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In his sculptures Ai Weiwei refashions artefacts and antiques into surprising, sometimes monumental constructions such as Template (2007): hundreds of wooden doors and windows taken from demolished Ming and Qing dynasty temples and arranged into a massive o...

In his sculptures Ai Weiwei refashions artefacts and antiques into surprising, sometimes monumental constructions such as Template (2007): hundreds of wooden doors and windows taken from demolished Ming and Qing dynasty temples and arranged into a massive o...

In his sculptures Ai Weiwei refashions artefacts and antiques into surprising, sometimes monumental constructions such as Template (2007): hundreds of wooden doors and windows taken from demolished Ming and Qing dynasty temples and arranged into a massive o...

In his sculptures Ai Weiwei refashions artefacts and antiques into surprising, sometimes monumental constructions such as Template (2007): hundreds of wooden doors and windows taken from demolished Ming and Qing dynasty temples and arranged into a massive o...

In his sculptures Ai Weiwei refashions artefacts and antiques into surprising, sometimes monumental constructions such as Template (2007): hundreds of wooden doors and windows taken from demolished Ming and Qing dynasty temples and arranged into a massive o...

有别于西方艺术家的中国艺术家，你能很明显地感受到他的背景、思考塑造着他的作品，而这也是我觉得作为一个中国艺术家最需要的

看了一本《瞧艾未未》，在此标注，其中也有Karen Smith的文章。这部书的文章汇聚为“生平、艺术、维权”三个部分，大致概括了艺术家80年代以来纽约至北京至世界各地的工作。重申我的立场：从普世角度、人道立场、艺术标准看，未未是真挚精神与执着情感的捍卫者，十分令人尊敬，必须容纳。

他确实很有天赋。作品有美感，木门制作的回旋让人无法转移视线。可那种愤怒称为了一种不悦的渲染，或许能让许多青年产生共鸣，但我总下意识觉得与商业有关。不过，这确实是所有创作都面临的问题：是本真还是迎合，即使是本真又如何不被看成迎合？//Karen Smith值得mark

挺好的一本書 之前想帶爸媽去NSW Gallery看Forever的那個自行車但是居然撤展了 OBRIST: What’s the moment we all waiting for? AI: The moment where we lose our consciousness.

挺好的一本書 之前想帶爸媽去NSW Gallery看Forever的那個自行車但是居然撤展了 OBRIST: What’s the moment we all waiting for? AI: The moment where we lose our consciousness.