In his sculptures Ai Weiwei refashions artefacts and antiques into surprising, sometimes monumental constructions such as Template (2007): hundreds of wooden doors and windows taken from demolished Ming and Qing dynasty temples and arranged into a massive o...
评分In his sculptures Ai Weiwei refashions artefacts and antiques into surprising, sometimes monumental constructions such as Template (2007): hundreds of wooden doors and windows taken from demolished Ming and Qing dynasty temples and arranged into a massive o...
评分In his sculptures Ai Weiwei refashions artefacts and antiques into surprising, sometimes monumental constructions such as Template (2007): hundreds of wooden doors and windows taken from demolished Ming and Qing dynasty temples and arranged into a massive o...
评分In his sculptures Ai Weiwei refashions artefacts and antiques into surprising, sometimes monumental constructions such as Template (2007): hundreds of wooden doors and windows taken from demolished Ming and Qing dynasty temples and arranged into a massive o...
评分In his sculptures Ai Weiwei refashions artefacts and antiques into surprising, sometimes monumental constructions such as Template (2007): hundreds of wooden doors and windows taken from demolished Ming and Qing dynasty temples and arranged into a massive o...
他确实很有天赋。作品有美感,木门制作的回旋让人无法转移视线。可那种愤怒称为了一种不悦的渲染,或许能让许多青年产生共鸣,但我总下意识觉得与商业有关。不过,这确实是所有创作都面临的问题:是本真还是迎合,即使是本真又如何不被看成迎合?//Karen Smith值得mark
评分incredible Ai.
评分看了一本《瞧艾未未》,在此标注,其中也有Karen Smith的文章。这部书的文章汇聚为“生平、艺术、维权”三个部分,大致概括了艺术家80年代以来纽约至北京至世界各地的工作。重申我的立场:从普世角度、人道立场、艺术标准看,未未是真挚精神与执着情感的捍卫者,十分令人尊敬,必须容纳。
评分incredible Ai.
评分incredible Ai.
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