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唐•汤普森（Don Thompson）

英国经济学家、商学教授，专精于市场营销、经济性规制、战略规划。目前执教于三所全球顶尖的经济学院：伦敦经济学院、哈佛商学院和加拿大约克大学的舒立克商学院。已出版有多本探讨市场营销与经济的书籍，被译成多国语言。

出版者:Palgrave Macmillan

作者:Don Thompson

出品人:

页数:272

译者:

出版时间:2008-9-16

价格:USD 26.00

装帧:Hardcover

isbn号码:9780230610224

丛书系列:

图书标签:

艺术市场
艺术
艺术品收藏
经济
art
思维
auction
英文原版

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Why would a smart New York investment banker pay $12 million for the decaying, stuffed carcass of a shark? By what alchemy does Jackson Pollock’s drip painting No. 5, 1948 sell for $140 million? Intriguing and entertaining, The $12 Million Stuffed Shark is a Freakonomics approach to the economics and psychology of the contemporary art world. Why were record prices achieved at auction for works by 131 contemporary artists in 2006 alone, with astonishing new heights reached in 2007? Don Thompson explores the money, lust, and self-aggrandizement of the art world in an attempt to determine what makes a particular work valuable while others are ignored. This book is the first to look at the economics and the marketing strategies that enable the modern art market to generate such astronomical prices. Drawing on interviews with both past and present executives of auction houses and art dealerships, artists, and the buyers who move the market, Thompson launches the reader on a journey of discovery through the peculiar world of modern art. Surprising, passionate, gossipy, revelatory, The $12 Million Stuffed Shark reveals a great deal that even experienced auction purchasers do not know.

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用平实幽默的语言写出了神秘深奥的拍卖会的幕后故事。花了一个晚上看完这本书，获益良多。每一章节前面的名言最有内涵，尤其赞成“为艺术定价”这一章的名言：“艺术品的价格是由真实或营造出来的稀有性和纯粹而无理性的欲望决定的，没有任何事情比欲望更容易操控……所谓的...

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知道这本书是源于一个知乎LIVE，关于现代艺术的。买到之后由于拖延症，现在终于看完了。看完的结果是，确实对现代艺术有了一定的了解，尤其是我的小偏执，基本把书中出现的有名字的艺术品都搜出来看了一下，安慰自己，所以现在书读的慢是有原因的，读的细了啊。但其实这本书，...

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入手这本外文书，一是自己喜欢艺术品，二是熟悉熟悉英文。原味的英文还是对胃口的，可毕竟和汉语读物不同，看了外文理解起来不难，但是记住看了什么事情不太容易。所以要一章一章的扎扎实实地看。内容很丰富，只是开始对这些艺术品大亨不了解，看人名和现代艺术的作品很是...

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Venice Biennale, the oldest international exhibition of its kind, is considered to be one of the most prestigious platforms in international art scene. To Sarah Thornton, the author of Seven Days in the Art World, it is not only a "goliath exhibition that i...

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