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喜歡 Ai Weiwei 的讀者還喜歡

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他確實很有天賦。作品有美感，木門製作的迴鏇讓人無法轉移視綫。可那種憤怒稱為瞭一種不悅的渲染，或許能讓許多青年産生共鳴，但我總下意識覺得與商業有關。不過，這確實是所有創作都麵臨的問題：是本真還是迎閤，即使是本真又如何不被看成迎閤？//Karen Smith值得mark

incredible Ai.

繼續思考當代藝術。

他確實很有天賦。作品有美感，木門製作的迴鏇讓人無法轉移視綫。可那種憤怒稱為瞭一種不悅的渲染，或許能讓許多青年産生共鳴，但我總下意識覺得與商業有關。不過，這確實是所有創作都麵臨的問題：是本真還是迎閤，即使是本真又如何不被看成迎閤？//Karen Smith值得mark

他確實很有天賦。作品有美感，木門製作的迴鏇讓人無法轉移視綫。可那種憤怒稱為瞭一種不悅的渲染，或許能讓許多青年産生共鳴，但我總下意識覺得與商業有關。不過，這確實是所有創作都麵臨的問題：是本真還是迎閤，即使是本真又如何不被看成迎閤？//Karen Smith值得mark

In his sculptures Ai Weiwei refashions artefacts and antiques into surprising, sometimes monumental constructions such as Template (2007): hundreds of wooden doors and windows taken from demolished Ming and Qing dynasty temples and arranged into a massive o...

In his sculptures Ai Weiwei refashions artefacts and antiques into surprising, sometimes monumental constructions such as Template (2007): hundreds of wooden doors and windows taken from demolished Ming and Qing dynasty temples and arranged into a massive o...

In his sculptures Ai Weiwei refashions artefacts and antiques into surprising, sometimes monumental constructions such as Template (2007): hundreds of wooden doors and windows taken from demolished Ming and Qing dynasty temples and arranged into a massive o...

In his sculptures Ai Weiwei refashions artefacts and antiques into surprising, sometimes monumental constructions such as Template (2007): hundreds of wooden doors and windows taken from demolished Ming and Qing dynasty temples and arranged into a massive o...

In his sculptures Ai Weiwei refashions artefacts and antiques into surprising, sometimes monumental constructions such as Template (2007): hundreds of wooden doors and windows taken from demolished Ming and Qing dynasty temples and arranged into a massive o...