫富的展示；戏剧的社会功能竟指向了功能的失调：无权者/帝王将相仅在虚构中获得能动性/受难；女性是否有资格在彼时公共场合抛头露面。悲剧和喜剧再现其形象的演变如何侦测/逾越社会成规；古希腊剧场与自然环境的合一，古罗马剧场反映人工试图掌控自然；利用瓶饰画来推测演出情况，泛希腊主义和象征资本的争夺在经典剧目流通过程中扮演的角色；悲剧结构影响古代历史编纂学的书写模式，基督徒对戏剧活动的敌意源自一种基于末世论的紧迫感，因而不断延宕快感的来临；公民捐赠向国家赞助的演变；悲、喜剧等文类分别基于其文学功能，回家主题在不同文类中重现；机械神和推台身兼技术和叙事辅助；泰勒的档案/剧目二分。

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